Category Archives: *Written Interviews

From time to time we encounter an artist or producer toiling away at something pretty special. Here’s what they have to say, in their own words, about their work.

EdFringe Talk: A Transcriber’s Tale

Posted in *EdFestivals 2024, *Written Interviews by

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“I know I won’t really understand Edinburgh Fringe until I’m in the middle of it.”

WHO: Joanna Parson

WHAT: “Welcome to a bustling transcription office in 2001 New York City, where typists are busy listening to – and typing out – raw interviews for pulpy television shows and other mass media. The ultimate eavesdropper in a storm of sound bites, clichés and unexpected confessions, Joanna Parson presents a unique musical monologue that shows you what happens when a young woman with a sense of humour and a guitar tries to keep her sanity and heart intact in the centre of the news cycle. ‘I laughed, hummed, and was deeply touched’ (Kathryn Markey, Plays For Us).”

WHERE: Gilded Balloon Patter House – Bothie (Venue 24) 

WHEN: 12:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes, this is my first time in Edinburgh! My roots are Fringe-y– I used to volunteer for the NYC International Fringe Festival from its very early days. I was an adjudicator for solo shows and for musicals, and it was always a fascinating experience as that festival tried to take lessons from Edinburgh and encourage that open, diverse theatrical energy in the heart of NYC. I’m doing my show “A Transcriber’s Tale” at the Hollywood Fringe now as a way to prep myself for August. But I know I won’t really understand Edinburgh Fringe until I’m in the middle of it. So many people have told me it’s a bucket list experience, and the best time they’ve ever had as an artist. I can’t wait!

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

Great question! I performed my show “A Transcriber’s Tale” for the first time in Bellingham, WA and Everett, WA last winter because I wanted to know how it would play for an audience outside NY. I incorporated changes to the show to make it even more of a personal journey. It turns out people really do want to learn from someone else’s experience, and the details of one person’s life story are all we need to start thinking of our own lives in a new way.

Tell us about your show.

I wrote the show myself with the help of developmental director Aimee Todoroff, and some additional musical arrangement by musical director Drew Wutke. I started working with Aimee in 2021 when I knew I wanted to resurrect the show I had begun developing in 2012 at the All For One Festival in NYC. The show is about a young woman who works as a transcriber for the mass media in NYC in the ’90s and through the time of 9/11, and the effect that listening to human voices tell stories has on our minds and hearts. The experiences we all went through in the last few years made this show land differently. In 2012, people said, “Are you sure you can talk about 9/11 on stage?” Now, people say, “Oh, right. Collective secondhand trauma. We get it.” I hooked up with Mike Blaha and Nigel Miles-Thomas of Fringe Management early this year after I realized I had several friends who’d had great experiences working with them, and I am so glad I did. They’re making the experience feel like a group endeavor.

What should your audience see at the festivals after they’ve seen your show?

I’m currently performing at the Hollywood Fringe along with awesome shows like “My Mother Doesn’t Know I’m Kinky” by Jean Franzblau, and I just got to see the adorable bilingual children’s show “Baby Rock”. My friend comedian Carolyn Castiglia is also bringing her AWESOME solo show “Chuck”, about gun violence that affected her family, to the Free Fringe. I can’t wait to see Karin Trachtenberg’s “My Mother Had Two Faces.” For music shows, I’ve heard great things about Oliver Harris’ Elvis and Rainee Blake’s Joni Mitchell: Take Me As I Am. And oh my God, I saw Zack Zucker’s “Jack Tucker’s Comedy Stand Up Hour” at the Soho Playhouse and was blown away. Check them all out!

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EdFringe Talk: Hypnotist Matt Hale: Top Fun! 80s Spectacular – Remix

Posted in *EdFestivals 2024, *Written Interviews by

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“I felt I built the base last year, and really got a feel of how the fest runs, so thought it would’ve been a waste if I didn’t come back and try to grow that more.”

WHO: Matt Hale

WHAT: “The unmissable sell-out smash-hit comedy hypnosis show with 80s party vibes returns! Remixed for 2024! With multiple sell-out Fringe runs and 50 million+ views online, enjoy from stage or audience – you choose! All-ages friendly. ‘The laughter is uncontrollable!’ ***** (FringeFeed.com.au). ‘Fun-filled show!’ ***** (One4Review.co.uk). ‘Laugh until your sides hurt!’ ***** (WeekendNotes.com). ‘Rollicking good time’ ***** (SeeDoEatReview.com). ‘Spectacular silliness! Absolute feel-good must-see show’ ****½ (XPressMag.com.au). Hypnotist Matt Hale is a multi-award winner, seen on Best Shows, Top 10s and Picks of the Fringe.”

