Author Archives: Dan Lentell

EdFringe Talk: It Was Really Good to Know You

Posted in *EdFestivals 2025, *Written Interviews by

“Taking a nap every day was key to surviving last year, so I’ll definitely be doing that again.”

WHO: Sevrin Willinder

WHAT: “A solo silent clown show about a time traveler who needs the audience’s help to recover the defining moments of his life. “It Was Really Good to Know You” takes audiences through time and space, from the prehistoric period of the caveman to the disco era of the 70s. Featuring showdowns in the wild west and express mail deliveries across the galaxy, this engaging story invites audiences to embrace the unexpected and explore the beauty of human connection.”

WHERE: Wee Container at Hoots @ Potterrow (Venue 243) 

WHEN: 22:20 (55 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my second time going! Last year we took a show called Shakespeare Translate where we put all of Shakespeare through Google Translate 15x and then back to English and performed the garbled nonsense it gave us. We just performed the last week of the festival, but attended for a week before that, and we were blown away. Going to the festival had been a dream for a long time, and it really lived up to it. This festival is like heaven for theatre lovers. It’s a nonstop party and celebration of art in the best way possible! I’m so happy to be involved in any way at all. As an attendee all I wanted to do was go to as many shows as I could, and as a participant all I wanted to do was play with as many audiences as possible. I truly cannot wait to return this year, and for the whole month this time!!

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I’m much more mentally prepared to live off the Tesco Meal Deal than I was last year.

Taking a nap every day was key to surviving last year, so I’ll definitely be doing that again. At some point last year I had to accept that I couldn’t see every single show I wanted to, so I hope I can remember that immediately going in this time (otherwise I’m gonna be very exhausted for my own show).

I’m so glad we went last year for a short period of time to scope everything out because I feel infinitely more prepared this year. We got the venue and timeslot we wanted (Potterrow at 22:20), and we have a good momentum of support from a lot of amazing people who will be at the festival this year.

Tell us about your show.

It’s a solo silent clown show about a time traveling mailman. It’s heavily reliant on audience participation. Think of it as a “take your friend to work day” kind of vibe, and the mailman wants every audience member to be his friend. There is also live sound operation done by Melissa Ingle, my director and artistic partner, so it’s much more like a 2 person show disguised as a solo show. She and I created the whole piece from scratch using a lot of improvisation and weird devising techniques that she is a lot better at speaking on than I am. It was a lot of free association set to jazz and our favorite songs that slowly became a show that now makes a lot more sense than from when we first began.

She and I are producing it under the name Devon Loves ME! Productions, a company that came about from our need to create shows because we weren’t finding any opportunities that excited us. We did a few preview performances in NYC (we’re based in Brooklyn), and are planning on bringing it back here for a full run in the fall/winter. After that we’re looking at touring internationally — definitely Australia for at least Adelaide Fringe, and then hopefully we can meet the right people to get us to tour around Asia, Europe, Africa, South America, Antarctica, literally any and everywhere that will have us.

What should your audience see at the festivals after they’ve seen your show?

Can’t Find My Way Home (amazing, vulnerable storytelling show also from NYC!!)

Night of Drama (hilarious improvised clown with banana peel throwing from the audience. You’ll never love to watch someone fail to be a good actor more than this! I’ve done guest spots with them and it’s endlessly fun)

The Great Pistachio (we’re also producing this fun absurdist comedy about making art at the end of the world)

Mr Cardboard (these clowns are such a delight, and surprisingly sentimental as well for how ridiculous they are)

Dirty Work (Jess is the best high status clown of all time, and I’m so excited to see my friend KILLING IT this year)

Furiozo: Man Looking for Trouble (easily top 3 favorite shows of any kind that I’ve ever seen in my life, and a huge inspiration for this piece. Piotr is a master clown, and I don’t think I’ve ever felt so taken care of as an audience member before)

ha ha ha ha ha ha ha (also easily in my top 3 favorite shows of any kind for pretty much all the same reasons as Furiozo. This show might be the most beautiful thing I’ve ever seen. It made me laugh a lot, and cry a lot)

Readymades (I haven’t seen this yet, but Levi is an amazing performer, and a show about a urinal that walks away already has me hooked. Also the videos of the shadow puppetry I’ve seen have really blown me away).

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EdFringe Talk: Jess Carrivick: For Your Consideration

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“Despite the unpredictable Fringe pendulum that swings in a different direction everyday, it’s a bubble I wish I could stay in forever.”

WHO: Jess Carrivick

WHAT: “A character comic ‘gearing up to conquer’ (Dawn French). In 2024, her WIP Attention Seeker was a ***** ‘masterclass’ (GetYourCoatsOn.com) at the Edinburgh Fringe. This BAFTA Rocliffe shortlist writer hosts the sell-out night Laugh Lines and is a Sketch Off 2025 finalist. Her debut solo hour, directed by Elf Lyons, takes you back to when stories were for family, not viral views. Inspired by her own home movies, Jess creates a universe of characters once meant for her living room. Each vignette is a cinematic tribute to her dressing-up box.”

WHERE: Bothie at Gilded Balloon Patter House (Venue 24) 

WHEN: 13:20 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This will be my 4th time performing at the Edinburgh Fringe BUT this will be my official debut comedy hour! Last year I workshopped a WIP character comedy show ‘Attention Seeker’, which received 5 Stars from GYCO. (Reviewer Chris Goulding automatically became my favourite person of 2024).

