Category Archives: EdFestivals 2023

‘Lost in the Woods’ (Venue 14, until AUG 28th)

Posted in *Written Interviews, 5*, EdFestivals 2023, Rated: Outstanding by

“They start low and slow, ratcheting up the excitement and enthrallment with each plot twist and unexpected turn.”

Editorial Rating: 5 Stars (Outstanding)

I wonder how many times the weight and majesty of history has turned on a sneeze. On how many occasions has the course of human events been stuffed or shuffled owing to a semi-autonomous, convulsive expulsion of air from the lungs through the nose and mouth also known as sternutation? It’s a sneeze that sets the scene for Hawk and Hill Theatre’s Arran Hawkins and Hila Meckier’s ‘Lost in the Woods’ when, as the narrator, Hawkins sends the pages of his antiquarian book of fairy tales scattering to the four winds. There’s a mixup, there’s a twist (actually there are lots of twists) and it’s Hansel and Grettle who must bring order to chaos over the course of an hour of totally engrossing children’s theatre.

We’ve come in force. Two grandparents. Three daughters. Two parents. Outside, afterwards, the adults all agree. Most live performance for kids starts loud and gets louder. Hawk and Hill Theatre are doing something far more subtle and infinitely more captivating. They start low and slow, ratcheting up the excitement and enthrallment with each plot twist and unexpected turn. The staging is simple without being simplistic. For young minds still new to theatre, the prop concepts are easy to grasp, proving that there’s laughter aplenty to be found in everyday magic.

What’s really, really clever is that for the aulder young ones the mixing up, mashing up of the stories gives them a chance to remind themselves what little cleverclogs they are. They know the story of Rapunzel! They can recognise Cinderella even out of context and with scuba goggles for a glass slipper. For the medium young ones, like Daughter 2.0 (5yrs), there’s plenty of laugh-out-loud horseplay and wordplay, easily grasped and held onto. I’ve never heard her laugh that loud and I tell brilliant jokes. This is an eyes-up, attention-grabbing show, but there are lots of those at EdFringe. What makes ‘Lost in the Woods’ so special is that it fascinates in the true, Johnsonian sense, “To bewitch; to enchant; to influence in some wicked and secret manner.” Daughter 3.0 (18 months) who we did not manage to get napping on the bus ride in, is also caught up in the magic. For a person for whom everything is new and wondrous, it’s all about pairing concepts in new and exciting ways. A banana allergy that turns Meckier into a chicken cannot help but get a toddler’s synapses busing.

In her notebook, the one with a gingerbread house by Frank Lloyd Wright on the cover, Daughter 1.0 (8yrs) wrote, “I went to lost in the woods! when I walked In I saw a stage a big sheet over some polles and an old book. They told a story of the old book whiteh had got all muddled. And they told a story of Hansel and gretel witch were trying to get back to their own story. My favorite bit was when gretel ate a banana and turned into a chicken. I realy enjoyed it.”

Here’s a production unafraid to be different even when working with ultra-familiar family favourites. Here are two performers in perfect balance and synchronicity delivering up a smorgasbord of cleverly devised theatrical tricks and super-engaging effects. Both bright children and dull adults will here discover together a true gem to be kept and treasured forever.

Come for the stories. Stay for the storytelling. Get your coats on and go see this!

>> Read the company’s #EdFringeTalk with us here! <<

 

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‘The Ghost of a Smile’ (Venue 53, until AUG 26th)

Posted in 5*, EdFestivals 2023, Rated: Outstanding by

“In both tellings, the range of characters are showcased with the intimate care and consideration Josiah Wedgewood gave to the arrangement of his vases in his London showroom.”

Editorial Rating: 5 Stars (Outstanding)

Performance by Nicholas Collett plus Lines by Charles Dickens plus direction by Gavin Robertson is a winning curative formula. A cure for your tired, for your poor huddled Fringe-going masses yearning to see tip-top quality. Two tales, told on alternate days, written by the greatest storyteller of his day, delivered by one of the most accomplished thespians of ours.