WHERE: Gilded Balloon Patter House – Big Yin (Venue 24) 

WHEN: 17:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

First time was actually last year, but despite being the toughest festival I’ve performed at, in terms of trying to stand out amongst 3000+ other acts, and the incredibly high costs to be there for the month, I’m back for more! It turned out to be a great debut season – audiences flocked to the show and seemed to really buzz about it, so word of mouth worked very well. I felt I built the base last year, and really got a feel of how the fest runs, so thought it would’ve been a waste if I didn’t come back and try to grow that more. Plus the fact it was just wildly fun to be part of. With the amount of shows on at all different times of day and night, I was also able to see 30+ other shows. Normally I’m lucky if I get to a handful of others at a fest!

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I’ve definitely realised you can find an audience at Edinburgh despite the eye-watering amount of other shows. That was my fear in my first year, that despite going in with a solid show that had sold well in the Australian Fringes (Adelaide and Perth – the next 2 biggest in the world), I found it hard to see how we could get enough people along when there was so much else on offer. But making sure that I served up a unique ridiculously fun show every night that people were posting and talking about, helped it spread and find an audience.

Tell us about your show.

Last year’s inital “Top Fun!” show became my most loved and best reviewed show in all the years I’ve been performing, so I felt that it wasn’t time to let it go completely. There was just something about the 80s theme that gave it a real party feel, with all the throwback bangers that I included and the action onstage. So decided to come back with a “remix” of it, meaning that there’s some new routines in it, plus some faves from last year, and all in keeping with the 80s theme again.

What should your audience see at the festivals after they’ve seen your show?

House of Life – joyful, funny, and genuinely uplifting hour of musical madness from the RaveRend…and Trev!

Josh Glanc – Family Man. New show from a man who makes me laugh so much!
I just love his surreal pure silliness.

John Robertson’s The Dark Room – live action retro choose-your-own adventure video game style chaos from the human hurricane!

Dizney in Drag – A very adult fairytale from our friends The Hairy Godmothers.

Michelle Brasier: Legacy – latest show from one of Australia’s funniest, and musically brilliant.

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EdFringe Talk: My Mother Had Two Faces: Reflections on Beauty, Aging and Acceptance

Posted in *EdFestivals 2024, *Written Interviews by

“From what I’ve gleaned, performing at Edinburgh Fringe is a roller-coaster of experiences and emotions but not one person has said they regretted it.”

WHO: Karin Trachtenberg

WHAT: “Presented in pseudo-fairytale style, this one-woman dramatic comedy dares to expose what lies beneath the mask of the perfect mother. Discovering her mother’s diaries after her passing, the heroine Karin begins to examine the history of their complicated relationship: from the gritty, urban streets of New York to her Swiss mother’s manicured orderliness. Engaged in conversations with her mirrored reflection, Karin wrestles with her own inner demons. A riveting and poetic journey employing multimedia and masks that asks, when we strip away the make-up, what is revealed? ****½ (TheFrontRowCenter.com).”

WHERE: Gilded Balloon Patter House – Bothie (Venue 24) 

WHEN: 13:20 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This will be my first time in Edinburgh and the Fringe and it’s terrifying LOL. I’ve talked with scores of past performers to get an idea of what to expect, how to attract audiences and how to stay healthy and sane during this month-long festival. From what I’ve gleaned, performing at Edinburgh Fringe is a roller-coaster of experiences and emotions but not one person has said they regretted it. I see this as a once in a lifetime opportunity to perform at the world’s largest fringe festival. Fortunately, I have the production team of Fringe Management to help with marketing, promotion and technical aspects of bringing the show to Edinburgh.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I’ve learned that a big goal is achieved by taking small steps every day. Consistency is key and connecting and collaborating with a like-minded artist community. At the beginning of 2023 I had a bunch of notes and no idea how to go about creating a one woman show. But by making time daily to write, rehearse, seek out support and networking with other solo artists, by the end of 2023 my dream came to full fruition complete with video, music, theatrical masks, projections and a Hollywood World Premiere of My Mother Had Two Faces.

Tell us about your show.

My Mother Had Two Faces: Reflections on Beauty, Aging and Acceptance is a one-woman autobiographical show that reveals what lies behind the mask of the perfect mother. Written and performed by me, Karin Trachtenberg, this has been a collaborative effort involving a team of creatives.

Director Jessica Lynn Johnson of Soaring Solo Studios worked with me along the way to shepherd the play from conception to full production. She produced my first performance and acts as an invaluable source of support and guidance.