Being able to workshop something for a month, performing every day to people you don’t know, is what Edinburgh is all about. You get to try new things, fail and flourish in real time. Despite the unpredictable Fringe pendulum that swings in a different direction everyday, it’s a bubble I wish I could stay in forever.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Looking after yourself is your no.1 priority! In a solo show, you don’t have anyone to cover you, so treat yourself well. I ate lots of bananas, went to bed early (when I could) and avoided alcohol. I am sure that makes me sound really fun but last year I didn’t go up to just have fun, I went to work. After my 8th show my neck and shoulder muscles were so tight that it was straining my voice. My first Saturday night at the Fringe consisted of a Thai massage on Blair Street, takeaway pizza, a bubble bath and in bed by 10pm. Luckily I then had a day off, put myself on vocal rest and was back to full health for my 9th show. Listen to your body and give it what it needs.

This year, I am going into it knowing what my body can and can’t handle. I am ready to have more fun, socialising and network but always with a banana in my pocket.

Tell us about your show.

I’ve taken seeds from my WIP show ‘Attention Seeker’ and used inspiration from my home movie catalogue to form new characters for my debut comedy hour. My show ‘For Your Consideration’ started as a love letter to my dressing-up box but has secretly become a love letter to my siblings. Watching old video clips has reminded me how magic it was to play with them and share an imagination together. There is something so special about watching kids with a video camera knowing that it was never meant for anyone else but them.

Edinburgh will be the first time it really gets tested and I am looking forward to seeing how the show evolves and adapts this August. I hope to give it more time in London and potentially explore international Fringes.

What should your audience see at the festivals after they’ve seen your show?

It goes without saying, my amazing director Elf Lyons is performing her bird trilogy… Raven, Chiff Chaff and Swan. She’s bloody brilliant – you have to see her!

If you like a little alternative character comedy, I think the following people will tickle your pickle:
Lorna Rose Treen, Kit Lloyd, Christian Dart (Gumshoe), Christiaan Hendriksen, and the whole BigHead Comedy line-up.

Some other shows I am desperate to see include Abbie Murphy, Adele Cliff, ‘People We Bury Alive’, ‘L.A. Baby’ and ‘Emily Wilson: Undressed’.

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EdFringe Talk: Grace Helbig: Let Me Get This Off My Chest

Posted in *EdFestivals 2025, *Written Interviews by

“A cancer diagnosis is like a bird crashing through your windshield while you’re driving. Suddenly everything is a mess and you have to take your car off the road and figure out how to fix it.”

WHO: Grace Helbig

WHAT: “Grace Helbig has amassed millions of views as an OG YouTube star. As a comedian, New York Times bestseller, podcast host and true internet kid, she’s built a career on quick wit, awkward charm and heartfelt storytelling. But at 37 everything paused when she was suddenly diagnosed with breast cancer. Let Me Get This Off My Chest explores her unexpected “hero’s journey” through breast cancer treatment. Grace is bursting out of her computer screen and bringing her signature comedy to the stage for a night of unpredictable laughs and unforgettable stories.”

WHERE: Jack Dome at Pleasance Dome (Venue 23) 

WHEN: 19:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my first time stepping into the chaotic wonderland of Fringe. I feel so youthful and naive! I’ve watched a couple Youtube videos and have heard about its exhausting magic from other performers, but you have to see it to believe it. It seems like a Narnia for passionate weirdos and I can’t wait to hurl myself through the wardrobe.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Well, damn. I’ve learned A LOT over the last couple of years, against my will no less. My one woman show is all about my unexpected breast cancer diagnosis in 2023 and all the weird and wonderful things I experienced/learned throughout the treatment process. A cancer diagnosis is like a bird crashing through your windshield while you’re driving. Suddenly everything is a mess and you have to take your car off the road and figure out how to fix it. Thankfully, through some trials and tribulations, I was able to get my car fixed. And one of the biggest lessons I’ve continued to learn since, is about getting back on the road and learning to drive again. I drive differently than I used to, but that’s because I’ve gotten up close and personal with how my car works (or doesn’t). And one of the most potent salves that has kept me grounded through the whole experience has been comedy. Creating a lighthearted show from a very dark time has helped me keep the wheels spinning. Bringing the show to Fringe is a bucket list experience. It’s an incredible opportunity, and a huge step in getting my car back out on the road.

Tell us about your show.

Let Me Get This Off My Chest is my debut hour of storytelling about my experience being thrust into a healing journey after a surprise breast cancer diagnosis in 2023. The show was born from the journaling and vlogging I did throughout the treatment process. On top of being a breast cancer survivor, I’ve been an online content creator for seventeen years. This show also explores the pressure of identity and the way we present ourselves, or don’t, online. The show blends awkward charm, psychological insights into my own identity crisis, and reflections on social media, all while taking you through my breast cancer journey. Does that not sound fun???? I promise it’s fun. I’ve been taking it around in the states and now AEG has helped me bring it to Fringe.

What should your audience see at the festivals after they’ve seen your show?

This is a vague and broad answer, but I think audiences should try to see things they wouldn’t normally expect themselves to see. When in Rome Fringe. There is art for everyone at this festival, I think we should be pushing ourselves outside of our comfort zones.

I’m excited to see anything I can get myself into after the initial paralyzing shock from the overall overwhelm of the festival as a whole dies down – this includes some amazing women like Britt Migs in her show ‘Dolphin Mode’, Lily Blumkin’s character show ‘Nice Try’, and for something truly out of your comfort zone, a play by Laurie Magers called ‘Do You Accept These Charges?’ which is the actual story of her relationship with a guy in prison.