‘The Queer Chair’ (from ‘The Pickwick Papers’) tells the story of Tom Smart who, sheltering from a storm in a cosy inn for the night, gets more than he bargained for – from a wizened and debauched piece of furniture. Tom likes the establishment, the food, the punch, the serving girls and especially the widowed landlady. But she is being pursued by a tall suitor, whom Tom takes an immediate dislike to. The haunted chair in his room has insights, an agenda, and a plan. Collett’s genius is to play this, let us admit, rather fanciful tale totally straight. He works with the material and never once against it. If you were ever looking for proof positive that Dickens, contrary to popular misconception, is a light, breezy, airy writer, as well as a perfect practitioner of pace, look no further than Collett’s expert polishing of ‘The Queer Chair’ which is brought up to a beautiful and lively shine.

‘The Ghosts of The Mail’ is set in Edinburgh. After a well-lubricated party in the old town, Jack Martin stumbles back to his lodgings via South Bridge and several other still familiar locations until he comes to rest at a yard compound containing the derelict skeletons of old mail coaches. There he falls asleep, or does he?, finding himself drawn into an episode of high adventure from the preceding eighteenth century, in the company of three creepy and mysterious fellow passengers. This story is less conversation and more action movie, giving Collett the opportunity to flex his muscles in a rapid succession of poses which reveal the sinews, form, and grace of his craft.

In both tellings, the range of characters are showcased with the intimate care and consideration Josiah Wedgewood gave to the arrangement of his vases in his London showroom. Hand up, I find Nick Collett more convincing as a lecherous antique and boozer than as a comely young barmaid or tall person. But each of his character sketches is so delightful, so well observed and proportioned that it’s impossible not to come away with a deeper understanding of, and admiration for, the great actor as master storyteller. The ghost of a smile? More like an ear-to-ear grin.

Come for the writing. Stay for the performance. Get your frock coats on and go see this!

 

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EdFringe Talk: Femme Natale Theatre

Posted in *Written Interviews, EdFestivals 2023 by

“Jet lag does very strange things to your memory and as such there may be a little bit of new material tomorrow night!”

WHO: Fingal Pollock

WHAT: “Hilariously truthful – an unapologetically comic peek into the world of parenting: what comes before, during and after in this rambunctious mix of original songs and sketches from NZ actors ensemble Femme Natale. Breeders and non breeders have loved this show all over – first time at Edinburgh Festival Fringe… don’t miss the best date night or group night out this season and the best contraceptive in town!”

WHERE: Just the Tonic at The Mash House – Just the Cask Room (Venue 288) 

WHEN: 21:05 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s my fourth time visiting Edinburgh but my first time performing at the festival. I was going to bring another NZ show here back in 2011 – but I followed my biological clock and had babies instead. Now, the babies have grown up enough for me and my fellow actors to bring you this smash comedy hit! Edinburgh fringe holds a special place in the heart of every New Zealand artist and this city has always had a special place in my heart, too. Maybe it’s my name, maybe it’s my ancestry – I just feel really at home here.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

We have learnt how to pack up and pack down very very quickly! We have also learnt that jet lag does very strange things to your memory and as such there may be a little bit of new material tomorrow night!

Tell us about your show.

My kids had just been sick for three days straight and I hadn’t had one single second to myself. Finally they were well enough to be taken out for a walk by someone else and the relief of being by myself was so great I sat down and wrote ‘Mother Erotica’ – an erotic poem for parents all about the joy of being on your own…

When I had toddlers it struck me how fabulously funny moments were – but if you didn’t write them down straight away you forgot about them because of the intensity of daily life! At the time I was also a clown doctor at the Wellington Hospital (which is where I met my co-actor Jeremy) and because of that job I really began to understand comedy and how it works. I met April and Tracey at another sketch comedy show – the first time I ever saw them they were dressed up as giant boobs. We started chatting backstage about writing a sketch about breastfeeding and they were on board! The first show was a huge hit and we have spent the last five years touring it around New Zealand. People love it so much we were able to crowd fund to come here just by asking our fans – we are so touched that so many people believe in us!

What should your audience see at the festivals after they’ve seen your show?