My passion for Greek Theatre led me to collaborate with esteemed mask maker, Eric Bornstein, to create the “two faces” of my Mother which lend so much drama and pathos to the production. Three Cubed Studios from LA provided video support, while my son, Bobby Raps, a recent Berklee College of Music grad, composed some of the music and will be traveling with me as my tech.

My Mother Had Two Faces has traveled from Los Angeles to Boston to Off-Broadway as part of the United Solo Festival in NYC. Initially, I had no intention of taking my show to Edinburgh, but I love a good challenge. We’ll see what opportunities present themselves after Fringe.

What should your audience see at the festivals after they’ve seen your show?

I would recommend seeing anything to do with Mothers and mothering. Because let’s face it, as the first and arguably the most important relationship in our lives, it’s a subject we can all relate to – both comic and tragic. I’ve scoped out a few shows with a maternal motif, most notably “Go to your Womb” which features a mother/daughter performing duo @toninagycomedy, “My Mother doesn’t know I’m Kinky”, “My Mother’s Funeral” @painesplough, “Fin Taylor: Ask your Mother”, and “Tiger Daughter or: How I Brought My Immigrant Mother Ultimate Shame”

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EdFringe Talk: Plotters

Posted in *EdFestivals 2024, *Written Interviews by

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“A number of my plays have been translated and produced in German-speaking countries, so maybe the cast will be taking crash courses in Deutsch soon.”

WHO: Brian Parks

WHAT: “It’s a Grave Business. Infamy, riches, and the darkest secrets of the city collide in this fast-paced comedy by two-time Fringe First winner Brian Parks (‘A refreshingly mischievous, inventive author'(Times)). A clandestine cabal of misfits attempt their ultimate heist. Will these agents of the night seize the coveted prize, or bury themselves? A hilarious world premiere directed by Fringe First winner Margarett Perry and Natalie Tell, starring Matthew Boston, Mark Boyett, Brian Dykstra and Kate Siahaan-Rigg. From the team behind Fringe 2023 show Shortlist: ‘Perfectly crafted, deeply intelligent and supremely witty’ (Scotsman); ‘Immerse yourself in Perry’s direction’ (GetYourCoatsOn.com).”

WHERE: Assembly Rooms – Front Room (Venue 117) 

WHEN: 14:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This will actually be my tenth show in Edinburgh. My first was back in 2000, with my play “Americana Absurdum,” which is a two-part, crazy surreal comedy with nine actors. The first part is about an attempted takeover of a family-run funeral parlour, the second about the bizarre and comic goings-on after an airliner crash. Both dark comedies, perhaps needless to say. We won a Fringe First for that production and had a fine first Edinburgh experience. Among my other past shows in the festival were my 2017 business comedy “Enterprise,” which also won a Fringe First; my real-estate comedy “The House” in 2018; and my show last year, “Shortlist” – about two longtime enemy novelists vying for the biggest literary award.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

“Absorbing a lesson” sounds like we’re now a slightly damp sponge. But yes, we certainly do learn things with every Edinburgh production. “Shortlist” was perhaps the most bare-bones production of my shows in Edinburgh, and it was great to see how well simple can work. “Plotters” is a bit more complicated but will be staged in a similar style. Also since 2023, I’ve learned – the accidental hard way – that the Tennent’s in Italy has more than twice the alcohol content as the Tennent’s in Scotland. But perhaps that’s off-topic.

Tell us about your show.

“Plotters” is a fast-paced heist comedy with a dark edge, which we’re doing at Assembly on George Street. The play is set in the 19th century, and follows a clandestine criminal firm as they attempt their biggest, most infamous job. I wrote it. It’s directed by Margarett Perry and Natalie Tell and performed by Matthew Boston, Mark Boyett, Brian Dykstra, and Kate Rigg. Twilight Theatre company is the producer; we’re all based in NYC. This is the show’s official world premiere, and it was specifically written to debut in Edinburgh. After Scotland, who knows? A number of my plays have been translated and produced in German-speaking countries, so maybe the cast will be taking crash courses in Deutsch soon.

What should your audience see at the festivals after they’ve seen your show?

I’m naturally eager to see our sister show “Polishing Shakespeare.” It’s also a Twilight Theatre production, written by Brian Dykstra and featuring some of the same actors as “Plotters.” Another NYC company, the Barrow Group, is staging “Lost…Found,” a charming piece written and performed by K. Lorrel Manning (at Assembly Roxy); the Barrow Group was at the festival last year for their first time, with Scott Organ’s terrific “17 Minutes.” Among others, I’m curious to see “Leni’s Last Lament,” a piece about Leni Riefenstahl that’s also at Assembly on George Street. The piece is directed by Richard Caliban, who staged one of my most favorite productions ever, Mac Wellman’s “Crowbar.” The play was mounted in a then-decrepit Broadway theater and was a kind of ghost story about that theater itself. “All theaters are haunted” went the chorus of its main song. Very true.