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EdFringe Talk: Su Mi: THISMOTHERPHUCKER

Posted in *EdFestivals 2025, *Written Interviews by

” The wonderful thing about humanity is that we can always find some sort of reliability and empathy towards each other which is why I try and tap in to human part of my comedy work.”

WHO: Su Mi

WHAT: “THISMOTHERPHUCKER is a public nuisance. A dysfunctional anti-clown whose only mission is to destroy ego. Award-winning stand-up and drag performance artist Su Mi presents their debut show: an immersive surreal experience resurrecting every nostalgic moment left forgotten, healing the inner child and seeking to destroy archaic stereotypes and challenge the narrative of comedy whilst navigating a predominantly white cis space. BBC New Comedian of the Year nominee, finalist of Funny Women Awards and Musical Comedy Awards, and Top of the Slops drag superstar. ‘Star comedic quality, difficult to craft’ (FunnyWomen.com). ‘A hugely entertaining force of nature’ (Chortle.co.uk).”

WHERE: Iron Belly at Underbelly, Cowgate (Venue 61) 

WHEN: 18:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve been an avid go-er of the Fringe for several years and will be making my 10th year this year! I know , CrAzY. Bloody hell am I old. Edinburgh Fringe festival is a bit of magic really. That one place you can watch a woman in a crab suit lose her mind whilst devouring copious amouns of mac n cheese toasties. The ultimate healthy combination. You can always clamber your way up to Arthur seat to cool down by the locke. Or say pop down to Hive til five and have your shoes permanently stick to the ground whilst sinking cheap jagers. Then you wake up and do it all over again. Magic.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

The biggest thing I’ve learnt this year is that everything that makes me “different” is my super power. The strength and knowledge of being from two cultures is what makes my life so interesting, negative or positive and I’m so excited to share that. The wonderful thing about humanity is that we can always find some sort of reliability and empathy towards each other which is why I try and tap in to human part of my comedy work. The gift of knowledge of being born in two cultures is highly relatable to a grand scale of audience. I really think the industry is missing a trick when it comes to putting ESEA representations on our screens.

Tell us about your show.

I’ve been comedy writing on my own for over 12 years. The show is written by myself and directed by my wonderful friend, Bruce Tang. We both met at an ESEA development programme called Laughing matters , which is comedy collective funded by the BBC and produced by Milk Tea Productions which is driving to show Asian representation in Comedy and Film.

Bruce is also a comedy writer and improviser. His writing includes BBC’s Drop the Dead Panda (Best Scripted Comedy nominee for the BBC’s Audio Drama Awards and Best Radio Sketch Show nominee for the British Comedy Guide 2021 Awards) and Comedy Central’s East Mode with Nigel Ng. Bruce’s writing is driven by contemporary British culture, with a particular focus on class and queerness which I love and resonate with. The reality of trying to find a Queer Asian / POC director was near to impossible (as in ZERO) so me and him joined forces to become the representation we always needed. I wanted my director to be POC/ Queer as there are a million one intricacies of being a Queer, Asian and working class performer that need to be acknowledged. If the roles aren’t there , then we have to make the roles. I also am a part of Bighead Company productions who specifically love working with performers from unique backgrounds and help create shows that are not only funny, but also unique and exciting to watch which is why we are a perfect fit. .

What should your audience see at the festivals after they’ve seen your show?

There are so many great shows this year! Cabbage the clown (Cinemadrome) which I’ve seen 3 times already is just an expert mix of clowning and sapphic beauty. Shalaka Kurup, (Get a grip) is honestly one of the most smartest weirdest joke writers I’ve ever met. Holly Spillar (Tall Child) has a voice of angel and really echoes the feelings of creatives who are working class. Will BF and Noah (Too much time on your phones) freaky sketch comedy at its finest. Daniel Mckeon (Boy Boss) such a relatable nice lad who’s a wonder at crowdwork , Roger O Sullivan (Fekken) who inarguably had the best poster of 2023, Rohan Sharma (Mad dog) funny ha ha hoo ha but also woof. Jessie Nixon (Dont make me regret this) a joy to watch, its in the title! Rosa Garland (Primal Bog) very necessary slimy good times. Anna Hale (Control Freak) is a musical mogul and great singer / song writer. Hasan Al Habib Death to midwest, the way he intertwines cultures and also imitates accents so talented! Alex Prescott Cosy an expert in improvising musical comedy. Alice India (See you in Hell) constantly showcases girl boss behaviour) and there are so many more!

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EdFringe Talk: Ria Lina: Riabellion

Posted in *EdFestivals 2025, *Written Interviews by

“Edinburgh Fringe is special because it’s the only place where you can do a 28-day run, in a room smaller than your kitchen, to an audience that includes three comedy nerds, a Norwegian hen do, and a toddler (who am I kidding, that’s my whole month’s worth of audience in that list!).”

WHO: Ria Lina

WHAT: “Following her killer debut tour last year, the ‘fearless, provocative, and very funny’ Ria Lina (Scotsman) realises that she is ready to rebel. Named by the Evening Standard as one of the Hottest Comedians You Should Be Watching Now, expect a relentless stream of hilarity as Ria explores the delight of throwing life up in the air after years of following the rules. From Have I Got News For You, Mock the Week, News Quiz, Live at the Apollo and Pointless. Top 10 Best Stand-up Shows of 2024 – Telegraph. ‘Ridiculously gifted’ (Evening Standard).”

