‘Tricky Teddy’s Mischief and Magic Show’ (Bedfringe, 26 July 2025)

“The duo’s caustic stage partnership has notes of Martin and Lewis at their most dysfunctional.”

Editorial Rating: 5 Stars (Outstanding)

Krisgar is one of Bedford’s best best-known and best-loved children’s entertainers and there’s a reason – he’s really good. There’s a big crowd in this afternoon and for all the noise and barely stifled chaos, a loud buzz of excited expectation. Within moments of taking the stage, our attention is rapt like a gift going through Rowan Atkinson’s bit in ‘Love Actually’ when Alan Rickman’s in a hurry. Krisgar’s commanding onstage presence a product of his comic rapport with the irreplaceable Tricky Teddy. The duo’s caustic stage partnership has notes of Martin and Lewis at their most dysfunctional.

At 7 years, Daughter 2.0 is not at all too auld for this level of properly funny silliness. In her notebook, the one with Wizbit on the cover what I paid crazy money for on eBay, she wrote: “Tricky teedys mischief and magic show was really funny. when I walked in I saw a chair on the stage and I heard loud music. I saw a table for mdgice tricks and comedy. And during the show I saw a puppet which was a teedy and I saw a magic magishon. My favroute bit was when they tried to make cake but didn’t have the ingediants. The part which made me laugh the loudest was when the puppet said we are here for the cash! I hope I remember the part when they did tricks forever.”

Here is quality family entertainment worth getting excited about. Here are some properly memorable silly bits, one properly jaw-dropping-OK-seriously-HOW-did-he-do-that? bit, multiple moments of spontaneous joy. Get your magic coats on and go see this!


Reviewer: Dan Lentell

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EdFringe Talk: Arthur Miller’s Elegy for a Lady

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“Bedford punters are the best…. they know good theatre when they see it.”

WHO: Bob Paisley

WHAT: This intimate play follows a conversation between a shopkeeper and a man searching for a gift for his dying mistress. 

Secrets are shared in intimate exchanges through which the Man questions how well we ever really know the ones we love.  The two strangers share a small miracle which, if only for a brief moment, allows them a closeness always hoped for but seldom fulfilled.

Starring Bob Paisley and Patty Whitlock

Kansas City audiences enjoy a rich, diverse local theater scene. Paisley’s (Central Standard Theatre’s)efforts have been a huge part of that…” ROBERT TRUSSELL

WHERE: Quarry Theatre

WHEN: 24 & 25 July (45 min)

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Is this your first time to Edinburgh?

Nope… I’ve been coming to Bedford since 2010. We’ve brought productions of THE EVENT, DRIVING MISS DAISY, THE ZOO STORY and BILL CLINTON HERCULES.
Recent shows at Bedfringe include

2004 – I SEE YOU WATCHING (Just Like Hollywood) and ONE AND THE OTHER (Canada).

2003 – SUZI OF THE DRES and PAUL ROBESON (Winner Pick of the Fringe)

It’s wonderful for us to contribute to this incredible festival. I’m constantly amazed at the work James Pharoah has done here. The variety, the quality, not to mention the proximity to the Edinburgh Fringe. And the Bedford punters are the best…. they know good theatre when they see it. This year, more variety for us… something old – something new.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Mostly making plans for 2025…

Central Standard Theatre brings 2 productions to Bedfringe this year:
Summer 2025
Arthur Miller’s ELEGY FOR A LADY – Bedfringe, Fundy Fringe (CAN)
BLOODY, BLOODY KANSAS – Bedfringe, Camden Fringe (Hen & Chickens Theatre, London)

Sept-Oct 2025
FARGONE – Roots Mbili Theatre (Sheffield) – 2 week residence in Kansas City

5 Nov, 2025
Singer/songwriter Sarah McQuaid in Concert in KC.

Lord help me, I’ve become a producer…

Tell us about your show.

Arthur Miller’s Elegy for a Lady is, I believe, is a nod to Miller’s brief marriage and obsession with Marily Monroe. This short play (45 minitues tops) delves deep in the psyche to examine some of humanity’s most base emotions… Love.

This intimate play by one of theatre’s master playwrights follows a conversation between a shopkeeper and a man searching for a gift for his dying mistress. Secrets are shared in intimate exchanges through which the Man questions how well we ever really know the ones we love. The two strangers share a small miracle which, if only for a brief moment, allows them a closeness always hoped for but seldom fulfilled.

What should your audience see at the festivals after they’ve seen your show?

Our Sister Show, BLOODY, BLOODY KANSAS… Murder most foul! A story ripped from the headlines of 1873 Kansas. More than you probably want to know about the American Wild West.

Based on the true story of the West’s first known serial killing family, the Bloody Benders, this bold new play shatters time and space to reveal the chilling legacy they left behind. At the center is Mary York, a grieving widow turned relentless detective, piecing together a puzzle of violence, justice, and memory.


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Bedfringe 2025 Interview: Resurrection: The Musical

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“We wondered how our pirates would react to our world. This was the begginings of the story.”