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EdFringe Talk: Big Feelings

Posted in *EdFestivals 2024, *Written Interviews by

“I am so elated to have spent that time with local comedians that ultimately led to becoming the first New Mexican person, in known history, to bring a solo show to the fringe.”

WHO: Gigi Bella

WHAT: “From 2024 Sondheim/Jonathan Larson Grant Rooftop Writer and 10th-ranked woman poet in the world Gigi Bella, Big Feelings explores mental health, feminism and the gospel of Taco Bell through poetry, comedy and music. The Barbie monologue meets Hedwig and the Angry Inch. A one-of-a-kind spoken word musical, centering the Mexicana experience and the feeling of giving yourself to lovers (and sometimes a country) that does not want you back.”

WHERE: Hill Street Theatre – Dunedin Theatre (Venue 41) 

WHEN: 21:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes! This will also be my first time out of the US. Big Feelings started at a comedy festival in Albuquerque, NM (best known for Breaking Bad) and was such a joy. Once it was over, I immediately had the feeling that I just wanted to do it again and on a larger scale. I am so elated to have spent that time with local comedians that ultimately led to becoming the first New Mexican person, in known history, to bring a solo show to the fringe. I can’t wait to connect with other performers and take in performances from all over the world. It’s overwhelming. It’s gargantuan. It’s magical. I am, especially, excited to bring New Mexican culture to the fringe and expand upon the land of enchantment past Walter White and hot air balloons.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I’ve learned to take big swings and then to take swings that make those swings look miniature. I’ve become more sure of myself every time I’ve told someone I was going to the fringe. The logistics were about 65% solid at any given time but I just kept saying it and saying it until it was finally true. I followed my heart and ran away to Vegas to have a Taco Bell wedding. I learned how to sew and started a small Taylor Swift Eras Tour business making Eras Tour outfits for women all around the world. I kept pushing to find the funds for fringe and started applying to do background on film and tv sets. Taking that small swing led to an opportunity that pushed it all over the top. Because of the chances I took, I just wrapped on a feature film with one of my favorite directors and production companies that will be out in 2025. There were so many moments where I was not sure it would all shake out. If I’ve absorbed anything, it’s the belief that it will. Here I am, happily married, traveling out of the country for the first time to perform, writing another book, making all my own costumes and preparing to become an overnight movie star.

Tell us about your show.

Big Feelings started as a poetry collection published by an indie press called Game Over Books. I wrote the book when I lived in New York City and thought my life was beginning when it was on its way to being released in 2020. The pandemic caused me to cancel my entire book tour and all of my live performances. I wasn’t sure that these stories would ever be in front of an audience. A poet by the name of Desiree Dallagiacomo taught me about the “life of the book” and how it lives as long as you want it to. This pushed me to do 120 virtual shows from my bedroom. Then in 2022, I took a chance and applied to a comedy festival just looking to get back out on stage anywhere. I was offered a theater and a full 45 minutes to do whatever I’d like. That’s how the stage version of Big Feelings came to be. I am a huge musical theater fan. I used to attend Broadway shows nearly once a week when I lived in NYC. I’ve always been particularly inspired by John Cameron Mitchell and Hedwig and the Angry Inch. I saw the revival four times and loved everything about the on stage band, the costume changes, the structure. I wanted to make a version of that in my own voice and full of poetry and Chicana/New Mexican culture. We’ve been fine tuning the show for two years and I could not be more proud of what we’re bringing to Fringe. I am so open to all of the places Big Feelings could go. A run in New York? A special for streaming? a world tour? The possibilities are endless.

What should your audience see at the festivals after they’ve seen your show?