WHERE: CabVol 1 at Monkey Barrel Comedy (Cabaret Voltaire) (Venue 338) 

WHEN: 14:25 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No, this is not my first time, this is my 6th full run, but my first time back after a nine-year hiatus. And trust me, coming back to the Fringe after nearly a decade is a bit like returning to an ex you were once in a long, messy relationship with: you know the chaos, you know it’ll be emotionally draining, but you also know… deep down… you missed it and can’t wait for the roller coaster again.

Edinburgh Fringe is special because it’s the only place where you can do a 28-day run, in a room smaller than your kitchen, to an audience that includes three comedy nerds, a Norwegian hen do, and a toddler (who am I kidding, that’s my whole month’s worth of audience in that list!), and somehow still discover something new about your show every night. But the energy of Edinburgh is the same for everyone: electric, exhausting, and absolutely addictive, whether you’re up for a day, a week or the whole shebang (which is the right word for that sentence, but written down, looks sooo wrong).

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I’ve learned that rest is not a luxury, it’s a skill – and one I intend to get good at, after this festival (and the tour). I’ve also realised that there’s a fine line between rebellion and burnout, and if you’re not careful, you’ll cross it wearing a badge that says “Empowerment” and wondering why your eye won’t stop twitching.

I’m learning (slowly) to let go of perfectionism. That maybe the point isn’t to do everything flawlessly, but to do it with purpose, and ideally, without throwing my back out, but other people’s backs are at their own risk.

Have I absorbed these lessons? Well, like I said, I am aware they are there, and need to be learned; I’m dreading a pop quiz, but I should be good for the final exam.

Tell us about your show.

The show’s called Riabellion and I wrote it with the help of many many audiences who patiently attended my work-in-progress shows and were so kind at the end that I was able to not cry about it till I got on the train. They really deserve the credit. It’s deeply personal, about autism, womanhood, logic, anger, motherhood, and the deep need to rebel in a world that keeps demanding you conform, but only in ways that benefit someone else.

I’m being brought to the Fringe by my management team, Blue Book Artist Management (thank you guys in advance for shovelling me off the payment at the end of the month and sticking me on a train back to London). After the Fringe, it goes on a full UK tour this autumn, with dates up and down the country. Bring your brain and maybe a friend who thinks they know everything, they’ll learn something. Or I will. Either way, win-win.

😁

What should your audience see at the festivals after they’ve seen your show?

So first of all, you should see a bit of everything if you can. It’s the largest arts festival in the world, you have the chance to see theatre, circus, comedy, dance, spoken word, all in one day – unless you really hate student theatre (and there is a lot to hate), why not give them a chance? They are learning like the rest of us, they are just earlier in their journey. And who knows, maybe one of those kids goes on to be the next Idris Elba – you could say “I saw them when!”

Also, see a range of ticketed and free. The difference is no longer an indication of quality. Don’t assume free shows are new acts or rubbish, there are a lot of good acts making good money on the Free Fringe/Festival that ticketed acts aren’t. Such as Ian Stone – who always brings a storming hour of new stand up each year and ends up with queues around the block for his shows.

But here are three shows to go see if you really don’t know where to start. Allow me to fill your “female comedian” box on your fringe bingo card:

Marjolein Robertson – I love her unique voice and chaos and her openness that leads to very raw visceral (hilarious) genuine art. But you also have to be open minded too. It’s a two way street and well worth the traverse (does that work for the metaphor?)

Shaparak Khorsandi – I’ve known and loved her for years, she’s my partner in crazy parenting crime… always worth it. If you’re only up for a few days, it’s a safe bet of ticket money well spent.

Robyn Perkins – is doing a few shows while she is up. An absolute engine of energy. – She does great science comedy, so go see at least one of the shows she is doing!

I just realised that if you come and see me I would fill that box on your bingo card, so why not put me in the free box in the middle, and use one of the above for the ‘female comedian’ box, and then you’re twice as close to a bingo as you were before. What fun.

 😁

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EdFringe Talk: A Jaffa Cake Musical

Posted in *EdFestivals 2025, *Written Interviews by

“This is the first time we’re returning with a show which we know works and that definitely takes some of the pressure off!”

WHO: Sam Cochrane

WHAT: “Time to decide once and for all… cake or biscuit? Inspired by the 1991 tribunal which determined the true identity of a Jaffa Cake, multi award-winning family-friendly musical makers Gigglemug Theatre (Scouts! The Musical, RuneSical, Timpson: The Musical) return to the Fringe with their latest sell-out smash-hit comedy that really takes the biscuit (or cake?). ‘Spectacularly fun’ ***** (NorthWestEnd.co.uk). ‘Pure delight’ ***** (ThreeWeeksEdinburgh.com). ‘Phenomenal’ ***** (ThePhoenixRemix.com). ‘Wildly funny’ ***** (TheatreWeekly.com). ‘A Jaffa Cake Musical is a hit!’ ***** (TheatreAndTonic.co.uk). ‘This show is ready for the West End’ ***** (Fringesider.com). ‘Ridiculously catchy songs’ **** (Stage).”

WHERE: Forth at Pleasance Courtyard (Venue 33) 

WHEN: 14:00 (70 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my 10th Fringe and our 4th Fringe as a company! Previously we were here with our productions Timpson: The Musical & RuneSical. We brought A Jaffa Cake Musical to the Fringe last year and it went down better than any of us could have possibly imagined, so it was a no brainer to bring it back this year!

