Category Archives: EdFestivals 2017

All our coverage from the 2017 festivals.

+3 Interview: Boris & Sergey’s One Man Extravaganza

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“…we have steamrollered our way to success using a cunning mixture of bribery, prostitution, and micro dosing ketamine.”

WHO: Sergey, Performer 

WHAT: “Join the Balkan bad boys of puppetry at the pinnacle of their careers, the dazzling lights of Hollywood casting a halo around their leathery crowns. But, what goes up must come down… hard. A hilarious and heartfelt homage to Boris & Sergey’s descent into fame. The infamous pair invite you to discover what’s in the box and present the debut of Sergey’s one man show. But, what are Boris & Sergey without Boris… or Sergey? A lonely, rage filled ampersand, hell bent on retribution. Yet another high-octane, bittersweet, hyphenated epic adventure.”

WHERE: Assembly George Square Theatre (Venue 8)

WHEN: 21:25 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Boris & I have been coming to Edinburgh for what seems like and eternity… in reality it is 6 years.

Our first show, Boris & Sergey’s Vaudevillian Adventure, was a seven five star sell out smash and the highest rated show of the fringe for three weeks before being pipped in the last week.

Since then we have steamrollered our way to success using a cunning mixture of bribery, prostitution, and micro dosing ketamine.

Tell us about your show.

I wrote the show, I write all the shows, I enslaved six puppeteers many years ago. They now sleep in a cupboard under the stairs of our old shoe warehouse in Hackney.

We have done some previews in London and we will be embarking on a world tour after Edinburgh, probably starting at Sydney Opera House and finishing in the Royal Albert Hall.

What should your audience see at the festivals after they’ve seen your show?

A therapist? They should also possibly see an STI doctor, you never know who was sitting on the seat before you, if it was Boris you probably now have incurable Gonorrhoea.

Once you are given the all clear you can see us again in The Omnitorium’s Rotating Rosta of Erudite Amusements and Motley Delights along with Fringe superstars like Red Bastard, Jamie Wood, Many Godden, Spencer Jones, Lucy Hopkins and more.

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+3 Interview: Danny O’Brien: RaconTour

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“I did my first solo show in Edinburgh in 2012 and loved it. I have been back every year since…”

WHO: Danny O’Brien, Performer/Writer

WHAT: “Award-winning Irish comedian Danny O’Brien returns to the Edinburgh Fringe with his most adventurous and unique solo show to date. After inheriting a broken-down, unreliable, older-than-he-is motorcycle, Danny decided to take to the road on a comedic expedition. Come hear the story of this RaconTour – in all its glory, failures, and triumphs alike!”

WHERE: Underbelly, Cowgate (Venue 61)

WHEN: 22:20 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No. I did my first solo show in Edinburgh in 2012 and loved it. I have been back every year since and I’m stepping things up this year with a show that has far surpassed all previous years. I love the Fringe and though it nearly breaks you every year, I wouldn’t miss it for the world!

Tell us about your show.

I wrote and produced this show myself which has been a hell of a lot of work but I’m incredibly excited about it and it’s been worth all the graft.I have done several previews in Ireland and the UK but the full show will premier at The Fringe this year.

I have already booked a “Four Provence” tour in Ireland after Edinburgh and a two week Asia tour in November and I’m in the middle of booking a 2018 International tour that will be in the UK, Sweden and the US to name but a few places!

What should your audience see at the festivals after they’ve seen your show?

Well seeing as they are already in the Underbelly Cowgate they should go see the legendary late night show (with gratuitous amounts of nudity) Spank! after my show, its always so much fun. I’d highly recommend seeing Foil, Arms and Hog’s new show Oink also, they are an amazing sketch trio who are at the top of their game right now.

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+3 Interview: Margarita Dreams

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“I’d forgotten what a joy writing sketch comedy is – there is the freedom to go anywhere and do anything.”

WHO: Richard Sparks, Writer/Director

WHAT: “Dave is on the beach, in Mexico, drinking margaritas. He drifts off… into a whirl of absurdities. Cross-dressing, phone-induced paranoia, a four-way divorce, a spirit-reading summoning a flasher, String Theory explained, the modern technology-addled brain (with robotic legs), a very strange romance, disappointed parents – and finally, a riot at the Shy People’s Encounter Group, ending harmoniously in disco therapy. Funny where nine margaritas can take you… ‘Will enthral and enchant all who venture through this theatricum botanicum’ (Jack Black). ‘Great material by a master comedy craftsman’ (Griff Rhys Jones). ‘A delicious comedy cocktail’ (Kathy Lette).”

