“He excelled as a military leader!” – Author Simon Elliot talks about ‘Pertinax’

“Being worthy can come at a cost!”

WHAT: Born in Italy, the son of a freed slave, his early years were spent in obscurity. After earning his living as a teacher, Publius Helvius Pertinax would undergo one of history’s most successful professional reincarnations. With the support of influential patrons, he joined the Roman legions rising through the ranks along the cursus honorum, in a spectacular career which included senior commands from Syria to Brittania as well as key civil and military postings in between.

Pertinax was last confidant and friend of the Emperor Marcus Aurelius to survive the tumultuous and violent rule of the philosopher/statesman’s son, Commodus, who was killed in a palace coup on 31 December 192. Then serving as Urban Prefect of Rome, Pertinax found himself in the right place at the right time to unwillingly don the purple, yet his reign would last for just three months in before he too was assainated, this time by the rapacious and unruly Praetorian guards.

“Is Rome worth one good man’s life?” asks Connie Nielsen as she stands over the fresh corpses of Russell Crowe (as Maximus) and Joaquin Phoenix (as Commodus) at the end of Gladiator. “We believed it once. Make us believe it again.” Step up, step forward Derek Jacobi wearing Pertinax’s beard and less of Claudius’ drool.

Gibbon narrates the election of the Roman Emperor Pertinax with more precision than Ridley Scott, though with no less drama. “The measures of the conspirators were conducted with the deliberate coolness and celerity which the greatness of the occasion required. They resolved instantly to fill the vacant throne with an emperor whose character would justify and maintain the action that had been committed. They fixed on Pertinax, prefect of the city, an ancient senator of rank, whose conspicuous merit had broke through the obscurity of his birth, and raised him to the first honours of the state.”

Macchiavelli would write of Pertinax, “hatred is acquired as much by good works as by bad ones, therefore, as I said before, a prince wishing to keep his state is very often forced to do evil; for when that body is corrupt whom you think you have need of to maintain yourself—it may be either the people or the soldiers or the nobles—you have to submit to its humours and to gratify them, and then good works will do you harm.”

In Pertinax: The Son of a Slave Who Became Roman Emperor Simon Elliott brings together the threads of this remarkable life, setting a stage set at the high noon of Rome’s imperial power and prestige. The portrait that emerges is a flash of lightning which illuminates much of the moment and the man as it and he was, whilst also illustrating why Pertinax has been so much admired down the interveening centuries.

WHO: “Simon Elliott is an historian, archaeologist, author and broadcaster based in Kent. In 2017 he completed his PhD at the University of Kent in Archaeology, where he studied the military presence in Britain during the Roman occupation with a particular focus on the Classis Britannica regional fleet. Simon is now an Honorary Research Fellow at the University. He has a Masters Degree in War Studies from KCL and a Masters Degree in Archaeology from UCL, both completed part-time in the past decade and an original BSc in History and Politics.”

MORE? Here!


Why Pertinax?

I have great interest in the emperor Septimius Severus who ruled at the height of the empire’s power in my opinion. He also launched the last, but ultimately failed, campaigns to conquer the far north of Britain (now the region of modern Scotland) in AD 209 and AD 210, before dying in York in February AD 211. Severus was the ultimate victor in the Year of the Five Emperors in AD 193, with the first incumbent being Publius Helvius Pertinax. The more I studied this emperor the more fascinated I became, he the son of a manumitted slave who eventually rose through hard work, grit and diligence to become the emperor. He was also Severus’ mentor throughout much of his life.

What’s the one thing everyone should know about Pertinax?

That he was initially a Grammaticus teacher until his mid 30s when he suddenly decided to join the military out of knowhere, then rising through the ranks to become the most senior trouble shooter in the empire for the great Marcus Aurelius and mad and bad Commodus.

How did Pertinax feature in the minds of later generations down to our own time?

In the Roman world through to late antiquity, and even later, he was as famous as Julius Caesar or Augustus. The man who had risen from the bottom of Roman society all the way to the top. Further, in standing up to the Praetorian Guard when they demanded he pay them off, he upheld the highest of Roman ideals of worthy leadership. That this cost him his life only added to his contemporary fame. Since then, certainly from the 18th century, he has been used as an example of the worthy ruler, willing to stand up for his beliefs, even if at the cost to his own life.

Without his own legions to overpower hostile local power structures in Rome (including the Praetorians), could Pertinax have ever been anything more than a caretaker emperor?