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Although we’ve been to the Fringe three times previously it feels like every year is totally different to the one before and we definitely learnt a lot from being there in 2024. However, this is the first time we’re returning with a show which we know works and that definitely takes some of the pressure off! It was also a nice reminder that the Fringe really has the best audiences in the world and we can’t wait to be back there.

Tell us about your show.

A Jaffa Cake Musical is inspired by the real life 1991 court case which saw McVitie’s face off against the Tax Man to prove that a Jaffa Cake is a cake rather than a biscuit. The show premiered at the Fringe last year and we were lucky enough to sell out our entire run, so we’re thrilled to be bringing the show back this year in a bigger venue! This will also be the production’s final performances so it’s the last chance for people to catch it. We have all the original cast returning alongside some new faces, and have expanded the show to include new scenes & songs too!

What should your audience see at the festivals after they’ve seen your show?

Our very own Alex Prescot & Katie Pritchard are performing in their own solo shows which are both fantastic! We can’t recommend them enough. John Tothill is always my favourite stand up show of the Fringe so he is always worth catching. Garry Starr, Crybabies, Lorna Rose Treen, Cat Cohen are also all acts I’ve seen before who I can’t wait to see again, and I’m looking forward to catching Anna Hale and Alasdair Beckett King for the first time.

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EdFringe Talk: All These Pretty Things

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“This year I’m doing four festivals in four weeks, which means an avalanche of posters, flyers, press emails… and mistakes.”

WHO: Tracey Yarad

WHAT: “An emotionally raw blend of memoir and song, Tracey Yarad’s All These Pretty Things is a phoenix-rising-from-the-ashes story, taking the audience from Australia and the fallout of a devastating divorce following her husband’s affair with their teenage goddaughter, to New York City and an inspiring new life. An evocative portrayal of one woman’s capacity to come back stronger than ever – an inspirational testament to the human spirit.”

WHERE: Fingers Piano Bar at PBH’s Free Fringe @ Fingers Piano Bar (Venue 221) 

WHEN: 16:20 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my second time at the Edinburgh Fringe. I performed the same show last year with a full month-long run. As much as I loved the experience, I wasn’t planning on coming back this year — mostly for the usual reason: money. Like so many artists, I found the costs overwhelming — venue fees, advertising, posters, PR, accommodation — it all adds up fast. I told myself, “Don’t do it again unless someone offers you the Big Tent!” (Which, of course, didn’t happen. Ha!)

Then, earlier this year, I was performing at Adelaide Fringe and happened to meet a Free Fringe regular at a bar. We were commiserating over something (I’ll keep that off the record), and although we’d never met before, we got chatting. He came to my show, liked what he saw, and said, “Let’s see if we can find you a Free Fringe venue in Edinburgh.”

And now — here we are. I’m performing at Fingers Piano Bar with a gorgeous grand piano ready and waiting for me. How could I say no to that? Even if it is at 16:40 each day… I mean, what better time for a cocktail and a show before the evening kicks in?

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Honestly, I had no idea I was supposed to keep working the same show. After Adelaide, I figured I’d put it to bed and move on. But my Adelaide producer gave me a reality check: “You’ve got to come back again and again. After about five years, you’ll start seeing real momentum — full houses, strong reviews, word of mouth.” That was a big lesson. Don’t count your chickens after the first festival. This is a slow build.

I’ve also learned I can do my own publicity — although let’s be real, a bit of help wouldn’t go astray. This year I’m doing four festivals in four weeks, which means an avalanche of posters, flyers, press emails… and mistakes. Just yesterday, I sent out a batch of emails to journalists, only to be politely informed that my links went to the wrong festival — and my website redirected to an iPhone ad. Jesus. So yes, maybe I do need help.

The biggest lesson, though, is resilience. You need a thick skin in this game. Some audiences are small — really small — and that can be demoralising if you let it. But I’ve learned that if even one person shows up and truly feels something, then I’ve done what I came to do. That’s the goal. That’s the win.

Tell us about your show.

So let’s begin with the pitch on the show: What do you do when your husband leaves you for your teenage goddaughter? You dye your wedding dress black, write some killer songs and make a show.

That’s exactly what I did.

This is my real story — raw, painful, sometimes funny, and absolutely true. In this one-hour performance, I bare it all on stage through original songs and spoken word. I co-wrote the script with my director, Tessa Souter, who originally came on board to help edit the book version of the show.

I met Tessa during COVID in 2021. She’s also a jazz singer and was performing at Soapbox Gallery, a venue I was running in Brooklyn with Jimmy Greenfield. We were one of the only places still hosting live music during the pandemic — live-streaming from our listening room six nights a week. Tessa came in, we clicked immediately. She’s a Londoner, I’m an Aussie — there was something in the shared humour and outsider perspective that sealed the deal. We knew we were going to be best mates.

The show premiered in its current form at New York’s 59E59 Theaters, then went on to Edinburgh Fringe in 2024, followed by Adelaide, Brighton, Eastbourne, Manchester, Durham, and Camden — and now it’s come full circle, back to Edinburgh.

After this run, I’m heading to a festival in Scranton, Pennsylvania. I’m based in New York now, and in 2025–26 I’m hoping to focus more of the tour across the U.S. It’s time to plant deeper roots on home turf.

What should your audience see at the festivals after they’ve seen your show?

Her Raving Mind
I’ve heard this is intense and honest and I’m drawn to anything that tackles mental health without sugarcoating it. I feel like this one will leave a mark — in the best way.

Jane Does Comedy
She’s got a rep for being seriously funny and sharp — I’m hoping for smart laughs with a bit of bite. Also, I love a woman owning the stage with zero apologies.

