Category Archives: *Written Interviews

From time to time we encounter an artist or producer toiling away at something pretty special. Here’s what they have to say, in their own words, about their work.

EdFringe Talk: ENOUGH.

Posted in *EdFestivals 2025, *Written Interviews by

“Scotland has always been a home from home for me as my grandfather was a proud Aberdonian, my grandmother from Glasgow and my father from Edinburgh.”

WHO: Emily Hunter

WHAT: “Winner: Best Drama, Greater Manchester Fringe. Why does misogyny still thrive in 2025? Enough is a bold drama following new police recruit Irie as she battles systemic injustice within the Met. Inspired by real events, it holds a mirror to the institutions meant to protect us, exposing the societal complacency that enables discrimination. Drawing from the Met’s response to the 2021 Sarah Everard vigil, this gripping play challenges power, accountability, and the cost of speaking out. With standing ovation nominations and critical acclaim, Enough is a must-see theatre experience that gives voice to those who refuse to be silenced.”

WHERE: Space 2 at theSpace on the Mile (Venue 39) 

WHEN: 18:30 (45 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is our first time as Moonstone Theatre, taking a show up to Edinburgh Fringe Festival – we are so excited to be on this rollercoaster ride! We originally staged our show ENOUGH. at Manchester and Camden fringe and we decided last year to push ourselves to apply for the MOTHER of all fringe festivals – Edinburgh. Scotland has always been a home from home for me as my grandfather was a proud Aberdonian, my grandmother from Glasgow and my father from Edinburgh. I usually see Edinburgh in the throes of winter – so it’s a joy to come up when it’s warmer! I have experienced Edinburgh Fringe as a punter before and it’s hard to capture the energy in the city and put into words. But I’ll try – the energy is electric. There truly is something for everyone and even though we will be running for only 8 nights, I aim to get to at least one other show a day whilst we’re here. Our show is a gritty one act play so I think I’ll look for some comedy to balance out some of the heavy scenes I’ll be doing! Recommends anyone?!

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Since 2024, I’ve learned you can never be too organised: spreadsheets, schedules, backup plans for your backup plans! And no meeting is ever wasted. Every chat plants a seed, whether it grows now or next year. Most of all, I’ve realised you have to create work from your gut; from what drives you, angers you, excites you. If you’re doing it to get ‘discovered’ or rich, you’re kidding yourself. That’s just noise.

It’s also crystal clear how vital it is to work with people who see you, who get what you’re about and have your back. As a team of four wearing every hat (writer, director, actor, producer, tech, marketing – the lot), leaning into each other’s strengths and supporting each other’s weak spots is everything. You need a safe space for honest conversations, even the tough ones, if you’re aiming for quality work and a shared win.

Tell us about your show.

ENOUGH. came to life out of frustration and a desire to spark change. After the Met’s heavy-handed response to the Sarah Everard vigil, I just couldn’t understand how they could do that? I felt compelled to spotlight systemic misogyny through a female lens. Seeing online misogyny escalate only reinforced the urgency. My friend and fellow actor, Gemma Green, and I, both feeling the lack of opportunities for emerging artists over 40, decided in a local café that enough was enough (no pun intended) and just we’d just have create our own. Over coffee, brainstorming favourite colours and sharing stories about our love for crystals, we settled on “Moonstone Theatre.” Moonstone symbolises feminine energy and new beginnings .

I was terrified having never written a full length play before and then had only five months to write ENOUGH. for the Greater Manchester Fringe. It premiered there in July 2023, winning Best Drama, and later earned a Standing Ovation nomination at Camden’s Fringe in 2024. Now, Moonstone Theatre – a four-woman team wearing every hat from writing and directing to tech and marketing – is bringing an even sharper, more urgent version to Edinburgh.

After Edinburgh Fringe, we’re eyeing touring opportunities to civic venues and communities that need this conversation – because too many voices are still silenced.

What should your audience see at the festivals after they’ve seen your show?

There’s something electric about seeing other all-female companies smashing it, and I’ve loved connecting with a few over socials in the build-up to Edinburgh. Drama Girls looks right up my street; sharp, satirical, and completely unafraid to call things out. I’m so excited to see how they’re blending comedy and commentary but I am FUMINg that I will be leaving Edinburgh as they begin, so I’ll be cheering them from social media and sharing whatever I can. Then there’s The Strongest Girl in the World, which looks like it’s going to break hearts in the best way — raw, solo storytelling with guts and grace.

We’ve also been loving the energy from The Piano Smashers – they’ve been bringing creativity and power into the online space already, and I can’t wait to see what they do live. And finally, Bluffstone is Starvin’ has got my curiosity totally piqued – part Western, part live music chaos, part… who even knows? But it sounds like a wild ride and I’m here for it.

