“The collisions of art and ideas pull artists and audiences from every corner of the world, and there’s something magical about being in a place where art feels so alive, so urgent.”
WHO: Lewis Major Projects
WHAT: “For those that missed Lewis’ entirely sold-out run in 2024, you’re in luck – his life-changingly beautiful show is back, reduxed – if you managed to snag a ticket last time to this multi award-winning, highly decorated work, you’re in for a surprise: Lewis has choreographed a new opening so the triple bill is now wholly his. See ‘intense movers trip the light fantastic’ (Guardian) for the last time before Lewis answers the call of the International Festival. A collocation of sound, light, movement, space, shape and form guaranteed to stir the emotions.”
WHERE: Main House at ZOO Southside (Venue 82)
WHEN: 21:30 (60 min)
MORE: Click Here!
Is this your first time to Edinburgh?
This is our second year at the Edinburgh Fringe. Last year, we brought Triptych, and now we return with TRIPTYCH Redux, an evolved version reworked with new choreography by Lewis Major. It’s particularly special because Lewis is returning to the stage after 15 years with his piece Unfolding, adding a deeply personal layer to the work. Edinburgh Fringe is unlike any other festival we’ve ever been part of. We’re huge fans of our home festival (the Adelaide Fringe) but the sheer scale of Edinburgh is something else. The collisions of art and ideas pull artists and audiences from every corner of the world, and there’s something magical about being in a place where art feels so alive, so urgent. We’re honoured to be part of House of Oz’s program again, and we’re so grateful for the support of that organisation and their founder, Georgie Black – she’s our biggest cheerleader! A full run at Edinburgh is hard work, but we’re also going to enjoy the festival as audience members. We’ve already got our tickets booked!
What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?
We’ve learned that endurance is just as important as inspiration. Touring at this level isn’t just about showing up and delivering every performance; it’s about sustaining the energy, focus, and well-being of the entire company over the course of months of travel. It’s a balancing act. We want to experience everything the festival has to offer, to see as much work as possible, connect with fellow artists, and enjoy the experience. But we’ve also learned the value of pacing ourselves, of saving some of that fire for the stage. Because when the lights come up, the audience deserves nothing less than our best. Last year taught us to prioritise rest, to listen to our bodies, and to find moments of stillness even in the whirlwind of a 24 show season. I mean, you don’t have to go to the festival club EVERY single night.
Tell us about your show.
Lewis Major, our director and choreographer, began his career as a sheep shearer, then transitioned to ballet before an injury led him to choreography. From growing up in rural South Australia to building an international career, his work has always been rooted in raw, human storytelling, just at home in shearing sheds back home and on the world stage. TRIPTYCH Redux brings together pieces from across his career, some reimagined, some entirely new, all united by a focus on audience-facing vulnerability and connection. The company comprises a mix of Australian and UK dancers, and we’ve been touring extensively—recently in Ireland, followed by Brazil and Italy, and then landing squarely in Edinburgh. After the Fringe, we head to South Korea, Portugal, Manchester, and Sydney. It’s a demanding schedule, but it’s also a privilege to share this work with such a diverse range of audiences.
What should your audience see at the festivals after they’ve seen your show?
Skinny – Michelle Pearson. Michelle is an incredible cabaret artist telling challenging stories with heart and soul. Drawing on personal experiences, she weaves a narrative of hope in modern society.
Lady Macbeth Played Wing Defence – Crash Theatre Company. A hilarious new take on Lady Macbeth and her desire for power, full of original songs by the team from Perth, Western Australia
Orpheus and Eurydice – Circa with Scottish Chamber Orchestra and Scottish Opera. This is set to be a spectacle of incredible proportions, exploring love, loss and everything in between.
Ten Thousand Hours – Gravity and Other Myths. The Gravity and Other Myths team have such an amazing energy on stage. They are the best at what they do and they have levity and fun while wowing!
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