You Oughta Be In Pictures
I’m a sucker for film nostalgia and stories about dreams that don’t quite go to plan. This one sounds heartfelt, and a little glam. Curious to see where it goes.

Gay Disabled Vegan
I mean — what a title! I’m in already. I love shows that tear up expectations and serve truth with a side of wit. Can’t wait to see what this one brings.

Magic Faraway Cabaret
The name alone makes me want to wander in. I want glitter, absurdity, and something that feels like a dream you can’t quite explain the next day.

Shit Show
Yes. Just yes. If you’ve ever had a year (or decade) that felt like a disaster movie, this feels like the perfect place to laugh and cry about it.

Dark Folk Music
Moody music is my comfort zone — give me melancholy melodies and lyrics that bite. I’m going for the atmosphere and to maybe brood a little in the corner.

The Superkrauts
They sound completely bonkers in the best way. I love a show where you just surrender to the madness and enjoy the ride. Also — costumes!

Rebecca Maree & Friends
I want to go to this one to feel held. There’s something really warm about the idea of a musical hangout — real songs, real people, nothing flashy, just heart.

The Creative Martyrs
I’ve heard they’re gothic, satirical, and musically brilliant — I don’t even need to know more. I want to see them just because they sound like they’ve crawled out of a Kurt Weill fever dream.

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EdFringe Talk: The Last Bantam

Posted in *EdFestivals 2025, *Written Interviews by

“My background’s in character comedy. I’m not a professionally trained actor and I think that that ‘coming from the outside’ approach gave me an advantage.”

WHO: Michael Hughes

WHAT: “1914. The Great War rages. Britain recruits 30,000 men between 5’ and 5’3″ to fight. These men come from all over Britain, Ireland and Canada. Known as Bantams after the small, aggressive rooster, they’re formed into special Bantam battalions. 1918. Bouzincourt, France. A group of reporters visit the front to write about the Bantams. One Bantam remains: Patrick Michael Wolfe, a teacher from Dublin. This is his story, from the battlefields of France to rebellion in Dublin. Inspired by real events. ***** (BritishTheatreGuide.info). ***** (UKTW.co.uk). *****(@moreishtv) **** (PlaysInternational.org.uk). ‘Hidden Gem’ (FringeReview.co.uk). Spirit of the Fringe, Derek Awards.”

WHERE: Mint Studio at Greenside @ George Street (Venue 236) 

WHEN: 12:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Nope. This year will be my ninth physical encounter with Edinburgh. I’ve been coming up annually since 2016 (we don’t talk about 2020…) and it’s just something I do now.

Edinburgh is a remarkable phenomena. The city’s one of my favourites and during August it becomes a centre of the performing universe. Creatives from all over the globe (and I suspect a few from beyond it) come to Edinburgh to show the world what they’ve got. The result is an incredibly eclectic mix of disciplines. If you want to see a show about something – however niche – chances are, you’ll find it in the Edinburgh Fringe!

The thing I love most about Edfringe though is the energy. With thousands of performers and artistes within a few square miles, the city buzzes with potential. You can almost taste it! It’s this energy that brings me back every year. It renews my faith in humanity.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

What have I learned? Hmmm…. Preparation is all! In previous years I never bothered contacting reviewers for example. I just assumed they’d come to my show because, well, why wouldn’t they? Last year I realised that if I really wanted reviewers to come and see me in action I had to be more proactive. No more desultory media releases for me. No sir! I’m playing the game differently this year. Over the last year I’ve gathered information on key reviewers (along with, shall we say, some ‘interesting’ photographs?) and I’m looking forward to glowing reviews from The Scotsman, The Stage and Caravanning Weekly.*

*Please note that the above response does not constitute a confession. It is a work of fiction crafted for entertainment purposes only. The author does not practice or endorse any form of form of blackmail. Even of reviewers. And if you say he does you’ll regret it. He has the negatives…

Tell us about your show.

I wrote The Last Bantam after reading Sydney Allinson’s ‘Bantams’ a couple of years ago. I read his book and thought, ‘Wow! What an incredible story!’ I immediately hoovered up every and anything else I could find about them and before long I’d pages and pages of notes. I looked at those notes and thought, ‘This would make a fantastic play!’ and The Last Bantam was born! I wrote the first draft over a few days and did a pre-preview preview in my sitting room in July ’23. I did the preview proper in The Arts Depot, North Finchley before taking The Last Bantam to Edinburgh for its Fringe debut in August ’23. It went down a storm and I thought, ‘This show has legs. Short legs, yes, but legs nonetheless.’ and I’ve been doing it ever since, developing the story every time. I’ve produced The Last Bantam as very much a solo project. My background’s in character comedy. I’m not a professionally trained actor and I think that that ‘coming from the outside’ approach gave me an advantage. Like all the comics I know, I had an idea, tried and refined it and that was it. Maybe I’m wrong, but I suspect that had I an acting school background I might have needed the input and security of a ‘team’ around me and my show probably would have taken a year, rather than a few months, to develop. This year I’ve taken The Last Bantam to Nottingham, Wiltshire and Hampshire and after the Fringe I want to tour some more. I’d be extremely keen to make The Last Bantam into a movie. There’s a huge amount of drama in it. And a few laffs. I hear DeVito’s interested…

What should your audience see at the festivals after they’ve seen your show?