I actually think Pertinax became emperor because of his standing as a civil leader, being the right man in the right place as city prefect at the point when Commodus was killed. Indeed, he could have called on his loyal legions to support him in power at any time but chose not to do so, making him vulnerable to the Praetorians. Being worthy can come at a cost!

A month on campaign / assignment with Pertinax; a long weekend with him at his country retreat; or a day in the Library of Alexandria – which appeals most?

Oh a month on campaign definitely, and north of the Danube against the Marcomanni in enemy territory. He excelled as a military leader!

If you could own one object described in the book what are you having and why?

An original copy of the Historia Augusta, one of the key primary texts for the period, in the hope I might find out who wrote it!!!

Clearly, Pertinax is overdue the attentions of a novelist. They’re all waiting outside your office to be interviewed for the job. Rosemary Sutcliffe, Gore Vidal, Robert Graves, Margaret George etc. Who are you picking and why?

Blimey they are all amazing. But for me Rosemary Sutcliffe given she was such an inspiration for my love of all things Roman!

If you could ask Pertinax one question what would it be, and what would you expect his answer to be?

Why oh why oh why oh why didn’t you call out your personal guard when you heard the Praetorians were on their way to the palace to confront you! And he would answer…because I thought they would listen to reason from such a seasoned veteran.

What’s the one primary source on Pertinax you know in your heart once existed, but which has been lost? What could it tell us?

Difficult to say given we probably have less than 5% of anything ever written about Pertinax from the classical world, and maybe even less!

What are you currently working on?

Proofreading Great Battles of Early Imperial Rome thru Pen & Sword out in November, and writing Vandal Heaven, my brand new take on post-Roman North Africa after my extensive travels there, this for Casemate Publishing.

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Bedfringe 2023 Interview: Agnes

“Our show follows Agnes after her ascension to sainthood as she reckons with her powers, identity and legacy, with the audience joining her on a time travel revenge mission to track down her murderers in order to exact vengeance.”

WHO: Ella: Director

WHAT: “In 304 AD Agnes of Rome was executed at the age of 12 after rejecting the advances of grown men. We follow Agnes after her ascension to sainthood as she reckons with her powers, identity and distorted legacy. The audience join Agnes on a revenge mission through time to track down her murderers.

Combining shadow puppetry, music, and a healthy dose of time travel, Agnes is a new show by ‘THE company to watch’ Ricochet Theatre with their signature humour and poignancy.

Earlier this year Agnes was shortlisted for the Charlie Hartill Award, and Ricochet can’t wait to come back to Bedfringe with this work-in-progress performance, where they were awarded ‘Pick of the Fringe’ in 2021.

Agnes is a historical piece, but her story raises vital and timeless questions surrounding the way history is moulded and the desire to control our legacies; Do we have that power? If we don’t, who does?

“Ricochet Theatre are THE ones to watch” ★★★★★ GET YOUR COATS ON”

WHERE: Quarry Theatre

WHEN: 29 July @ 16:00 + 30 July @ 12:00 (60mins)

MORE: Click Here!


Is this your first time to Bedfringe?

This will be our third stint at the wonderful Bedford Fringe Festival. We first came to Bedfringe back in 2021 with our first ever performance of our first ever show as a company The Same Rain That Falls On Me which won that year’s Pick of the Fringe. We returned in 2022 with the same show for a one off performance whilst also bringing along a new show Intricate Rituals which was a dark comedy one woman show using shadow puppetry.

Both experiences have been incredibly fulfilling – as a theatre company starting out we are so lucky to be able to access such a well-facilitated venue. The team are so friendly and supportive of our work. Bedfringe is quickly becoming the place we come to test out our new work and grow as artists – there simply isn’t a better festival to do that!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Since 2022 we have finished a tour of a double bill of monologues and put together our new show Agnes. We’ve embarked on a series of Research and Development rehearsal weeks, bringing together our team across the UK (not an easy feat!).

Agnes was shortlisted for the Charlie Hartill Award with the Pleasance theatre – something we weren’t expecting! Although we didn’t win, it was an incredible experience to connect with and share the stage with other budding new theatre companies and to have a chance to share a story we’re care so much about.

We’ve also launched Bulletpoints, a writers’ showcase event – since beginning this we’ve read over 100 scripts and connected with so many exciting new artists!

Tell us about your show.