WHO: Ian Britten-Hull

WHAT: “Based on the first novel in The Buccaneers Legend trilogy, telling the story of four revived pirates. On a stormy night, an eighteenth-century ship emerges from the mist. Its ghastly crew disintegrates after a lightning strike, giving rise to four new buccaneers with no memories of their past. This is a story of four people on a tempestuous voyage of emotion as they come to terms with who they once were, their own self-discovery and the realization of their own empathy as they navigate the modern world, fighting injustice and ultimately seeking the greatest treasure of all, Life!

The musical features thrilling sword fights, a reimagined folk music score, and a plot rich with twists and mystery. It also addresses contemporary social issues like mental health, John Rackham’s “brain fever,” Mary Read’s gender identity confusion, and Anne Bonny’s history of abuse within a sensitive and fantastical context.

“The show had energy, colour, and spectacle with an array of familiar and rousing musical numbers. We commend you for your enthusiasm and commitment to staging such a complex production” ★★★★★ BALDOCK ARTS & HERITAGE CENTRE

WHERE: Quarry Theatre

WHEN: 25 & 26 July 2025 @ 16:00 (60mins)

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Is this your first time to Bedfringe?

This is our first time at Bedfringe and we are really looking forward to it. One of the most important aspects of Bedfringe is that it gives local theatre companies such as ours the chance to prove what we can actually do without having to pay exorbitant theatre hirer charges. Production costs today are sky high and if small theatre companies don’t get funding, then unfortunately they cannot survive for long. This is such a shame as there is so much talent and wonderful ideas out there. Bedfringe gives all those talented people with wonderful ideas a chance to bring their shows to local people. For those who enjoy live entertainment, please come and support Bedfringe and those performers taking part. Theatre companies and performers shows are not any lesser because they are at fringe festivals rather than the West End, in fact many great shows that are now extremely popular started life with humble begginings at fringe festivals. A good example of this is the West End show “Six,” which started out at the Edinburgh Fringe Festival. By comeing to see a fringe show, you are actiually taking part in the beggining of the history of a production! Come and see how it all started.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Since 2024 we have strived to widen our reach and to expand our projects. AMA Theatre Co. is also a platform for anyone wanting to get involved in theatre. In fact we have just had two students working with us on work experience and we have now offered them some creative work going forward. We are very concious that with ever tighening of the purse strings, visists to theatre and live entertainment can be restrictive. Although we don’t recieve any funding and we are non-profit making, we keep going by producing a certain amount of corporate work such as team building days, event and festival shows through the summer and pantos during the winter. These projects help to subsidise other shows like Resurrection and help us keep ticket prices as low as possible. Our aim is always to produce shows that entertain and educate for reasonable prices as well as to constantly be open to learn new ways of working and listening to our audiences.

Tell us about your show.

Everyone will remember 2020 when we were all in lockdown and they said “work from home!” Well, we did! We turned our lounge into a studio theatre, complete witha broadcasting suite and we learned how to broadcast live shows over the internet. We also produced a variety of pre recorded shows and plays too. One of which was called “The Buccaneers.” We wanted to produce a show with the tag, “It’s time to live again,” so we could all start looking forward to restrictions being lifted. Then in 2021 we researched the real pirates and we discovered a poigniant and totally different story than most people are familiar with. Yes, there were murderous cutthroat pirates hellbent on theiving riches, but there were also those who resorted to piracy just to survive after the war with Spain. A lot of these people led awful lives with abuse and dire poverty. Piracy gave them a family and a means to survive. We then thought about our world today, and the negativity of populism, threats of war, rasism and prejudice. We wondered how our pirates would react to our world. This was the begginings of the story. I wrote the first novel in 2023 and in 2024, after several try out performances, Resurrection, the stage musical was born. It sees four historical pirates, John Rackham, Anne Bonny, Mary Read and a ficticious pirate, based on several real ones, Jock McTavish, reborn in our modern world. At first they have no memories, but as their memories return, they not only remeber their days as pirates, but more importantly the people they used to be before their souls got lost beneath the rough exteria of the pirates they became. The scenes of their past are represented through reimagined Irish and Celtic folk songs, (Anne Bonny was Irish) Ultimately, they decide to become a force for good in our modern world and fight against oppression and chapion empathy and understanding. We always try to make our shows as visual and exciting as possible and we are really proud of our pirate ship set! The show is faced paced and also pays reference to some modern issues such as John Rackham’s Bipolar and Mary Read’s gender identity. Of coures, no pirate based story would be complete without the odd sword fight!

What should your audience see at Bedfringe after they’ve seen your show?

One of the wonderful things about Bedfringe is that there is so much varied entertainment from theatre to comedy, children’s shows to music! If you love drama then BRAVE Youth Theatre are presnting their adaptation of Mcbeth on 26th at 3pm at the palace theatre. If you need a good laugh, then straight after us on Satday 26th Max Fulham: Full of Ham is on in the Quarry theatre. We are looking forward to seeing Kaye Leidoskope and her two shows for children. These are also interactive and take place in the Garden.