WHERE: Assembly Roxy (Venue 139) 

WHEN: 17:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No – I wrote and appeared in two Oxford Revues (starring Mel Smith) in 1972 and 1973, and two later two-man shows in 1974 and 1976 at the Demarco Gallery. So this is something of a second adolescence for me, which came completely out of the blue. I’ve been mentoring four young talents from Los Angeles, where I now live, by Skype since December. In February, we thought – hey, Edinburgh, why not? So I’ve written a completely new all-action comedy sketch show for them.

Tell us about your show.

I wrote it and am directing it, and PW Productions is producing. Bella Speaight is the pebble that started this whole avalanche. We started working by Skype on a number of scenes and projects, and she soon brought Sophia Compton on board. When I started writing Margarita Dreams, in February, I wanted four performers rather than just two, and they already knew Jack Baxter and Jason Brasier, who have worked together a lot.

They’re all a great fit, all work really well with each other, and the show now has a lot of variety of characters and scenes as a result. It all came flying out, and I can’t thank them enough for being the inspiration to come up with all this wild and wonderful stuff. I’d forgotten what a joy writing sketch comedy is – there is the freedom to go anywhere and do anything.

Edinburgh is our premiere this August, and after that – who knows? We could easily move it on, as I’ve written enough material for another complete hour. We could expand it into a two act-show and sell some margaritas in the interval.

What should your audience see at the festivals after they’ve seen your show?

Alexei Sayle. I produced the charity music/comedy show Fundamental Frolics (Apollo Victoria, BBC TV) for Mencap in 1981 (the Year of the Disabled), which I asked Alexei to compere. It was his first big gig, with all the Not The Nine O’Clock News team, Elvis Costello, Ian Dury, Stephane Grapelli, the totally unknown Rik Mayall and Adrian Edmondson, two-thirds of The Police, and others.

Alexei held it all together brilliantly, and I love his comedy. It will be excellent to see him live on stage again after so long. He’s on in the same room as ‘Margarita Dreams’ not long after we finish, so we’ll just hang around in the bar for a couple of hours. Also Lucy Porter, another fine stand-up comedian who makes me laugh a lot.

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+3 Interview: Otto & Astrid: Eurosmash! (Die Roten Punkte)

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“…has the danciest songs about aliens and fruit…”

WHO: Astrid Rot, Performer

WHAT: “Berlin’s premiere art rock duo, Otto and Astrid of Die Roten Punkte, perform unashamedly slick, Eurovision-inspired pop from their new album Eurosmash! amidst some inevitable sibling dysfunction and punk spirit anarchy.”

WHERE: Underbelly, Cowgate (Venue 61)

WHEN: 21:10 (70 min)

MORE: Click Here!

Is this your first time to Edinburgh?

My brother Otto and I first played Edinburgh in 2009 with our show Super Musician and then again in 2013 with Kunst Rock (Art Rock), and in 2015 we hosted Otto & Astrid’s Haus Party which was the most fun variety show ever! This year our show Otto & Astrid – Eurosmash! has the danciest songs about aliens and fruit so we’re very excited to share this with everyone!

Tell us about your show.

Otto and I wrote all the songs – well we wrote most of them together – Otto wrote the song Look at My Fruit about…. eating fruits on a date and I wrote Body Slam which is about mixing wrestling with sex on a date with truly excellent results!

What should your audience see at the festivals after they’ve seen your show?

I think they would enjoy seeing Laura Davis, Hannah Gadsby, Children Are Stinky, Butt Kapinski and Wild Bore.

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+3 Interview: Blank Tiles

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“Hopefully the show will be picked up by big shot Hollywood producers who will turn it into a film staring Tom Hanks and Helen Mirren.”

WHO: Dylan Cole, Writer/performer

WHAT: “Scrabble world champion, Austin Michaels (played by Dylan Cole) knew over 200,000 words. Then he was diagnosed with Alzheimer’s disease. Since then Austin has been in a race against time to document his memories, his greatest achievements, before they fade from his mind forever. Let Austin tell you his story… if he can remember…”

WHERE: Assembly George Square Studios (Venue 17)

WHEN: 15:55 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes it is… I’m looking forward to eating a baked potato while bathing in IRN-BRU.