In 304 AD Agnes of Rome was executed at the age of 12 after rejecting the advances of grown men. She subsequently became the patron saint of girls, chastity and sexual abuse victims, though her story has become distorted and obscured over time. Our show follows Agnes after her ascension to sainthood as she reckons with her powers, identity and legacy, with the audience joining her on a time travel revenge mission to track down her murderers in order to exact vengeance.

Our version of Agnes’ story encapsulates several topics of interest to our company – artistic and historical legacy, forgotten stories, adaptation, staging time travel and revenge, to name a few. These concepts echoed our prior interest in staging the impossible, subverting narrative structure and exploring themes and stories from unfamiliar perspectives. In our previous show, we staged a character eating a dead mouse – this time we want to send a woman through time, perform miracles and bring paintings to life.

We are not interested in naturalistic staging but we are interested in revealing the artifice of the performance through methods including overhead projection, on-stage set and costume changing, on-stage lighting operation and perhaps even puppetry. Combining shadow puppetry, music, and a healthy dose of time travel, Agnes is a new show by Ricochet Theatre with our signature humour and poignancy.

We aim to surprise, move, entertain and provoke our audiences. Agnes is a historical piece, but her story raises vital and timeless questions surrounding the way history is moulded and the desire to control our legacies; Do we have that power? If we don’t, who does?

What should your audience see at Bedfringe after they’ve seen your show?

Well we’ve started up Fringe Friday on our social media channels so you should deffo check back in to hear about the exciting work going on at Bedfringe this year.

We have to give a big shout out to Yet To Be Theatre with The Geneva Convention of Human F**KS for their female centric witty gender commentary. We’re also keen to see Hidden Stories by Plays The Thing as we are interested in untold female stories in history (hence Agnes!) and Faustine by Light at Midnight Theatre – making Marlow’s Faustus female.


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Bedfringe 2023 Interview: Lana Soy

“I have been singing all my life. As a kid I have been touring around the world …”

WHO: Lana Soy: Singer-songwriter

WHAT: “‘Pure’, ‘softest’ , ‘soulful’, Kate Bush and Joni Mitchell like – are usually the words thrown to describe Lana’s voice. Originally from Moscow, Londoner since 18, and in love with Bedford for 2 years now, Lana’s music has been inspired by most 00’ Pop, Tori Amos, Regina Spektor, Evanescence, Des’ree, Brandy and Sade.”

WHERE: Quarry Theatre

WHEN: 23 July 2023 @ 16:00 (60mins)

MORE: Click Here!


Is this your first time to Bedfringe?

This is my first time and I feel proud to be a part of it. I have heard a lot about it and am looking forward to my show. Not only it is great fun but also a proud addition to my performance experience.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

I have been singing all my life. As a kid I have been touring around the world with the children choir. In London since 18 years old both gigging everywhere I could and studying Commercial Music (BA) at Westminster Uni and then Popular Music (Masters) at Kingston Uni. Highlights are an advert I sang on which aired on the main channel in Russia and a TV dance show used my original song for one of their entries.

Tell us about your show.

This is all about the voice. I love vocals the most in music, then melody. I do my best to show it in my performance. I write my own songs and play guitar/piano. I do play some covers as well to spice things up. I love playing music for people and give it my all. I hope it comes across in my performance.

What should your audience see at Bedfringe after they’ve seen your show?

I recommend Fran Pegg, Matt Bedford, Mat Roberts and Samantha Hughes. They are all brilliant.


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Bedfringe 2023 Interview: Dimensions

“What started out as a dance piece evolved into a multi-arts experience…”

WHO: Nisha Vyas-Myall: Director and Principal Choreographer

WHAT: “A group a young people, bored with their everyday lives, have their wish for adventure granted when they are pulled through a vortex. They find themselves in worlds of sweets and bright lights, stars, ice and fire, but soon find they miss the comfort of home. But will they be allowed to leave?”

WHERE: Quarry Theatre

WHEN: 23 July 2023 @ 16:00 (60mins)

MORE: Click Here!


Is this your first time to Bedfringe?

This is our third BedFringe performance, and our second on the Main Stage. Our students always have an amazing experience participating as it gives them the chance to perform in a professional theatre- for some of them, for the very first time.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

After our last performance, the children started talking more about integrating more arts into our end of year production. What started out as a dance piece evolved into a multi-arts experience, with acting, singing and even video and lighting effects.

Tell us about your show.

Dimensions is a show about exploring the unknown whilst appreciating everyday life. Four young explorers get pulled through a vortex into a multi-layered world unlike anything they’ve ever seen before. Those who live there are eager to keep them, but is that something they really want?