After Big Feelings, audiences should check out all the events by the Loud Poets at the Scottish Storytelling Centre. I’ve loved watching their videos and seeing the scope of spoken word across the pond. Also, the Daily Picks of the Fringe Series at Brewdog Doghouse with PBH Free Fringe. I am so excited to be performing with those folks and can’t wait to see the wide range of talent they have to showcase. I, personally, can’t wait to go see Deanna Giulietti in Barbara (and Kenneth) at Greenside. I love Deanna’s videos and I feel like our shows are the Galinda to each other’s Elphaba except it’s just two really adorable Galindas. We are very kindred. I’m also a huge fan of the outfits and would go just to see what she’s wearing! (and would die if she saw me too. Hi Deanna! I’d LOVE to custom make a dress for you!) Another one I’m so excited to see (not that this artist needs my recommendation. She is deservedly Fringe famous) is Cat Cohen! As a fellow poet and very extra sequined broad, I am so enamored of Cat’s work and have cried laughing reading her poems. I can’t wait to see her live. If you haven’t, GO. She is such a remarkable performer with a voice all her own. Truly, the blueprint. And lastly, everything at Hill Street Theatre. I love this venue. I love their people. I’m so proud to be a part of their family this go round. Support them every chance you get.

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EdFringe Talk: Alex Franklin: Gurl Code

Posted in *EdFestivals 2024, *Written Interviews by

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“A bunch of comedian friends are coming up this year to do their various debuts, so I’m excited to see what they all do!”

WHO: Alex Franklin

WHAT: “In 2024, trans girl Alex (me) started HRT. Now she (me) feels the most alive she’s (me’s) ever felt; and she wants to make you feel alive too, or die trying. A ludicrous, musical, chaotic, joyful show about the colours of the world becoming slowly brighter and giving people furniture via the tube. Also being trans. As seen / heard on Channel 4 / HBO Max / BBC Radio 4. ‘Undeniably ludicrous comedy gold’ **** (Entertainment-Now.com). ‘Eclectic, risk-taking and inventive’ (Scotsman). ‘Winningly weird… this young comic is on the way up’ (Telegraph). Directed by Dom Stephens.”

WHERE: Underbelly, Cowgate – Delhi Belly (Venue 61) 

WHEN: 20:25 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s the third! I did my first solo show in 2022 (along with a narrative sketch show called Chuck Salmon: Pool Noodles, it was too many things) – but back then I was definitely giving ‘small asian boi’ vibes, so I feel this year might be a different experience? I’m excited to return to Edinburgh again and find out! Also a bunch of comedian friends are coming up this year to do their various debuts, so I’m excited to see what they all do!

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

It’s good to accept help when you can! For previous years, the shows I did were self-produced, and Fringe especially was a particularly trying time – if I ever got ill or had a rough day, there was no one else to fall back on. This year I’ve been lucky enough to have people supporting me (my producer Martin, director Dom and PR Angela, all absolutely lovely, all absolute angels), which has made a WORLD of difference, both logistically and emotionally; and frankly just allows me to do more!

Also I’ve really learned how to be comfortable in myself the past year – which partly comes with transitioning, and seeing myself when I look in the mirror; but with it also comes the belief that I have the right to make decisions for my own life, and that you don’t need to minimise yourself for the sake of others. I’m now much more comfortable thinking ‘what would Alex (me) do?’ rather than ‘what do others want me to do?’.

Oh also getting some sleep! Turns out you need sleep!

Tell us about your show.

The show is called ‘Gurl Code’ – it’s a show about trans joy, telling people I’m trans, and my past year on hormones. The past few years have been pretty rough on trans people in the UK, and I wanted to make something that helps us feel a sense of belonging, and shows the happiness and freedom you get to experience when you live as your true self.

It’s a bit scary as it’s a much more personal show than I’ve ever done before – it covers very real moments and aspects of my life, which is a big contrast to previous shows where I’ve pretended to be a bee or told a story about a dinosaur; but people have been liking it so far, so hopefully honesty is the best policy!

What should your audience see at the festivals after they’ve seen your show?

Okay so obviously do loads but to name but a few:

Will BF: Moon Team IIIV – Aside from being super good they’re also my housemate and I’ve watched them spent the past week trying to perfect a fish puppet so am pretty confident it’ll at least be memorable.

Selena Mersey: Madonna/Whore – Am pretty confident it’s won a bunch of awards?? Anyway go see it cos Selena is stunningly great

Andrew Doherty: Gay Witch Sex Cult – Literally one of my favourite shows of last year

Dr Dolittle Kills a Man (and Reads Extracts From His New Book) by Aidan Pittman – It has an animatronic puffin and as soon as that appeared it won me over

Dee Allum: Deadname – Perhaps the funniest comedian ever??

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EdFringe Talk: Holy Shit Improv

Posted in *EdFestivals 2024, *Written Interviews by

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“What I’m most looking forward to is the vibrant energy of so many creative people in one location. The love for performing and sharing your talents and in some cases life’s work with each other. That and to get a break from the August heat of Los Angeles.”