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Bedfringe 2025 Interview: The Oberons

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“We’ve combined our talents to weave music seamlessly into the world of illusion.”

WHO: Emily Yarrow

WHAT: Step into a world of mystery and wonder with The Telepath and The Conjurer.

This extraordinary show blends mind-reading, magic, music and breathtaking illusions in a spellbinding performance that will leave you questioning the boundaries of reality. Watch as The Telepath delves into the minds of the audience, revealing thoughts and secrets with uncanny precision, while The Conjurer astounds with impossible feats of magic and sleight of hand. Punctuated at pivotal moments by Emily’s soaring vocals,  together, they create an unforgettable experience full of amazement, intrigue, and edge-of-your-seat excitement.

(Prepare to be astonished as the ordinary transforms into the extraordinary right before your eyes.)

“Really beautiful! I loved it” PENN AND TELLER

WHERE: Quarry Theatre

WHEN: 27 July 2023 @ 16:00 (50mins)

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Is this your first time to Bedfringe?

Yes! Our wonderful friend and director, the marvellous Rhys Morgan of Morgan & West highly recommended us applying to be part of the Bedfringe as it is well-run, well-attended, well-marketed and a truly wonderful experience.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

In 2024, we had the amazing opportunity to work and develop our show on cruise ships and in various venues on land across the country.

We met in 2023 and wanted to stay together so we had the idea of combining Marc’s music and my singing to be an act by itself. We managed to swing eight cruises together in 2024, with Marc performing his magic shows, and myself performing my singing songs, and us offering our act as an extra show on board. These contracts, along with our dates on land, gave us so much in the way of practice and feedback, learning what worked best, which props to use, lighting, technical details, what to add, what to take away – and we are still tweaking and honing to this day and probably will never stop!

Tell us about your show.

Our show is a unique fusion of magic, mind-reading and live music – designed to bring you an experience you won’t see anywhere else. We’ve combined our talents to weave music seamlessly into the world of illusion. You can expect world-class magic, jaw-dropping sleight of hand and mind-reading that will have you questioning reality, all set to the power of live opera and smooth jazz. With plenty of audience interaction and surprises along the way, this show is where music meets mystery and you’re part of the magic.

What should your audience see at Bedfringe after they’ve seen your show?

If it’s more magic you’re after, then we recommend Matt Daniel-Baker – just atonishing, and The Most Perfect Magic Show EVER – just brilliant!

And comedy, Esther is hilarious in her show Slagbomb, and the wonderful Patrick Monahan who is fabulous.


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Bedfringe 2025 Interview: Data & Doctor Doom

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“I’m from Peterborough, and Bedford always feels like an version of my hometown from a slightly nicer parallel universe.”

WHO: Mark Hibbett

WHAT: “Indie legend MJ Hibbett – the world’s leading (and only) academic expert on Doctor Doom uses songs, jokes, slides and a unified catalogue of transmedia character components to explain how all fictional characters can be understood with stats and why on earth you’d want to do that.”

WHERE: Quarry Theatre

WHEN: 25 July 2025 @ 21:00 (60mins)

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Is this your first time to Bedfringe?

This is my first time at Bedfringe but not my first time in Bedford, nor my first time at a Fringe, so it feels like the grand resolution of a cosmic Venn diagram. I’m particularly excited to be heading towards Bedford for two reasons – firstly because I’m from Peterborough, and Bedford always feels like an version of my hometown from a slightly nicer parallel universe, and secondly because I’ve heard of the mythical all-night trains back to London, so I’m keen to have a go on one.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

The book that the show is based on came out in 2024 (and is still available – in fact, it’s very very available indeed, there is no shortage of copies) so since then I’ve been trying to convert a rigorously researched thesis on transmedia characters into a 55 minute musical extravaganza. The main lesson I’ve absorbed from that is that converting a rigorously researched thesis on transmedia characters into a 55 minute musical extravaganza is a lot harder than I thought, and probably explains why other people tend not to try it.

Tell us about your show.

It’s a musical adaptation of my book and PhD thesis which seeks to explain how all fictional characters work, using the Marvel comics supervillain Doctor Doom as a case study. I spent years working on the original research and wanted to talk about it to more people, so thought I’d have a go at turning it into a musical (I think this is how Jesus Christ Superstar got started). I’ve done various Fringe musicals in the past, but never one with a bibliography before!

What should your audience see at Bedfringe after they’ve seen your show?

I’m really keen to see Mitch Benn’s show “The Lehrer Effect”, partly because that sort of super clever loads-of-words-in-a-line type of songwriting is something I’m aiming for in my show, but mostly because I did a gig with him at the Brixton Windmill in 2005 and he lent me a guitar stand – in the rough and tumble world of rock and roll that stood out as a moment of general helpfulness which, two decades later, I still don’t think I’ve properly repaid!


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