What should your audience see at Bedfringe after they’ve seen your show?

I have to recommend the other dance performances at the Fringe- the Kinetic Vibes Burlesque themed show looks fascinating and I definitely think the Red Cuthbert Morris are unmissable.


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Bedfringe 2023 Interview: Life Under The Sun

“Turns out that when you’re the only person in the festival doing a show in English then you get a lot of the internationals coming to watch you.”

WHO: Stephen Bathurst

WHAT: A theatre show that explores the biggest question of all: “What’s the point?”

Features underpants, pompous man-servants, self-deprecating witticisms, an existential crisis and one giant hangover. 

King Solomon was a man who had it all…

Life Under The Sun is a one man show based on the book of Ecclesiastes. Well described as Blackadder meets the Bible, it is a dark comedy with a unique mix of ancient verse offset against pantomime and the dry wit of stand-up.

WHERE: Quarry Theatre

WHEN: 31 July 2023 @ 19:30 (60mins)

WHAT WE SAID IN 2022: Click Here!

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Is this your first time to Bedfringe?

Third time out for me.

First go round was 2016 and featured ‘While Mortals Sleep’, a show about Job. There was lots of angst, shouting at the heavens and having rotting banana skins dumped over my head.

Second was 2022 with an earlier version of this ‘Life Under The Sun’. I spent most of that show prancing around in my pants and was told my abs were too distracting and pulling focus from the text.

As I directed both these shows I have only myself to blame…

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

I have nearly hit the required residency period to acquire Finnish citizenship, a beautiful country and where I now abide. Happiest country in the world for the last five years. If you go there you’ll see why.

‘Life Under The Sun’ toured festivals in Britain, Sweden and Finland in summer 2022, selling out and breaking venue records in both the Nordic countries. Turns out that when you’re the only person in the festival doing a show in English then you get a lot of the internationals coming to watch you. And when many of the native audience grew up watching Monty Python and Blackadder then your show is quite popular with them too…

Tell us about your show.

Imagine King Charles doing his Christmas speech in his pants with a massive hangover and talking about how he can’t get it up any more. And he doesn’t have just 1 wife, he has 700.

Or old Joey Biden doing his State of the Nation address about the current economic performance, but he’s not slurring his words because he’s old, it’s coz he’s just hammered.

But instead of Charles or Joey Biden it’s King Solomon, supposedly the wisest man who ever lived. He’s trying to figure it all out. But he’s not quite sure what IT even is.

Blackadder meets the Bible is a good description…

What should your audience see at Bedfringe after they’ve seen your show?

I LOVE satire. And political satire especially. Very relevant and cutting edge with what’s going on.

So I’ll give a shout out to Rosie Holt: That’s Politainment! It’s got 4* and hit Edinburgh last year.


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Bedfringe 2023 Interview: The Evil Bat!

“Come see Vincent Price at his malevolent best.”

WHO: Jason Frederick: Composer / Performer

WHAT: “The Classic Horror Experience presents a brand new and never-before seen film experience starring Vincent Price and based on the classic 1959 thriller THE BAT, with a new original score performed live-to-picture by composer Jason Frederick.

Who is the mysterious murderer terrorising the citizens of Oakdale?!

The Bat! Who is The Bat? Come and find out! See Vincent Price at his malevolent and charming best in this unique evening of film and music.

Jason Frederick’s film and television credits include Disney’s 101 Dalmatians 2: Patch’s London Adventure, Top Gear USA and the recently updated classic documentary Bela Lugosi: The Forgotten King, amongst many others.”

WHERE: Quarry Theatre

WHEN: 26 July 2023 @ 19:00 (90mins)

MORE: Click Here!


Is this your first time to Bedfringe?

I’m pleased to say that I’m returning to Bedfringe for the second time.

I think this year’s lineup looks as interesting and creative as ever, something Bedfringe really seems to excel at, and it’s great to be involved once again.

And – it’s not necessarily evident to punters, but I’ve been involved in a few evenings like this now, and the operation of James and everyone else really is second to none.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Lessons of 2022 – I’ll have to double-check that.

The Classic Horror Experience has been continuing on its journey of live-to-picture filmscores to classic horror films, with performances in London, Colchester, Harwich-On-Sea and Southend, and preparations are in full swing for the next two extravaganzas, FRANKENSTEIN UNCHAINED and THE BRAIN THAT WOULDN”T DIE.