WHO: Casey Feigh

WHAT: “‘LA’s very best improvisers’ (TheComedyBureau.com) create an hour of comedy so funny you’ll be screaming ‘Holy Shit!’ See why Bobby Moynihan (Saturday Night Live) says ‘Holy Shit Improv is fucking great!’ and Scott Auckerman (Comedy Bang! Bang!) claims they’re ‘the funniest people alive, and they might be even funnier than the dead ones!’. Fast, funny, silly and smart. As consistently hilarious as any written show. You won’t believe it’s improv! Watch past performances at Patreon.com/HolyShitImprov.”

WHERE: Gilded Balloon Patter House – Dram (Venue 24) 

WHEN: 21:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I came to Edinburgh in March to headline the Edinburgh Improv Festival and fell in love with the city. How easy it was to get around via public transportation, the lack of guns…you know, all the things Americans love when we travel. I kept telling people how much I was enjoying myself and they kept telling me, “you should see it during Fringe.” After enough people told me that, I decided “you know what. I WILL see it during Fringe.” So I applied (very late in the process) and am gearing up for my first Edfringe! What I’m most looking forward to is the vibrant energy of so many creative people in one location. The love for performing and sharing your talents and in some cases life’s work with each other. That and to get a break from the August heat of Los Angeles.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I have learned very little since 2023. I’ve been working in therapy to connect with my wants and express them without fear of how they’ll be perceived. Trying to look internally more and follow my happiness rather than focusing externally and giving people what they want. Is that what you were looking for with this question? Probably not, but I’m not gonna worry about that. I said what I wanted to say and that’s all that matters to me. Please send my therapist a copy of this. He would be so proud.

Tell us about your show.

My show is called Holy Shit Improv and in my opinion it’s one of the best comedy shows in the world. Every show is completely improvised, meaning it’s all made up on the spot and no two shows are alike, other than they will both be hilarious. The cast has been performing in Los Angeles as HSI for 3 years in July, but we’ve all been studying, teaching and performing improv for a collective 100+ years. I truly believe I’m performing with some of the best improvisers on the planet. Every show is so fun and challenging and exciting! It’s very addictive. To be that in the moment and to try and make every second be the most fun/funny it can possibly be.

What should your audience see at the festivals after they’ve seen your show?

This is my first time at Edfringe so most of my recommendations are things I’ve seen in LA. Natalie Palamides is a clown genius and I’ll watch any show she’s doing. I always leave in awe and inspired to push my work farther, to work harder, to be funnier. Her Edfringe show is called WEER. Zach Zucker is another LA comedian who has built an empire with his Stamptown crew across the globe! I will for sure be seeing a Stamptown Comedy Night show and I recommend you all do too. As for improv, I’m fond of the London based group The Free Association. They’re putting on a couple shows at the Festival (St. Doctor’s Hospital and 3 at Assembly Studios) and I may even jump in on one of them, to get to play with new people and try something a little different. I can’t wait! So check them out too.

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EdFringe Talk: I Am Yours Sincerely

Posted in *EdFestivals 2024, *Written Interviews by

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“I am so excited to experience the buzz of the city during Fringe time, there’s nothing quite like it.”

WHO: Ed Saunders-Lee

WHAT: “I Am Yours Sincerely is the true, untold story of John Cox, a member of the Special Operations Executive during the Second World War. This play goes through his life, from university student to soldier to spy. This year marks the 80th anniversary of his first mission parachuting into France. John Cox is also Ed’s step-grandfather and after hearing his story was moved to create this solo show.”

WHERE: theSpaceTriplex – Studio (Venue 38) 

WHEN: 14:55 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my first time performing at the Edinburgh Fringe, I have been before with a show but i was part of the creative team and I am so excited to perform at theSpace Triplex Studio. I am ready for the same experiences as before: flyering, early starts and late finishes. I am so excited to experience the buzz of the city during Fringe time, there’s nothing quite like it.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I insisted my drama school training earlier this year so I could not make it to the Fringe last year, however I learnt a lot during my time at the Fringe in 2022. The biggest thing I learnt was to bring good shoe insoles! But on a more serious note it is so important to remember just how busy the fringe is and not to see other shows/performers as competitors, but to see them as comrades. We are all trying to sell our shows so it is important to support each other.

Tell us about your show.

I have taken on a large undertaking, I have written produced and am performing in this one man show. (It’s been a bust few months!).

I have a small team made up of my fantastic director Lillie Prowse and my sound designer Dan Hill. We are premiering I Am Yours Sincerely at the New Wimbledon Theatre at their FromTheFringe festival and then later at the Etcetera Theatre in Camden so I can bring some of the reviews and feedback up to Edinburgh Fringe.

