‘How a Jellyfish Saved the World’ (Venue 33, until AUG 18th)

“A wonderfully absorbing, visually compelling, always funny, and often thought-provoking piece of workshop work by a company I hope to see much much more of in the years to come.”

There is a lot of plastic in places it shouldn’t be. There is too much plastic in the sea. Something needs to be done to minimise and mitigate the impact on the creatures with which we share our homeworld. Clyde the orphaned jellyfish is not alone in the world. He is surrounded by weird and wonderful companions with whom he shares an ocean of possible adventures. But is there someone truly special for Clyde?

Jam Jar Theatre Company presents some of the most compelling, thoughtful, and entertaining puppetry to be seen anywhere this EdFringe. There’s plenty fewer fish and crabs in the sea since so many have turned up in Pleasance Courtyard to take part in this fine example of family-friendly programming.

We enter to discover an arched white screen on which some properly magical shadow puppetry will happen, flanked by two of the best-painted theatrescapes any of us have seen in an age. The art of backdrop painting for theatres has not exactly been lost, but it needs rediscovering in this age of big, cheap and cheap looking TV screens. This is a tech lite production until one of the songs which was disappointingly pre-recorded. Did someone miss their train to Waverly or their flight into Turnhouse. It’s a jarring note in a production that is otherwise lively and fluid performed by a cast of bright young things with a story to tell and a message to share.

In her EdFringe notebook, the one with Copenhagen’s statue of the little mermaid on the front cover, Daughter 1.0 (9yrs) wrote: “I went to How a jellyfish saved the world. In the show there was lots of shadow puppets as well as normal puppets to show the undersea characters apart from the two hilarious crabs who helped the young jellyfish make his friend happy. There was also a stylish crab who decorated himself with plastic witch was beaing thrown into the sea! The moral of the story is to look after the undersea creatures and their home.”

There are times when this script feels like an underwater camel, a seahorse designed by committee. The really rather fascinating asexual reproductive ability of jellyfish is touched on but bounces past the bouncy people in the front row with the speed of a Tiger on a trampoline on a jet ski. Clyde’s backstory and his romance are not as well connected as they might be. Still, this is a wonderfully absorbing, visually compelling, always funny, and often thought-provoking piece of workshop work by a company I hope to see much much more of in the years to come. With my school governor’s hat on this is a production I would urge colleagues to very seriously consider adding to any programme of live events.

Come for the wonder, stay for the delight, leave with a hopetomistic sense of what is possible. Get your coats on and go see this!