Tell us about your show.

THE EVIL BAT! is a new edit of the 1959 classic The Bat, starring the legendary Vincent Price and Agnes Moorhead, now with a completely new original score composed by me and performed live-to-picture.

Come see Vincent Price at his malevolent best and listen to the soundtrack on Spotify in the meantime to get in the mood!

https://open.spotify.com/track/3KHmEfGmpOLyzgJFuFtKKE

What should your audience see at Bedfringe after they’ve seen your show?

Well there’s just so much to see! I like the look of Twisted Tales and Frenzy, but there’s loads.


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Bedfringe 2023 Interview: Sparky TKO: Neuropop

“Punchlines and off-the-cuff quips will save this premise from drowning in earnestness.”

WHO: Sparky TKO: Performer + writer + producer

WHAT: Sparky TKO is a poetical-cabaret artist, writer and musician from Bedford.

‘Neuropop’ explores the increasing awareness of neurodivergent conditions such as autism and ADHD, at a time when societal barriers and mental health access are among their worst.

Sparky uses their music and poetry to share personal experiences and universal themes, celebrate their divergence and how it informs their queerness and politics, and discuss how we could eradicate obstacles that impact us all.

WHERE: Quarry Theatre

WHEN: 26 July 2023 @ 20:00 (30mins)

MORE: Click Here!


Is this your first time to Bedfringe?

This will be my eighth Bedfringe since 2015, only the pandemonium of 2020 has prevented a consecutive annual run. Bedfringe offers a fantastic range of shows and performers across the genres, and is often a decent chance to catch some nuggets of gold before they hit Edinburgh.
The biggest draw, though, is its proximity to my flat.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Well…I mean my day-to-day has gained a bit of traction and variety in the form of consistent employment, and I’ve been growing to love my effective “second home” of Glasgow, where most my family live. I’ve yet to invest in an air-fryer and I haven’t watched Succession, but neither of those things were on my to-do list, so I suppose I haven’t missed any targets. And who are you anyway, the “lesson police”?

Tell us about your show.

It’s a collection of songs and poems about my personal obstacles in navigating my neurodivergence, and the problems I’ve encountered that perhaps seem more explainable when viewed through their lenses. I look at neurodiversity through universal and relatable lenses, through there is also a bit of an insight into my off-kilter interests, behaviours and thoughts.
If this sounds too earnest, serious and pseudo-scientific, I do litter it with puns and off-the-cuff quips, and the tunes will get you PROPER(LY) PUMPED!!!

It’s in the bar, so if you’re not fully on board you can always spend the 40 minutes deciding what you want to drink next (I recommend water).

What should your audience see at Bedfringe after they’ve seen your show?

Well I’m absolutely looking forward to 2 of my favourite satirists, Sooz Kempner and Rosie Holt rocking up to the Quarry. Simon Munnery always has something off-kilter up his sleeve. Musically, I have to shout out Living It Up Performing Arts Centre who are putting two bands on in the garden, and Jess Gherman who is a unique dark-jazz influenced cabaret singer.


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Bedfringe 2023 Interview: A Caravan Named Desire

“We probably still make some of the same mistakes but hopefully just not as bad!”

WHO: Alexander Millington: Writer / Performer

WHAT: “I am many things. I’m an entrepreneur and manager of a little online shop. I’m a model and independent film star. I’m an entertainer. But if you want to know more, come knock on my door.

Working from a caravan has its ups and downs. Clients come and go. Ask them no questions and they’ll tell you no lies, just take the money at the door. But something’s different about this new client.

Discreet, professional, clean and tested. For a good time, come to the caravan. Your desire for hire.

A Caravan Named Desire is a one-hour show exploring desire and sex work in the UK through interactive performances. A Caravan Named Desire is supported using public funding by the National Lottery through Arts Council England.”

WHERE: Quarry Theatre

WHEN: 29 July 2023 @ 14:00 & 18:00 (60mins)

MORE: Click Here!


Is this your first time to Bedfringe?

This is our second time at Bedfringe!

In 2022 we brought our award-nominated I Heart Michael Ball and had such an amazing time we really wanted to come again with our new show! The festival organisers were amazing to work with last year and have bene so supportive this year we cannot wait to get back to the Quarry Theatre and see what Bedfringe audience think of A Caravan Named Desire!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Since 2022 we’ve grown more ambitious with our productions. Our ’22 show, I Heart Michael Ball, was a one man show with lots of props but no fixed set. A Caravan Named Desire though has brought in our Director, Helen Millington, as a performer too! And we’ve now assembled a set made up of an old (some what working) caravan which we have repurposed.