I think, after seeing The Last Bantam (the ONLY show in the Fringe by the way, about Britain’s ‘bantam’ soldiers) I’d send my audience to see the remarkable Stephen Catling in ‘Moving on… Really, really slowly’ (19:30 The Attic). I’m not sure what my audience would make of Stephen’s brand of ridiculous surreality (is that a word?), but my goodness, he makes me laugh! There’s also the incredible Ian Crawford’s ‘Accident Avoidance Training for Cutlery Users (advanced and improvers). I saw this last year and he had me in stiches. There’s moments of pure comic brilliance in that show! I’d also strongly recommend Stephen Smith’s ‘One Man Poe’ shows at Greenside. Stephen’s a towering talent (well, he’s taller than me) and he’s doing my lights and sound this year. I’m rather intimidated to be honest. What if he brings his raven?

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EdFringe Talk: A Gerry Christmas Carroll

Posted in *EdFestivals 2025, *Written Interviews by

“There are weird coincidences most years, like the time there were lots of shows about the sad lives of battery chickens, as a metaphor for the human condition.”

WHO: Gerry Carroll

WHAT: “Scrooge is not just for Christmas. Gerry tells you his favourite Charles Dickens story – in August. A Merry Fringe for all, with singing and dancing. Come and be scared by ghosts! Enjoy the Fezziwigs’ Christmas party! Gerry first read the book when he was 10, so this show has been 62 years coming, and it’s worth it. Yes, Gerry is 72 and still going. He didn’t finish it in time for Christmas last year, but he’s here now with a brilliant 2025 Christmas show, four months early. Come and see!”

WHERE: Just the Attic at Just the Tonic at The Mash House (Venue 288) 

WHEN: 14:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

My first time in Edinburgh was 11 years ago, as a visitor to the Fringe for a weekend to see friends in shows. I loved the atmosphere- there were little rooms with black curtains that turned into stages, and you never knew what you might see. One student group showed us the destruction of the environment by inflating a huge globe and then bursting it with a pin. There are weird coincidences most years, like the time there were lots of shows about the sad lives of battery chickens, as a metaphor for the human condition. But there are also wonderful, weird finds that you couldn’t see anywhere else. Like a couple of actors being slugs in a mud bath, that was very funny and poignant.

Even as a punter, Edinburgh can be overwhelming. There’s just so much to do and see. People who are really organised start doing spreadsheets as soon as the Fringe brochure comes out, and they know exactly which shows they’re going to see. But you also have to be flexible and be open to going to a show you’ve never heard of, that may turn out to be great.

On my second visit to the Fringe, I came back as a performer with an improv group. It seems that Fringe takes over the city, you can see performances on the streets, in basements, everywhere. It’s like a month-long carnival. Whatever you prefer, improv or stand-up, or storytelling, there’s something for you. From a tiny solo show – someone doing the Trojan war in a room with thirty people, to a huge immersive production about the settlement of the western United States in a huge warehouse space, to Shakespeare and old-fashioned musicals.

I went to lots of solo shows and I envied the way the performers held the stage for an hour. I thought I’d love to do that, so I put together bits of stand-up and made them into my own first show in 2018. I’ve done a solo show most years since, and I’ve tried to make each show more personal and also better technically.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

The biggest thing I’ve learned is to follow my instincts and make a show that I love, which I hope that the audience will love too. I’m doing a full run, 24 shows, and I can’t wait to share what I’m doing.

This year I’ve adapted Charles Dickens’ A Christmas Carol as a solo show. Using someone else’s story has allowed me to express myself through acting and clown. Last year, I depended on my own script and I was more focussed on the writing. I don’t have to worry about the writing this year- Charles Dickens is the best there ever has been! I hope to do him justice.

The Carol is 182 years old, and I hope to reveal why it has lasted so long. Everyone from the Muppets to Jim Carrey has made their own versions, but I go back to the original, in Dickens’ own words.

Tell us about your show.

It’s A Christmas Carol by Charles Dickens, adapted by me for a solo show. I use Dickens original words and story. There have been many versions since 1843, because it’s such a great book, and I hope to let my audience see why it’s lasted for 182 years. It’s a solo show, and I’ve done everything myself, with very little outside help.

I’ve got to know the stories and characters very well, and I’ll introduce you to them.

What should your audience see at the festivals after they’ve seen your show?

Michelle Burke’s Mind How you Go at Zoo Playground, 12.45 for the full run, original songs and story, is a great show about Irish roots, a lovely way to spend lunchtime. Michelle is a great talent with a lovely voice. Tickets from:
https://zoofestival.co.uk/programme/mind-how-you-go/

The show just after mine in the Attic at the Mash House at 4pm every day is Narin Oz’s Inner Childish. She’s very funny and genuine and well worth seeing. Tickets from:
https://edinburgh.justthetonic.com/event/88:4705/

Also, One Eyed Scouts present Improvised Movie Fun at 6.05 pm, 17th -24th August, part of PBH Free Fringe, at Brewdog, Lothian Road. They do really fun stuff based on films and film stars. There are four of them, all from different countries, and they usually perform online. This is only the third time they’ve met in person and they’re a joy to watch. It’s part of PBH’s Free Fringe, so just turn up and enjoy.

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EdFringe Talk: Tomás Bepalo: What Gets Better?

Posted in *EdFestivals 2025, *Written Interviews by

“It’s no secret how tough comedy can be. Most people I know make money by running compilation shows (taking the ticket money—and some don’t even pay the guest comics). And for those of us who don’t manage to earn enough, we end up topping up with “anyone-can-do-it” kind of jobs a few days a week.”