Tell us about your show.

My show is called Blank Tiles, it’s about a Scrabble world champion who has recently been diagnosed with Alzheimer’s disease and now spends his days trying to document his most precious memories. The show played at the Melbourne & Adelaide Fringe festivals and is making it’s European debut in the “burgh”. It is written, produced, performed and pimped out to festivals around the world by yours truly.

The company which I creatively call “Dylan Cole presents” started in the womb almost 30 years ago staging a production called Where is the exit? Hopefully the show will be picked up by big shot Hollywood producers who will turn it into a film staring Tom Hanks and Helen Mirren.

What should your audience see at the festivals after they’ve seen your show?

For more board game action check out James Cook’s Board Game Smackdown at Free Festival daily at 4:45pm at Bar 50 on Cowgate. It’s a show where performers play some board/card/party/tabletop games live on stage. That’s pretty much it.

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+3 Interview: Lists for the End of the World

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“I came a few times as a student but probably the less said about those shows, the better!”

WHO: Rachel Briscoe, Creator and Director

WHAT: “A joyful and touching view of the world through other people’s eyes, Lists… is a show composed entirely of crowdsourced lists. Things I pretend to be interested in, times my eight year old self would be proud of me, places I would hide a body… Includes laughs, music, sad times, romance, some dancing, a dog* (*no dog). The profound and the ridiculous sitting playfully side by side. Lists… is a chance to feel connected without ever having to leave the safety of your seat. 2016 Live Lab bursary winner; co-commissioned by ARC.”

WHERE: Summerhall (Venue 26) 

WHEN: 13:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s fanSHEN’s first time, yes. I came a few times as a student but probably the less said about those shows, the better!

Tell us about your show.

Lists for the End of the World is a show made up of lists – from all sorts of people in all sorts of places. So far, over 250 people have contributed material to the show. Then we (fanSHEN) sit down with it in a rehearsal room and figure out what to include and how to present it. The show isn’t just people reading lists – there’s laughs, music, sad times, romance, some dancing, a look at the world through other people’s eyes, and the most memorable reworking of Nirvana’s ‘Smells like Teen Spirit’ that you’ll ever see.

fanSHEN was founded by Dan Barnard and Rachel Briscoe, so that we could make the kind of theatre that we wanted to see: playfully political and experimental without being elitist. Over the past ten years, we’ve gathered an unorthodox family of multi-talented collaborators.

Lists… was awarded the Live Lab bursary in 2016, and we also developed it with the support of ARC. We’ve done some informal try-outs and previews but Edinburgh will be the premier. We’ll tour it in 2018.

What should your audience see at the festivals after they’ve seen your show?

How to Win Against History at 19.25, Assembly George Square Gardens.

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+3 Interview: Maddy Anholt – Herselves

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“In December I got a massive piece of paper out and all of my notebooks since I started then sifted through them to see who I loved, who I hated and who would fit.”

WHO: Maddy Anholt, Performer/Writer

WHAT: “Character comedian Maddy Anholt returns following five-star sell-outs at the Edinburgh Fringe and the Soho Theatre with a brand spanking new and hilarious hour that delves into her surreal and sparkly world of outlandish characters. As seen on BBC Two’s Sunny D and heard on Radio 4’s No Smoke. Best New Show nominee – Leicester Comedy Festival 2017.”

WHERE: Underbelly Med Quad (Venue 302) 

WHEN: 13:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This will be my third full run at the Fringe. I went up for a couple of weeks in 2011 just to discover what the Fringe was about and remember my first night there thinking: ‘what the (insert expletive) is this?!’ That was when I made the decision if I was going to do a full run at the Fringe it would have to be with a show I absolutely loved, at a brilliant venue and I would try and get it sponsored. I went up with Diary of a Dating Addict in 2015, which was on at Gilded Balloon, last year with Rent Girl also at Gilded Balloon and this year I’m at Underbelly with Herselves. Also, cheekily (and with a lot of hard work) I’ve managed to get all three shows sponsored so far.

Tell us about your show.

Herselves is the show I’ve been technically working on for the last 8 years. Or at least, it contains some characters I’ve been working on for the last 8 years. I guess I finally feel I’ve sort of found my feet, which is with a full hour of character comedy. In December I got a massive piece of paper out and all of my notebooks since I started then sifted through them to see who I loved, who I hated and who would fit.