What should your audience see at the festivals after they’ve seen your show?

After they have seen I Am Yours Sincerely, I hope that my audiences will be in the mood for some more solo shows. I have a few that I would recommend:

Jewels written and performed by Tanwen Stokes, a hilarious and moving one woman show.
Wet Feet written and performed by Michael Neri, co starring Mathew Edgar. A deeply moving dark comedy about growing up gay under Section 28.

Boiler Room Six & Out of Woodstock written by Tom Foreman starring Max Beken. A fantastic writer doing two shows! The first about an engineer on the titanic and the second follows a decent into madness of a guy at the Woodstock 99 festival.

Fragility of Man & In Loyal Company by David William Bryan. I am a big fan of his. In Loyal Company is another true, WWII story! He has been a big inspiration for my work and I cannot wait to see his show(s) myself!

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EdFringe Talk: Andrew Doherty: Gay Witch Sex Cult

Posted in *EdFestivals 2024, *Written Interviews by

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“I loved be kinda ignored by reviews/awards.”

WHO: Andrew Doherty

WHAT: “A sticky, spooky horror comedy about gender-reveal parties, demons from hell, and a Gay Witch Sex Cult (a sex cult for gay witches). ‘A comedy masterclass’ ***** (SpyInTheStalls.com). ‘Had me in a perpetual chuckle… Andrew Doherty’s performance is one of outstanding precision’ ***** (AllThatDazzles.co.uk). ‘Perfectly crafted and controlled’ ****½ (LondonPubTheatres.com). ‘The most I’ve laughed at a show, probably ever’ (LostInTheatreland.co.uk). ‘You’re a part of something special by the end’ (BingeFringe.com). London Pub Theatre Standing Ovation Award nominee. VAULT Origins Award nominee.”

WHERE: Pleasance Courtyard – Attic (Venue 33) 

WHEN: 23:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No! I performed there as a member of the Durham Revue from 2014-2017, and with my sketch duo Megan from HR in 2019 alongside Ambika Mod. Ambika Mod went on to be an award winning actress who starred in This is Going to Hurt and One Day, and I went on to write a show called Gay Witch Sex Cult, which I think goes to show you that Edinburgh Fringe makes your dreams come true 🙂

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

I actively feel I’ve gotten stupider since 2023, but whilst I wasn’t at the Fringe back then, it was very eye opening to see that so many incredible shows and performers I loved be kinda ignored by reviews/awards. I think there’s something there- Edinburgh is about so much more than official recognition, it’s a marathon with a different set of people cheering you on each day. That’s a really beautiful thing I said, and I’ve not said that before, so you’re welcome for this exclusive.

Tell us about your show.

I wrote it! I was trying to come up with a show that my comedy partner Ambika Mod (the award winning actress who starred in This is Going to Hurt and One Day) would hate, and I said the words Gay Witch Sex Cult, and she said “why?” and here we are!

I’m a huge fan of horror comedy, and knew that I wanted my debut show to be a testament to that, so it’s a mix of very very silly laughs and some slightly spookier moments. We’ve had successful runs at The Kings Head Theatre, Pleasance Islington, Soho Theatre and the Brighton Fringe where we were delighted to win the Best of Comedy award! So please come see it!

What should your audience see at the festivals after they’ve seen your show?

There are literally so many. I saw Sarah Roberts do a preview of her show Silkworm and it was so so funny, and I’ve heard such good things about Alex Franklin’s show Gurl Code and Lil Wenker’s Bangtail, so check those out! Also Aidan Pittman’s debut show Dr. Dolittle Kills a Man is one of the funniest things I’ve seen in my life, so you must go see that!

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Bedfringe 2024 Interview: One and The Other

Posted in *EdFestivals 2024, *Written Interviews by

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“More and more young men are cut adrift, lost in a world that describes their very nature as toxic. The basic state of being a human male, they are told repeatedly, is poisonous. Testosterone is the juice of all evil.”

WHO: Kent Stetson

WHAT: “In One and The Other, two young men grapple with nihilistic twenty-first century hatred, hatred to which one succumbs, hatred over which one triumphs. From its shadowed depths, the play rises toward the constant light which buoys the human heart.

Canadian-born Zaydan Khalil, a linguistically talented fourteen-year-old boy, is abandoned by his father at a Taliban compound in Afghanistan. Zaydan is gravely injured then captured during a US/Taliban firefight. He’s transported to the United States military prison at Guantanamo Bay, Cuba, where he is held for ten years without a formal charge. Did Zaydan throw the grenade that killed an American medic? Despite the lack of evidence, the boy is lost to his family and all but forsaken by his country. Zaydan Kahil, boy to man, endures ten years of gross human rights abuse, deprivation, isolation and torture.