WHO: Tomas Bepalo

WHAT: “A dark comedy exploring my chaotic life as a neurodivergent, nonbinary person navigating sex, dating, family and loneliness. From being a late-diagnosed neurodivergent to starting testosterone, I share exaggerated stories with humour, using catchphrases like: ‘I put the ‘T’ in Testosterone.’ This show highlights my struggles with dysphoria, mental health and the harsh reality that life doesn’t magically improve – but we get better at handling it. Through stand-up, storytelling and clowning, I aim to spark conversations and offer relatable laughs. It’s personal, emotional and a little messy – just like life.”

WHERE: Just the Club Room at Just The Tonic Legends (Venue 27) 

WHEN: 18:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Not my first time here, but it is my first time doing a full-length solo show!

I first experienced the Edinburgh Fringe in 2018—initially just as an audience member with the occasional guest spot. Over the years, that turned into double bills and work-in-progress shows.

To me, the Edinburgh Fringe is like breaking up with someone for the first time. There are so many memories and emotional attachments that, when it’s over, you feel sad and empty… but also a bit relieved. You promise yourself you won’t do it again because it hurts, but next thing you know, you’re dating the same kind of clown by the following year. What can I say? I’m a romantic—I can’t live without love. Fringe.

The Fringe is special to me because it’s the one time I genuinely feel like a professional in this industry. So far, I’ve written, performed, and produced all my shows. It’s no secret how tough comedy can be. Most people I know make money by running compilation shows (taking the ticket money—and some don’t even pay the guest comics). And for those of us who don’t manage to earn enough, we end up topping up with “anyone-can-do-it” kind of jobs a few days a week.

So that sense of achievement—feeling like you actually belong—for a whole month? That’s precious.

It becomes part of your life. Pretty much everything you do before August is in preparation for it. You get to see old friends who come back every year—your “Fringe family”—and you meet loads of new, talented people too.

It’s busy. It’s exhausting. It’s rewarding in its own unique way. It’s a display of passion—or maybe an inner, unsatisfied desire to feel included. To feel like someone.

It’s Fringe.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I’ve realised that people remember you. Even when you wish they wouldn’t. For the longest time, I genuinely thought I was going unnoticed by most people in the industry, and, to be honest, by pretty much everyone. However, in 2024 I became aware they do notice me. They know who I am. They probably don’t know my name or where I come from, but they know I’m a comic – or at least that I called myself a comic and I hope it catches on.

And yes, there is an embarrassing story behind this realisation—one I’m not entirely sure I can share so publicly! Still, this year, I’m planning to be more mindful and just give it my all. Perform at my best, every time.

Tell us about your show.

Let me start by making one thing very clear: I’m behind all of this. I am The Ideal Man Productions.

I’ve been writing this show for over a year now, and it’s changed dramatically from where it started. There’s a particular section where I try to address the latest Supreme Court ruling and how it affects the transgender community—primarily trans women. But because things keep changing (and not for the better), it’s been difficult to keep up. One day a joke makes sense, and the next, it’s completely outdated.

I also had the idea of creating a video—an animated cartoon—and producing a song to go with the show. That idea shifted quite a bit over time. In the end, there’s no video anymore (which makes travelling easier—no need for a projector), and the song evolved into the show’s theme tune, used at the beginning and end.

This is the first time I’ve ever written a song—and I know absolutely nothing about music. So I called my friend Pauline Vallance, who composed the music. Then my mate Stephen Davidson from the London Trans Choir brought together some of his members to record the vocals. My friend Xavier Velastin, a sound engineer, helped me pull it all together and also worked with me to create the full soundtrack for the show.

I’ll admit, I’m a bit of a perfectionist—especially when it’s something I care deeply about. That’s part of why it’s taken so long for me to finally debut the show. I’ve tested those jokes countless times and kept tweaking them until they felt right. I booked comedy writing sessions to go through the full script with both Viv Gee and Adele Cliff. I’m genuinely proud of what I’ve put together. My only hope now is that people either resonate with it—or just have a good time.

What should your audience see at the festivals after they’ve seen your show?

First, thank you for coming!

I think you should see a large number of artists. Start with my friends and don’t expect “normal” stand up:

Phil O’Shea: Something About Dogs. 4th, 5th & 12th August at 19:25. The Stand 2. The Stand Comedy Club.

Narin Oz: Inner Child(ish). From 31st July to 24th August at 16:00. The Mash House (Just the Attic). Just the Tonic.

My bestie, me dearest friend Angela Legg who is very talented and is doing 8 shows:

Hexes and Exes- 2nd-16th (even dates) at 12:00. The Outside- Upstairs room. PBH’s Free Fringe.

My Mind is A Maze(ing)- 3rd to 17th (odd dates) at 12:00. The Outside- Upstairs room. PBH’s Free Fringe.

We Have to Think of a Really Good Show Name – 2nd-16th (even dates) at 15:30. Satyr Bar. PBH’s Free Fringe.

SCREWED- 2nd-16th (even dates) at 19:00. Satyr Bar. PBH’s Free Fringe.

A Real Live Scratch Night- 3rd to 17th (odd dates) at 19:00. Satyr Bar. PBH’s Free Fringe.

Legg’s Fishnet Of Talent – Numerous dates and venues for this one.

The Great Dane’s Kennel Club- Numerous dates and venues for this one.

I would also recommend the following people as I know they are talented. Kate Hammer, Kathleen Hughes, Amanda Hursy, Ruth Hunter, Adele Cliff, Gabriel Featherstone, Hooky Productions and Shelf (technically a kid’s show, but they’re stupidly funny).

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