Our fabulous UK actress – Sonja Doubleday. She wholeheartedly agreed to play a giant sanitary pad from the other side of the world and we LOVE her for it! (we get a local actress for this part everywhere we go). Go and see ‘An Octopus, the Universe and Stuff” – she is a multi-award winning actress! Also our wonderfully talented colleague from NZ, Sarah Harpur performing ‘The Shit Kid’ – she was going to be in our first ever show but had to pull out because of a baby (!) and now here we are in Edinburgh together! She is great!!!

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EdFringe Talk: Michelle Brasier: Reform

Posted in *Written Interviews, EdFestivals 2023 by

“Vinegar on chips is better than it sounds.”

WHO: Michelle Brasier

WHAT: “Winner: Directors’ Choice Award, Sydney Comedy Festival (2021). Nominee: Most Outstanding Show, Melbourne International Comedy Festival (2021). Reform is a cautionary tale of an online scam and the urge to empathise with, understand, and become the emergency contacts of those who have done us wrong. A theatrical hour of storytelling and music, backed musically by Tim Lancaster and Jordan White. Maybe the real Facebook Marketplace is the friends we make along the way. ‘Howlingly funny, emotionally generous and, ultimately, profound… A miracle of a show’ ***** (Sydney Morning Herald). ***** (Time Out). ***** (Chortle.co.uk).”

WHERE: Gilded Balloon Teviot – Dining Room (Venue 14) 

WHEN: 19:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve been to Edinburgh 5 or 6 times now. I just keep coming back. There’s something really magical about the city and the crowds. I think you become a better artist there. I always get back to Australia funnier and quicker and full of chips. A perfect way to be.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Eat fewer chips, the best chips are from the kebab shop that stays open really late, vinegar on chips is better than it sounds, stop having chips for lunch. No

Tell us about your show.

Reform is the unbelievably true story how I became the emergency contact for a stranger who tried to scam me when I tried to buy a Pilates machine online.

I wrote this show last year, it’s produced by Stamptown with my UK and Aus managers – PBJ and Century. I’ve got a really lovely team I’m lucky as hell. I did the show for the first time in Melbourne at the Comedy Festival. Melbourne Comedy Festival rules. I’m hoping to bring the show to London soon and maybe tour the UK. I really love UK audiences. So far they’ve really responded to the story which honestly is a relief – you never know what will be lost in translation.

What should your audience see at the festivals after they’ve seen your show?

Go and see Gillian Cosgriff, she directed my show Average Bear from last year and she’s brilliant. Her show is kind of a shared outing of her inner optimist and the audience is a part of that too, it’s so lovely. A gentle and hilarious show. Moses Storm, Stamptown, Lou Wall. There are so many good ones. I can’t even begin to narrow it down. These are front of mind. If you see a lineup show – see the 3rd best act on the lineup I guarantee you the third best 10 minutes will be the best hour. I don’t know why it’s just true.

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EdFringe Talk: Land Under Wave

Posted in *Written Interviews, EdFestivals 2023 by

“Good stories cast enchantments, great stories break them.”

WHO: David Hughes

WHAT: “Three storytellers, trapped in the Otherworld, must perform their music and stories to earn their freedom. Which deserves to return to the human realm? The fair folk in the audience must decide! In this intimate and interactive show, the Young Edinburgh Storytellers (YES) Mark Borthwick, Ailsa Dixon and David Hughes navigate the mystery of emergence and becoming, blending their voices with music to explore queer identities and the rewilding of people and place. Modern Scotland’s living lands contrast with the ancient otherness of the Faeries’ Tír na nÓg (Land Under Wave). ‘Magnificent’ **** (ScotsGayArts.com).”

WHERE: Scottish Storytelling Centre – Netherbow Theatre (Venue 30) 

WHEN: 17:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

We are a local Edinburgh based company and this is our first Fringe show as a trio. We are all traditional storytellers in our own right but this is our first time navigating the fringe with a piece. The fringe is a great festival to try things out, to get better at performing. It’s high energy, it’s intense, you’ve got to bring your best self to each and every performance.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

As a trio, we’ve been working with a couple of simple mantras;

  1. Less is more – we’ve tried to pare back elements of our performance, to make our message clearer to audience members without losing much of the dreamy quality of traditional storytelling.
  2. ‘Be surprising, but inevitable’ – this is a Sondheim quote. We’ve tried to do this in our show. To provide the audience with a journey, an experience they can join us on, to surprise them but deliver what they expect in an intriguing way.
  3. Good stories cast enchantments, great stories break them – we’ve been exploring how we tell stories that excite and entertain but also encourage people to think, to go away with questions and consider ‘what was that?’