With regard to lessons learnt…we probably still make some of the same mistakes but hopefully just not as bad!

Tell us about your show.

A Caravan Named Desire is a two-hander, performed by married couple Alexander and Helen Millington who are trying to produce a play depicting the relationship between a sex worker and their client. However, as Helen becomes aware of just how autobiographical Alexander’s play is, things don’t exactly go to plan.

A play about sex workers and creative collaboration, A Caravan Named Desire is a dark comedy which invites the audience to join in with the narrative.

Supported by Arts Council England.

What should your audience see at Bedfringe after they’ve seen your show?

Strangers & Exiles’ Life Under The Sun – 21 July
The Play’s the Thing Theatre Company’s Hidden Stories – 22 July
Production by:Light at Midnight Theatre’s Faustine – 22 – 23 July
Avital Ash Workshops Her Suicide Note – 28 July


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“Set small goals that stretch you a bit but are achievable.” – Author Ian Robertson talks about ‘How Confidence Works’

“An enhancer believes you can do it and communicates that belief. A saboteur fears you will fail…”

WHAT: “Why do boys instinctively talk bull more than girls? How do economic recessions shape a generation’s confidence? Can we have too much confidence and, if so, what are the consequences? Imagine we could discover something that could make us richer, healthier, longer-living, smarter, kinder, happier, more motivated and more innovative.

Ridiculous, you might say… What is this elixir? Confidence. If you have confidence, it can empower you to reach heights you never thought possible. But if you don’t, it can have a devastating effect on your future. Confidence lies at the core of what makes things happen.”

WHO: “Ian Robertson is Co-Director of the Global Brain Health Institute (Trinity College Dublin and University of California at San Francisco) and T Boone Pickens Distinguished Professor at the Centre for BrainHealth at University of Texas at Dallas. A trained clinical psychologist as well as a neuroscientist, he is internationally renowned for his research on neuropsychology.

He has written five books and numerous newspaper and magazine articles and comment pieces in the Guardian, Times, Telegraph, Irish Times, Time magazine and New York magazine, amongst others. He has appeared on BBC Radio and featured in several major television documentaries. He is a regular speaker at major futurology and business conferences in Europe, the USA and Asia.”

MORE? Here!


Why How Confidence Works?

Because confidence is the most precious resource a person can have – and it is therefore important to understand how it works.

What is anxiety and is there an alternative?

Anxiety is an essential emotion to get us to take action when we are under threat. The problem arises when our brain’s ability to project into the future extends and expands that sense of threat to lead to excessive or long-lasting anxiety. We need to learn to control our attention so as to control that sense of threat. Methods such as mindfulness can be useful for this, among others.

As there differences in how men and women experience anxiety?

Not really, but women are on average less over-confident than men and confidence is one of the most powerful antidotes to anxiety.

What has Padraig Harrington golf caddy got to tell us about confidence?

The words you say to yourself – particularly after failure – are crucial. These words help focus our attention on the next small goal and take our minds away from the what-ifs and potential bad things in the future that make us anxious and so disrupt our performance, creating a vicious cycle.

What’s the most important thing everyone needs to remember about confidence?

Set small goals that stretch you a bit but are achievable. Build on small successes that you define as success, not in comparison with other people. Congratulate yourself when you achieve them. Focus your attention on these small goals and not on big future achievements or risks.

What’s the difference between a confidence enhancer and a confidence sabateur, and is there a way to spot them while speed dating?

An enhancer believes you can do it and communicates that belief. A saboteur fears you will fail – or in some cases, maybe unconsciously or consciously wants you to fail to make them feel better.

I’m thinking about climbing a mountain. When I imagine my assent, what should I be doing to help me get to the top?

Talk yourself up – “I can do this’ – “push through this” …

What does it mean when a parent hides the ladder?

Most success is 90% luck, grit and persistence but too many successful people come to believe that their success is a result of some specialness in them. Their children pick this up and believe that they can’t succeed because they don’t have that specialness.

I’ve got daughters – an 8 year auld, a 5 year auld, and a 1 and some spare change year auld – what do I need to read next to better understand the road ahead?

When they are older get them to follow The Female Lead on social media.

What re you currently working on?

I’m working on a book on virtue.