Last Edinburgh I was delighted to sign with Corrie McGuire from ROARComedy who has been nurturing this show and me ever since. She’s great at giving me some cold hard notes on what works, what doesn’t work and what to kill there and then and I really needed that. I’ve kept it in the ROARComedy family by having the wonderful Alexis Dubus AKA Marcel Lucont direct me. His character work is some of the best around so I was thrilled to have him on board.

Herselves is the show I’ve worked on the longest out of all my shows. I was previewing work-in-progresses from January and in February was over the moon for it to be nominated ‘Best New Show’ at the Leicester Comedy Festival. Hopefully it’ll go to the Soho Theatre again which is an incredible venue and then… well, onwards and upwards!

What should your audience see at the festivals after they’ve seen your show?

I think we are going to be spoilt for choice this year. But some of my recommendations are: Hardeep Singh Kohli, Dane Baptiste and Suzi Ruffell.

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Meet Our +3 Team #EdFringe ’17 – Nathaniel Brimmer-Beller

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“I come from Washington, DC, where the National Zoo is free and open to all for a quick visit or a day’s worth of adventures, and the Gorgie City Farm shares that spirit.”

Nathaniel Brimmer-Beller has been a host on FreshAir Radio, the Edinburgh students’ station, since October 2015. At the university’s Bedlam Theatre he’s directed Frost/Nixon, Sir Arthur Saville’s Crime, as well as How To Sell A War. Nathaniel was elected President of Bedlam in March 2017 and his own script, Mack the Knife, will premier at this year’s Free Fringe.

Nathaniel has previously interned for the American Film Institute, including two seasons as an assistant at the AFI’s Silver Theatre in Cannes during the Film Festival. He was also a Youth Teaching Assistant at the Smithsonian Institute in his native Washington DC.

What’s the best piece of advice you’ve ever received, and do you follow it?

The simplest, and most telling, is probably “If you don’t have anything nice to say, don’t say anything at all.” That is a lovely sentiment, in a way, and a ridiculous, completely unrealistic one in another. That’s a rule that makes us all nod meaningfully, but we all break it at least once an hour.

Realistically, we can separate justified criticism and unjustified criticism, I think; reviewers — and most people who have something intelligent/relevant to say on an issue — offer justified criticism every day (i.e. “Transformers 5 should not have been made” or “Donald Trump is an embarrassment to human history.” To me, the deeper sentiment of the “anything nice to say” advice concerns unjustified criticism, and I do try to live by that sentiment. If someone is having a bad hair day, or maybe made a mistake or two, best not to say anything that’s just not nice. I like that part of that idea.

If space invaders came to burn down Edinburgh, but wanted to leave just one thing standing, what would you ask them to leave? (You can’t say the castle. Not even space invaders could capture Edinburgh castle.)

The Gorgie City Farm. I almost said Bedlam Theatre or John Lewis (their employee contracts are so commendable!) but honestly the Gorgie City Farm is one of those parts of Edinburgh that gives it a unique feeling. The fact that you can hop on a bus and hang out with some cows and rabbits and the like for a while then waltz back into city life is just beautiful.

I come from Washington, DC, where the National Zoo is free and open to all for a quick visit or a day’s worth of adventures, and the Gorgie City Farm shares that spirit. They also had a beautiful horse last time I was there; as a horse rider I greatly approve.

What first brought you to Edinburgh? What keeps you here?

I came to Edinburgh to go to college and I am staying for the degree, but I spend a large share of my time working on student theatre with the Edinburgh University Theatre Company housed in Bedlam Theatre. The constant, edifying sense of what’s-next and what-else-can-we-do that keeps the society’s blood pumping is unlike any group I’ve been a part of before and keeps me energized and excited to be in this city around these folks every day. But I’m also going to get that degree.

What’s the first live performance you can remember?

Probably Al Jarreau performing at Wolf Trap in Virginia. It began a long fruitful tradition of my parents passing down their eclectic combined music tastes to me, most of which I still listen to and love today.

What’s the best live performance you’ve ever attended?

Seeing Eddie Izzard perform the premiere of his Force Majeure tour at the Warner Theatre in Washington in 2014 was really something special. I grew up listening to his stand-up CDs with my Dad, and I could probably recite over half of his bizarre trains of thought and most of his simply bonkers bits. But seeing him perform them live was fantastic, especially considering he added plenty of jokes specifically about DC and our audience. He even had a Q&A afterwards and nodded at me! Starstruck!

