
“The fringe community is a generous one, we’re all here to create and share art and comedy – I suppose trying to find a balance between pacing yourself and supporting others is what I need to learn. Or maybe I should just schedule things further ahead! That’s a problem for Future Jon.”
WHO: Jon Tilley
WHAT: “Turn on the radio, have a cup of tea – and don’t forget to take your pills! Get ready for an action-packed journey through the imagination of a playful, solitary old man as he discovers treasured memories of raising his late son. Mischievously recreating childlike memories with an undercurrent of grief, Old Man is a masterpiece of modern clowning, where the anguish of loss is beautifully juxtaposed with innocent joy. This show is non-verbal, and blends physical theatre, clowning and mime. Winner of the Brian’s Life Award, Prague Fringe 2023. Directed by Oliver Fife-Nilsson, produced by Ellen Fife-Nilsson.”
WHERE: Summerhall – Red Lecture Theatre (Venue 26)
WHEN: 11:30 (60 min)
MORE: Click Here!
Is this your first time to Edinburgh?
No, this will be my fifth time at Edinburgh Fringe and every year has been unique! I performed with university people way back when and then, the second year (2019) I was part of the Latebloomers performing Scotland! with Ollie Fife-Nilsson and Sam Dugmore. Then in 2022 and 2023 I was performing Attenborough and his Animals with Clownfish Theatre and in 2023 I was also performing with mine and Ollie’s company, Jon & Ollie for our kids show Strictly Barking at Gilded Balloon. The variety is one of the things that makes Edinburgh Fringe stand out as the world’s best fringe festival for both audience and performers – no two years are the same! This year I’ll be performing a solo show at Summerhall, Old Man, and also am part of a sketch comedy show called MIME CLUB.
What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?
Something I’m trying to learn (and might learn one day!) is how to pace myself. Having been part of multiple shows for multiple years – which I’m doing again this year – requires a lot of stamina both mentally and physically. Plus there is sometimes pressure when performing at fringe festivals to not miss out on anything and support fellow artists – you want to see everything, meet everyone, catch up with friends and make new connections. This year Old Man is on for 11 shows and MIME CLUB is on for 16, both in the first half of the fringe, so I’m not doing the full run as a performer this year (but still am in talks to tech things!). Maybe I am learning to pace myself?! But supporting everyone is crucial for me. The fringe community is a generous one, we’re all here to create and share art and comedy – I suppose trying to find a balance between pacing yourself and supporting others is what I need to learn. Or maybe I should just schedule things further ahead! That’s a problem for Future Jon.
Tell us about your show.
Old Man is a piece of non-verbal theatre that uses clowning, mime and physical comedy to explore play, grief, loneliness and storytelling. It’s a solo show that follows a nameless old man as he searches through a box of his absent son’s belongings, rejoicing in happy memories of parenthood and mischievously recreating childlike memories. But there is an undertone of grief lies beneath the surface, which leaves the audience with tears of laughter, sadness and a longing for family connections.
I created this piece with Ollie Fife-Nilsson, the other half of Jon & Ollie, who also directed the show. We met while studying at Jacques LeCoq in Paris in 2015 and formed our duo company during the pandemic. Jon & Ollie shows are produced by Ellen Fife-Nilsson. So far Old Man has won the Brian’s Life Comedy Award and the Catania Off-Fringe Award, both at Prague Fringe in 2023. We’ve since taken the show to Italy, England and Scotland and are looking forward to see where it can go next!
What should your audience see at the festivals after they’ve seen your show?
Of course, if Old Man doesn’t sound like your cup of tea, MIME CLUB is unhinged absurdist comedy sketches showing at Gilded Balloon. Also The Ceremony by Ben Volchok at Summerhall (I’d try and avoid spoilers but every show is different!), Murder She Didn’t Write is a terrific improvised classic murder mystery and Motorboat by Mel McGlensey is hilariously naughty, both showing at Assembly. I’m always a fan of Elf Lyons’ comedy shows and can’t wait to see Horses at the Pleasance, and if you missed out on seeing Jeromaia Detto’s MUSH last year you’ve been given a second chance to see it at Underbelly which I highly recommend.
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