A life of privilege and heightened natural ability is no shield against Kerry Long’s darkening aspirations. The naïve, gifted, rudderless young man becomes a conduit for the nihilistic hatred of North America’s extreme right. We watch with growing unease as Kerry Long assembles a cadre of like-minded nihilists. Under the influence of the faceless Colonel, his conversion is swift and inevitable: Kerry Long murders eight men at prayer in the Grand Mosque of his Canadian hometown.

“No one” Zaydan tells Kerry, “deserves to live without hope.”

WHERE: Quarry Theatre

WHEN: 31 July 2023 @ 19:30 (60mins)

MORE: Click Here!

Is this your first time to Bedfringe?

Yes indeed. This is my very first trip to the Bedfringe. We’re delighted to be offering you the world premiere of a new Canadian work for two young actors titled One and The Other.

What appeals to me about the Bedford Festival is its manageability, from both a presenter and audience POV. I like the size of the undertaking and AM impressed by the wide-ranging quality of the work on offer. When I look at the listings, you folks are clearly operating at a very high level in terms of content and style.

We are a perfect fit. One and The Other navigates dark territory with a good heart, its compass steadily pointing to the north and south, east and west of hope, forgiveness, kindness and, that most perfect of impulses, love.

I don’t know what makes a great festival, (this is my first) but I imagine it is the honesty and the simplicity of material and in relation to its presentation. I’m hoping that our exchange with your audience will be as direct and engaging as the work itself. Our play will move audiences to rage and tears. But we won’t leave you looking for a razor blade or rouching home to play our beloved countryman Leonard Cohen tunes.

No! Wait, Leonard Cohen is the perfect post show swallow!

We’ll help you celebrate the beauty of the human condition while deploring the cruelty we humans can inflict one upon the other.

In the end, One and The Other is a provocative, tender play about love and hope.

I’m hoping THAT is what makes a great festival (Ask me again next year!)

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

What have I been up to? Getting better at doing what I love.

I’m pleased to report that despite the fact fringe festivals have tended to appeal to younger audiences and artists, they are becoming more and more important to old farts like me! I just turned 76 in July. For a while there I was afraid, that because I am an accomplished old white male the world had heard quite enough from me. But no! I discovered that I’ve gotten so good at what I do… well, it’s like my dear old Dad used to say: It takes me longer to do what I used to do more often, but now I do it better!

Come see One and The Other and prove me wrong! I dare you!

So yes… that’s what the experience of writing this wonderful new show has been for me. The big lesson is this: the more you write, the more you understand; the longer you live the more hope you nurture. The big payoff? The more kindness each of us experiences and shares, the better we all become.

Tell us about your show.

I won’t repeat the promotion material here. But what I can tell you is this: More and more young men are cut adrift, lost in a world that describes their very nature as toxic. The basic state of being a human male, they are told repeatedly, is poisonous. Testosterone is the juice of all evil.

This is harsh, cruel, unnecessary, vengeful nonsense. Young men are still as beautiful and strong and potent and kind and weak and wonderful as they’ve always been. The demonization of our boys and young men has done nothing but harm us all. Three generations have been raised now in circumstances where they are blamed for inhabiting their very biological nature. Let me repeat. This is cruel false misleading propagandistic nonsense.

If you know a young man whom you love, if you are a young man who needs to learn to love himself then come see our show. One and The Other will help.
Guaranteed.

What should your audience see at Bedfringe after they’ve seen your show?

Producer/Presenter Bob Paisley from Kansas City’s Central Standard Theatre has worked a bit of magic in the marriage of Just Like Hollywood and our show, One and The Other. We’re all cool Canadian passion. Our American cousins are often baffled by our reticence. But only briefly. They’ve learned in our two hundred year history of mutual forbearance that a slow burn ain’t a low burn. When we wintery Canadians come to a boil, the steam will mesmerize.

The wonderful power of John Clancy’s mesmerising, unsettling Just Like Hollywood is this: It comes on at full boil then turns u the heat! It provokes and unsettles. It excoriates and reveals. This is no nip and tuck: Just like Hollywood is a flat out full facial peel. Wonderful and courageous. Bless your heart, John. You pull no punches. It’s good to hang out with another old fart who doesn’t give a %*£k and says what needs to be said!

I’ve only read the text but can’t wart to see it. So looking forward to meeting the Just Like Hollywood cast and crew in Bedford. Well matched Bob!

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