We are learning as we go, but I feel we have done a good job in integrating some of these ideas into Land Under Wave!

Tell us about your show.

Land Under Wave is an experience of immersive traditional storytelling. The audience are encouraged to enter into the space and shed their human form and embrace their inner fairy. The fairies in Scotland were the spirits of nature and of place, they are intimately connected to the land, in a way that many humans have forgotten. We want people to reconsider their own conneciton to themselves and wide, wild nature. The audience join us at a traditional ceilidh (a gathering) in the court of the fairies, to hear tales of wildness and identity, all carrying truths needed for our times. The audience votes on which story they feel carries the best medicine for the human realm.

We are all storytellers on our own, we came together at a story share night and found we shared a lot in common and thought it’d be fun to join our voices together and work on a project. We produced a longer version of this show for the Scottish International Storytelling Festival in 2022, and refined it for the Edinburgh Fringe 2023. We hope to continue to work together and develop more storytelling that is interesting, engaging and unique, yet still rooted in tradition.

What should your audience see at the festivals after they’ve seen your show?

The Scottish Storytelling centre has a really great programme – it’s all curated and what they offer is some really interesting, heart centered and folky stuff.

No One Is Coming by Wandering Stories Theatre is an excellent piece of solo storytelling blending epic irish myths with deeply personal stories about living with a family member with challenging mental health issues.

Thunderstruck by David Colvin is another one man play about the life of Gordon Duncan, a bagpiper who had an immense impact on bagpipe music. It’s heartbreaking and electric all at once.

Pretty much anything at the Storytelling Centre is great!

We also highly recommend exploring the Free Fringe – there can be some really amazing productions there that don’t necessarily have a big budget like the main fringe scene, but the performers have huge hearts. Support the free fringe, enjoy the show, throw something in the bucket at the end.

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‘Who Stole My Hammer?’ (Venue 302, until AUG 28th)

Posted in 5*, EdFestivals 2023, Rated: Outstanding by

“Rosie Evans and Fiona Hawk are many, many things but most of all they are perfect.”

Editorial Rating: 5 Stars (Outstanding)

You can’t fake a kids’ show. The audience won’t let you. If what’s happening on stage is working, what’s happening in the audience will be a delight to behold. Little people bouncing up and down on the edge of their seats, squealing with excitement, enthralled to the storytelling. This is exactly the scene that would greet a latecomer to Myth-Fits ‘Who Stole My Hammer?’ But don’t be late. Don’t delay. This is easily one of the best kids’ shows we’ve seen all Fringe.

We’ve come en masse. Granny, Mummy, x3 daughters, and me. We brought a reasonable amount of Viking knowledge, but need not have bothered. Amid all the clever details and two finely-tuned performances hitting all the high notes, it would be easy to overlook a neat and compact exposition which establishes who the Vikings were, their love of stories, as well as the key figures in their pantheon of Gods. The explanations are over in the blink of the Allfather’s remaining eye and… …we’re off! like greyhounds from the slip, tearing along through the story of Thor, his hammer, Loki, Freyja, and the King of the Trolls.

Rosie Evans and Fiona Hawk are many, many things but most of all they are perfect. Their individual performances could not be improved, but together they are so, so much more than the sum of their considerable parts. The pacing, always a tough set of decisions in children’s theatre, is what you’d expect if a Bugatti Mistral had a baby with a Lamborghini Revuelto. It roars through the hour packing so much in that I suspect Mary Poppins herself taught Evans and Hawks how to pack a magic carpet bag.

The stars of the show are Odin’s twin ravens, Hugin and Munin, puppets so animated you’d be forgiven for thinking they are the ones in control. Perhaps they are. It’s not every show that offers the promise of having your mother-in-law’s nose to be nibbled off by memory and thought, which is another audience participation laurel in the show’s crowded crown. Daughter 3.0 (18 months), who managed to sleep through Doktor Kaboom (no mean feat) is wide awake and utterly entranced. ‘Who Stole My Hammer?’ will live forever in our family’s lore as the first piece of live performance that really connected with her.