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“Nothing was more important to Stalin than ideas.” – Author Geoffrey Roberts talks about ‘Stalin’s Library’

“What surprised me most about Stalin’s library was his high regard had for Trotsky’s writings, especially the defence of Bolshevik authoritarianism in Terrorism and Communism (1920) – a book that Stalin read with relish and gushing agreement!”

WHAT: “Stalin, an avid reader from an early age, amassed a surprisingly diverse personal collection of thousands of books, many of which he marked and annotated revealing his intimate thoughts, feelings, and beliefs. Based on his wide-ranging research in Russian archives, Roberts tells the story of the creation, fragmentation, and resurrection of Stalin’s personal library. As a true believer in communist ideology, Stalin was a fanatical idealist who hated his enemies―the bourgeoisie, kulaks, capitalists, imperialists, reactionaries, counter-revolutionaries, traitors―but detested their ideas even more.”

WHO: “Geoffrey Roberts is an historian, biographer, and political commentator. A renowned specialist in Russian and Soviet foreign and military policy and an expert on Stalin and the Second World War, his books have been translated into Arabic, Chinese, Czech, Estonian, Greek, Finnish, French, German, Japanese, Korean, Persian, Polish, Portuguese, Romanian, Russian, Spanish, Swedish and Turkish.

His latest book is Stalin’s Library: A Dictator and His Books (Yale University Press 2022) – selected as a Book of the Year by The Australian, History Today, and India’s Open magazine.

He is Emeritus Professor of History at University College Cork and a Member of the Royal Irish Academy.”

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Why Stalin’s Library?

Because the remnants of his personal book collection – especially the hundreds of books that he marked and annotated – is such a fantastic source. Nowadays we have many confidential sources about Stalin’s life and career but none so personal, spontaneous and revealing as the evidence of his private library. My book explores the books Stalin read, how he understood them and what they taught him. Stalin’s books – those he wrote and edited as well as those he read – allow us to glimpse the world through his eyes. We get to wear his spectacles, so to speak.

Stalin amassed more than 20,000 books in his lifetime. Are they all still together in one collection?

I estimate that by the time Stalin died in 1953 there were about 25,000 items in his personal library. Mostly books but also pamphlets and periodicals. It was a working library, scattered about his office and living spaces, but from the mid-1930s the bulk of the library was housed at a newly constructed dacha for Stalin on the outskirts of Moscow. Nicknamed ‘nearby’ because it wasn’t too far from the Kremlin and easily accessible by a fast road, one of this mansion’s biggest rooms was the library, a place in which Stalin spent a lot of time. Indeed, that was the room in which that he suffered a fatal stroke.

Stalin’s book collection was broken up after he was denounced as a brutal dictator by his successor as Soviet leader, Nikita Khrushchev, at the 20th party congress in 1956. But a remnant of 5,500 books survived this purge of Stalin’s personal effects, including about 500 texts that he had written in. These latter books are kept in an archive in Moscow, while the unmarked texts – most of which bear his ex-libris stamp – are housed in the city’s main historical library.

Was Stalin an intellectual?

Indubitably. Nothing was more important to Stalin than ideas. He spent most of his life reading, editing and writing. Stalin believed that ideas, when allied to revolutionary practice, could shape not just people’s consciousness but human nature itself. He sought and used power ruthlessly but that was a means not an end, He wielded power in the service of communist ideas.

Importantly, Stalin felt the ideas he believed in – he was an emotionally engaged intellectual. It this feature of his intellectuality that screams at you from the pages of the books he marked.

Stalin made many notes in the margins of his books. Are there any signs that Stalin ever fundamentally challenged any of his intellectual, spiritual, or moral assumptions?

Stalin read to learn, and he derived his ideas and information from any useful source, including the writings of his enemies.

Stalin was a fanatic with no secret doubts. In all the thousands of pages of books that he marked there is not even so much as a whisper of a hint of doubt about his Marxist ideology and communist beliefs. That does not mean that Stalin’s ideas did not change during the course of his lifetime. Stalin adapted his belief system to practical realities, whether that be in relations to strategies for revolution, the problems of building the world’s first socialist society, the requirements of military strategy or the changing nature of international politics.

Stalin was blinkered by his dogma but not blinded by it. He could see out and beyond the Marxist canon when he needed to. But that never led to any fundamental reappraisal of his basic beliefs.

Who are the most surprising authors to have been read and admired by Stalin?