What are you most excited about seeing at #Edfringe17?

I can’t wait to see Melbourne sketch trio Aunty Donna live again; they’re up there with best live performances I have ever seen, and they’re certainly my favorite modern comedy group to follow. I’ve been watching their videos since 2014 — I’m an Aunty Donna hipster, yuck. But they are just hilarious.

I’m going to go ahead and mention I’m also excited to see how audiences find Mack The Knife, a play I am working on with a crackerjack cast and crew who are a real A-team of diverse talents and trades. We’ve got live music, noir plotting, twists and turns, very dark comedy, and a completely original script, but let’s see what the reviewers have to say about it. A plea to them, quickly: if you don’t have anything nice to say… etc.

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+3 Interview: JoJo Bellini: Crash-Bang Cabaret!

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“Audiences will need to buckle up for a wild ride!”

WHO: Joanne Marsh (JoJo Bellini), Performer/Writer

WHAT: “A hilariously naughty cabaret about car accidents, kink and cucumbers. Take a look into the life of cabaret queen JoJo Bellini. Who is this woman? Where has she come from? How did she recover from such a crippling car accident? Why is she touching me? Why isn’t she touching me? Is this love? Yes. Yes it is. Sit back and indulge in the unbridled naughtiness, clowning and comedy that is JoJo Bellini.”

WHERE: The Stand Comedy Club 2 (Venue 5)

WHEN: 22:05 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my second time doing a full Fringe run with a solo show. Last year was such a blast I just had to come back with another saucy show to get audiences motors running.

Tell us about your show.

Audiences will need to buckle up for a wild ride! It is my personal story of how I found fun, kink and sequins after a horrific car accident. It has been directed by Sameena Zhera and is filled with songs, clowning and salacious dance moves.

What should your audience see at the festivals after they’ve seen your show?

Rosalind Blessed’s play The Delights of Dogs and The Problems of People, the clowns Zach & Viggo, but most definitely John Robertson’s Dominant.

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+3 Interview: Murder, She Didn’t Write: The Improvised Murder Mystery

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“We frequently outnumbered the audience but to be honest we were just happy to be performing.”

WHO: Lizzy Skrzypiec, Director/performer

WHAT: “A classic murder mystery is created on the spot in this ingenious and hilarious show from Bristol Improv Theatre’s resident company. Miss Crimson poisoned in the parlour? Mr Gold exploded by cannon in Sainsbury’s? You decide! But will you guess whodunnit? And for your Sunday night entertainment, don’t forget our additional late night shows!”

WHERE: Pleasance Courtyard (Venue 33) 

WHEN: Varies (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is Murder, She Didn’t Write‘s fifth time at the fringe and it’ll be my eighth/ nineth time as a performer. I started off with a small part-improv-part-sketch group putting on a free show that was on at about 1pm in a pub far beyond the Meadows. We frequently outnumbered the audience but to be honest we were just happy to be performing. This year we have moved to the Pleasance and I couldn’t be more excited.

Tell us about your show.

Murder, She Didn’t Write is an improvised murder mystery where the cast make up a bespoke play based on audience suggestions, but it doesn’t stop there, one member of the audience decides who they want to be the victim and murderer and then it’s up to the rest of the audience to guess whodunnit. We came up with the format about five/six years ago and have been tweaking it, changing it ever since to maximize our creative freedom and the audience’s enjoyment.

When I say we, I mean Degrees of Error – a group of improvisers based at the Bristol Improv Theatre. Many of us used to perform with Bristol University’s Improv Society and the group formed with university graduates who still wanted to perform improv. However, since then our group has grown and we now have members from more theatrical backgrounds with proper acting chops! It’s lead to a truly gorgeous group of talented improvisers I’m proud to be a part of.

I am the director of the show, which is an odd thing to imagine in a play without a script. But it’s my job to make sure we are all in the same page tonally, visually etc and to see how we can continue to make the show better. We tour during the year to various theatres and festivals and we are also developing completely new shows that we premier at the BIT.

What should your audience see at the festivals after they’ve seen your show?

We heartily recommend checking out some other improv shows like Showstoppers, Austentatious, And Now For Something Completely Improvised, Happily Never After, Scribble and This Is Soap. They are a hoard of varied and delightful shows by a hoard of incredibly talented improvisers.

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