In her notebook, the one with Mjölnir and a longship on the cover, Daughter 1.0 (8yrs) wrote: “I went to “Who stole my hammer?”! When I walked in I saw a stage and lots of boxes. with props inside. They told a story of Thor and his hammer witch whent missing! It turned out it had been stolen by a giant, ugly troll and Thor had to dress up as Frega (Goddess of love) to get his hammer back. And there was some black crows witch tried to peck people’s faces! I liked the bit where Thor dressed up as Freya. I really enjoyed it.”

EdFringe is a tough nut to crack, even when you’ve got Mjölnir in your prop back. It’s why details like getting your show’s title right matter. I’ll bet you a hat full of hack silver audiences would have been quicker to spot this absolute gem if it had been called, ‘Viking Bedtime Stories: Who Stole My Hammer?’. But that’s the only alteration I would suggest to this perfectly rigged, perfectly steered, perfectly sailed vessel as it takes audiences young and auld on a wonderful journey of fun and discovery.

 

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EdFringe Talk: Not Another Quiz Night

Posted in *Written Interviews, EdFestivals 2023 by

“EdFringe is always a blast as a punter, soaking up the atmosphere and catching a bunch of shows, some planned, some spur of the moment, is the best.”

WHO: Jake Bhardwaj

WHAT: “Let’s get 100 people in a room for a quiz night like no other. This is an immersive quiz show that includes appearances from surprise characters, D-list celebs and interactive bonus games for everyone to play. We even have a DJ on the decks in between questions. Prizes range from the ridiculous to the wonderful, with a cash prize on offer for first place. Bring a team, or make friends on the night as this quiz soon derails into the big night out you’ve been searching for. Expect prizes, surprises and “celebs” in disguises.”

WHERE: Gilded Balloon Teviot – Nightclub (Venue 14) 

WHEN: 23:30 (150 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is our first Fringe as a performing group, but a few of us have been as punters in the past. We’re all comedy fans (obviously) and have experience working in the TV comedy world but this is a different beast…

EdFringe is always a blast as a punter, soaking up the atmosphere and catching a bunch of shows, some planned, some spur of the moment, is the best. Hopefully, we can still do plenty of that, but now we’ve got a pretty big show to worry about it’ll certainly be a new experience…something we’re all looking forward to!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

We actually started the show, as it is in its current guise, just over a year ago – so we’ve definitely learned a lot since then. Mostly, to make sure we fact check the quiz answers.

And that a bad wig is sometimes better than a good wig. Come and see the show and see for yourself…

Tell us about your show.

The show is technically a pub quiz, but throwing out the stuffy format and making it bigger, more chaotic and (hopefully) more entertaining. With mystery guests, special bonus rounds, music and frankly bizarre prizes, it’s a fun show for everyone involved. Essentially, you don’t have to be brilliant at quizzes to have a good time!

I’ve been hosting pub quizzes for a while in London. When covid hit and the pubs closed, I took it onto zoom and it snowballed from there. More and more started to attend (virtually) – even Joe Lycett was a regular. From that point it became closer to that of a game show than a pub quiz, with character segments and mini games in between the questions. ‘Does Your Mother Know?’ where my actual mum would explain a TV show or film character and the players had to guess who she’s talking about, was and still is a particular highlight!

When lockdown ended, i took the new format back to the pubs, with a few friends joining the team, at first just to play a character or two, but then taking on more of the writing and production as the event grew bigger – and now we’re a team of seven!

From that moment on, Not Another Quiz Night in its current guise was born. And after over a year of putting on sell out shows in London, we’re bringing it to Edinburgh to give the late night crowd something to sing about…

What should your audience see at the festivals after they’ve seen your show?

In our downtime we’re hoping to see a load of comedians – some that we know of, and hopefully loads that we don’t. It’s always nice to see people you haven’t heard of but we’ll definitely be heading to see a few of our favourites. The likes of Rob Auton, Spencer Jones, Ania Magliano and Mary O’Connell are on our list. Rob is a big favourite – always reliable and it’s not often you come away from a stand up gig feeling as enlightened as his shows make you feel!