As a Marxist, Stalin believed his ideology was an all-encompassing framework for understanding human history and its social dynamics. Most of his library’s books were written by Marxists or other varieties of socialist. His favourite and most-read author was Vladimir Lenin, the founder of Bolshevism, and Stalin’s role model as an intellectual and political leader. His favourite historian, however, was Robert Vipper, a non-Marxist who wrote lively narratives about ancient Rome and Greece and the history of early Christianity. Vipper also published a study of Ivan the Terrible – a book that was enormously influential in shaping Stalin’s view of Russia’s history, especially the various Tsars’ struggles to build a strong Russian state that would defend its peoples from foreign attack. While Stalin had a lot of time for the Terrible, Peter the Great and other Tsars, mostly he looked upon them with disdain and thought that he and his comrades could do a better job defending the country.

What surprised me most about Stalin’s library was his high regard had for Trotsky’s writings, especially the defence of Bolshevik authoritarianism in Terrorism and Communism (1920) – a book that Stalin read with relish and gushing agreement!

Stalin’s personal split with Trotsky came much later than most people think. The political rivalry began in earnest after Lenin’s death in 1924 but not until the the late 1920s was Trotsky expelled from the USSR, supposed because he was an ‘anti-party’ element. In the 1930s Stalin increasingly saw Trotsky as not just a political rival but a personal enemy who was allied with Nazis and Fascists and attempting to overthrow the Soviet socialist system.

In 1940 Trotsky was assassinated in Mexico by a Stalinist agent. Yet Stalin didn’t think Trotsky was all bad, telling a private gathering of creative workers that even enemies of the revolution should be painted in complex human colours.

Did Stalinism have any unique or innovative intellectual features or was it an entirely derivative worldview?

Stalin contributed ideas about nationalism to the Marxist canon and propounded the damaging theory – which he derived from Lenin -that the stronger Soviet socialism became the more desperately its enemies would seek to undermine it – an idea that was key to Stalin’s Great Terror in the 1930s when many millions of innocent people were deemed enemies of the revolution and perished in a maelstrom of political violence.

While Stalin had his own spin on Marxist theory, his greatest strength as an intellectual was the simplicity and clarity of his thinking and articulation. He was a hugely effective populariser of Marxist ideas. He was also enormously attractive to fellow intellectuals. As the Austrian Marxist art critic, Ernst Fischer wrote in his memoirs, intellectuals ‘succumbed’ to Stalin because of the dictator’s ability to combine ‘the critical reason of the thinker with the élan, the all or nothing of the man of action.’

If you could own one of Stalin’s books, which would it be?

There was a Russian translation of Hitler’s Mein Kampf that Stalin may well have read. It would be interesting to see if Stalin marked the book in any way, but no such copy is known to exist. There is also a lot of speculation about whether or not Stalin read Machiavelli’s The Prince and took on board its realpolitik precepts. Some people claim they have seen Stalin’s marked copy of this book but there is no actual evidence. Personally, I think Lenin and Trotsky, not Machiavelli were Stalin’s teachers when it came to power politics. Also, influential was that master of realpolitik, the ‘Iron Chancellor’, Otto von Bismarck, whose books Stalin certainly did read and engage with.

But the book I would really like to own would be Stalin’s copy of The Bible when he was a seminary student. It would be fascinating to see how he marked that book!

Stalin turned his back on Christianity as a rebellious teenager when he embraced Marxism and revolutionary socialism. By all accounts, the boy Stalin was a dedicated reader and emotionally attached to his Christian creed – a habit and sensibility that he transferred to his new-found secular socialist faith.

If you could ask Stalin anything (and not end up in a gulag) what would it be?

I would like know to what extent Stalin really believed that Trotsky and his other former allies in the Bolshevik party were guilty of the conspiracy, treason and subversion that they were accused of at the Moscow show trials of the mid-1930s.

But I can’t think of a way posing the question to Stalin that would have kept me out of the Gulag!

If you were going to gift Stalin a book published after 1953, perhaps as a birthday present (and you knew he would read it), what would you give him?

Stalin’s Library, of course– in the hope that he would pepper it with his favourite annotation – NB, indicating that I really had discovered what made him tick. More likely, though, is that he would utilise his second-favourite annotation – the derisive ha ha!

What are you currently working on?

A book called Stalin’s Peacemakers – a history of the communist-led peace movement after the Second World War. The experience and lessons of that movement’s valiant efforts to avert nuclear Armageddon have never been more relevant.

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