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EdFringe Talk: Dolly Diamond’s Rather Large Variety Night

Posted in *Written Interviews, EdFestivals 2023 by

“Think big but be prepared to pivot…”

WHO: Dolly Diamond

WHAT: “An hour of sharp-tongued humour, risqué songs and jaw-dropping physical feats. It’s camp comedy, lip-syncing and burlesque at its best. Dolly Diamond ‘will make you laugh so hard your ribs hurt’ (BroadwayWorld.com). High on last year’s sell-out run, this UK-born Australian legend will be joined by Fringe icons and rising stars for a very limited run. ‘Dolly has superb comic skills and whisky-soaked vocal talents’ (WeekendNotes.com). Dolly Diamond is ‘Lorraine Kelly on Crystal meth’ (Julian Clary).”

WHERE: Just the Tonic at The Caves – Just Up the Road (Venue 88) 

WHEN: 18:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s my third time and I’m still wide eyed and full of excitement and nerves. I tend to thrive on that though. I was here in 2019 with Dolly Diamond’s Blankety Blanks and absolutely loved it. I’ve done a lot of Fringe Festivals, mainly in Australia and they’re pretty cool but Ed Fringe is a whole new kettle of fish. The entire city is engulfed in festival fever and there’s a willingness to really try and do and see as much as you can. A great festival for me has variety (pun not intended for a change). The choice of theatre, cabaret, comedy, mime and circus is second to absolutely nowhere.
Cheap tickets and accessibility are also fundamental and I know that the festival keeps an eye on that to make sure everyone gets a chance to enjoy what’s on offer.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Think big but be prepared to pivot…

I’m exactly the same In my love life. I’ve been performing for a long time but you should never stop learning more about your craft. I’m really enjoying working with other artists in the show as well. Stand up and touring can be a lonely old life and getting a team of people together for a variety show makes sharing the festival a lot more fun….well until they all start to gang up on me (hasn’t happened yet).

Tell us about your show.

It started in Melbourne and then went onto London and now we’re here in sunny Edinburgh. I’m working with a guy called Cimeon, he owns a venue in London called Social Connection and it’s really keen to help artists create and thrive in the comedy and cabaret world.
I’m not reinventing the wheel, I’m just making it spin faster. You can’t really write a show like this but it’s important it has great acts in it and that I’m there to guide the audience through the fast paced hour. I absolutely love getting into the audience and chatting with them, I thrive on improv and I’ve learnt how to pick on the audience but not destroy them (well not all of them).
I love the variety show format as it gives a whole range of acts the opportunity to shine..
Including me obviously.

What should your audience see at the festivals after they’ve seen your show?

I’m a big Reuben Kaye fan and I was at House of Oz last year and they have some great shows on again this year.

Also Myra Dubois is as funny as fark, so go and see her before she retires. I think it’s great when people choose some of the lesser known acts and just risk it. The tickets are cheap enough to have a lucky dip approach to choosing some shows.

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EdFringe Talk: Temporarily Yours

Posted in *Written Interviews, EdFestivals 2023 by

“I have been here for over a week now and I’m still learning to navigate this magic ship.”

WHO: Greta Zamparini

WHAT: “A journey into sexuality and prostitution, encountering dynamics that connect more to our lives than we’d expect. Why does one sell their body nowadays? Is it out of constraint or out of choice? And does society help us to perceive our body as an object or as an integral part of ourselves? From two monologues by Concita De Gregorio (Ed Einaudi), created from the blog of an escort and by direct contact with trafficked women. A show about our bodies, our souls and our relationships. I behave like a whore, I am not a whore.”

WHERE: Underbelly, Bristo Square – Ermintrude (Venue 302) 

WHEN: 13:15 (75 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my very first time at the Edinburgh Fringe Festival, not only as a performer, but also as a spectator. My fellow actor friends and I call it “The Monster”. The Edinburgh Fringe festival is a huge, incredible, living creature that has its own rules, its own crazy rhythms, its own creative ways. Either you learn how to ride the beast, or it will ride you! I had never seen so many theatrical and entertainment offers all in one place at once. At every corner there is something great to watch, something new to eat and drink, some incredible performers and artists to meet and to share the experience with. I have been here for over a week now and I’m still learning to navigate this magic ship. I’d like to stay here for at least six months, in order to see all the shows I want to see!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

I have learnt that If I have the guts to jump, the net will appear. Yes, I now have many bruises around my body, but still, I’m happy about it. I have learnt that nothing and no one is forever, and so I should enjoy each moment fully , even the most difficult ones. It is not always easy, so I breathe deeper, I have a good cry or two, call a good friend or three (those are very important to have!) and I go back being grateful for everything that I am still able to experience and learn.

Tell us about your show.

This show is about prostitution. It was created after my experience as a volunteer with the italian Onlus Fondazione Somaschi which helps women trafficked for prostitution in Italy. Some of the women are inspired by that experience. In the show there are also two characters extracted from the book “Malamore”by the journalist Concita De Gregorio (Ed. Einaudi): Cristina the sex worker, and Dalia, both translated by Margaret Rose. In the show I perform six different sex workers. The show has been produced and performed in Italy, in Milan and in Rome. I first asked actress and director Federica Bognetti to embark with me on this journey and after that we contacted Ms De Gregorio. At the beginning of 2023 I contacted producer Ines Wurth in order to bring Temporarily Yours to Edinburgh where I now perform it in english for the first time.

What should your audience see at the festivals after they’ve seen your show?

My audience should see all shows about sex and relationships. There are surely many of those at the Fringe Festival, but I can recommend the ones I have seen up to now:

“Asexuality! The solo musical” by Rebecca Mc Glynn; “Break up addict” by Paige Wilhide; Courtney Pauroso in “Vanessa 5000”; “Ask a stripper.The vip experience” by Stacey Clare and Gypsy Charms; Lisa Verlo in “Hollywoodn’t” and finally “Break up with your boyfriend”.

I also vividly recommend the incredible Joshua Welch in “Wildcat’s last waltz” and the brilliant Monia Baldini in “Be my Guest”

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‘Biscuit Barrel: The 69-Sketch Show’ (Venue 14, until AUG 28th)

Posted in 4*, EdFestivals 2023, Rated: Outstanding by

“THE hot young comedy act you promised yourself.”

Editorial Rating: 4 Stars (Outstanding)

Sketch comedy is better than stand-up. Even the best stand-up is transient, speaking to a particular moment and then largely forgotten. Whereas even the most dated sketch comedy can raise a chuckle long after the material has lost the sheen of immediacy. You know I’m right because ‘Life of Brian’ is a sketch comedy. The overriding theme of Biscuit Barrel’s EdFringe offering this year is speed – 69 sketches in just an hour (that’s more than one a minute).

The results are a mixed bag of silly, sassy, smart, successful and less successful gags that induce belly laughter the way cats induce interest from dogs. Holly Meechan’s direction of the troupe is fast and furious while leaving space for a bubbly sense of spontaneity that frequently boils over without denying any one of the unforgiving minutes its worth of distance run. Tec problems? Meh. The AC unit deciding it wants to loudly try and shout down Krakatowa on a busy day? Forget about it. Nothing is going to phase these guys who are THE hot young comedy act you promised yourself.

The intellectual James Horscoft, the characterfully musical Capriella Hooper, the pacy Lily Maryon, the ultra-physical Daryl Reader, and the small but mighty Harry Brown – these are the names you’ll be hearing from again and again until they are but withered husks, exhausted and broken for our amusement. These guys work hard to land every gag. Who cares how many angels can dance on a pinhead, can they do sketch comedy this miraculously?

Sketch comedy is better than stand-up because it’s more theatrical, it takes more risks, it got waaaay more range, more depth, more insight into the human condition. Sketch comedy is art and you aren’t going to see it more artfully done this EdFringe than by Biscuit Barrel. My favourite sketch is the… go the see the show. I think the strongest performance was from… go see the show. Easily the biggest laugh was… go see the show.

Seriously, come for the speed, stay for the delivery get your coats on and go see this!

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