Mostly, I just want to shout out to everyone doing brave, female-led theatre this year. The women making their own work, sharing their process, supporting others online and off – I see you and I’m rooting for all of us. Here’s to telling stories that matter and making the space for each other to be seen. Wishing them all a brilliant, sold-out Fringe!

💥

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EdFringe Talk: Alex Prescot: Cosy

Posted in *EdFestivals 2025, *Written Interviews by

“I’ve got the brilliant Ben Target on board as my director and have done more work in progress and preview shows, and the show has grown, changed and improved in so many ways that I never would have anticipated.”

WHO: Alex Prescot

WHAT: “Join comedy equivalent of sunshine Alex Prescot for a delightful debut hour that’s tailor-made for each audience. Expect a warm and fuzzy blend of joyful musical comedy and quick-witted improvisation. Don’t expect his notably absent double-act partner. Clap Back to Reality Winner 2024, Musical Comedy Awards Finalist 2025, Chortle Hotshots Shortlist 2025, Kingston New Act Finalist 2024, Chichester New Act Finalist 2024. ***** ‘Incredibly talented’ (BroadwayWorld.com). ***** (LondonTheatre.co.uk). **** (PepperAndSalt.uk). **** (ThePhoenixRemix.com). Directed by Ben Target (Double Fringe First Winner and Edinburgh Comedy Award nominee).”

WHERE: Dexter at Underbelly, Bristo Square (Venue 302) 

WHEN: 11:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I have done the fringe in some capacity (performer, director or punter!) for the past 10 years, but this is my first time taking up a solo musical comedy hour, so I’m super excited!

It’s a unique festival where you can strike up a conversation with absolutely anybody – just to be surrounded by that many people enjoying shows and exchanging recommendations is a huge buzz and why people (me) keep coming back.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

My main lesson is that there’s always more work to do!

I did a work in progress of my show at the Fringe in 2024 (which sold out and got good reviews!) so you might think like ‘OK great, it’s done!’ However, since then I’ve got the brilliant Ben Target on board as my director and have done more work in progress and preview shows, and the show has grown, changed and improved in so many ways that I never would have anticipated.

That’s kind of the joy and the horror of it – you can always find more in a show, being inspired by other performers and trying to create something that expresses what you want to say right now (as well as giving the audience a bespoke experience!).

So as for whether I’ve absorbed this lesson…I’m still working on it!

Tell us about your show.

‘Alex Prescot: Cosy’ is my debut musical comedy hour. It’s about my double act partner who left me to move to Australia (sad), mixing original and improvised songs to explore when to take risks and when the comfort zone is actually a totally fine pace to be. It’s aiming to be the loveliest show of the fringe, a perfect way to kick start your day!

I’ve been working on the show since last year’s Fringe, and the plan is to tour it around the UK after August (and maybe further afield too…watch this space!).

What should your audience see at the festivals after they’ve seen your show?

First one is a bit biased because I’m in it, but ‘A Jaffa Cake Musical’ is coming back after its sell-out run last year, so it’s a must! Claire Parry is a brilliant clown and is bringing back her hilarious show ‘I Am Claire Parry (very funny stand-up), Katie Pritchard is a musical comedy queen and is returning with her show ‘Katie Pritchard: I Kiss The Music’, and then I’m looking forward to catching James Trickey and Sharon Wanjohi’s debut hours!

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EdFringe Talk: Anna Beros – High Hoe

Posted in *EdFestivals 2025, *Written Interviews by

“Egg freezing, a luxury for the privileged, ravaged my savings and left me in a new pit of insecurity, which a recession probably didn’t help with.”

WHO: Anna Beros

WHAT: “From Slut City comes an hour of honest loving stand-up. Would a hoe by any other name stank as sweet? And why not go pro? Can we reward ourselves without rimming junkiedom? What’s up with narcissists? How much motherhood can you afford? Lovingly pegging social norms from behind with warming, incisive stand-up and playful audience interaction, High Hoe is Anna’s third solo hour following Creampie Curious and Creampie Clarity, which both had successful Fringe runs 2023-2024. Anna’s an Aussie, independent full-time stand-up comedian based in Berlin, performing since 2018.”

WHERE: Little Cellar at Laughing Horse @ West Nic Records (Venue 442) 

WHEN: 22:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my 3rd time at EdFringe and I’m so excited to be bringing my 3rd solo hour as well as an afternoon ad lib stand-up show with audience participation. I love Edfringe because it’s a stand-up comedian’s paradise. To be able to perform your solo every day for a month? And to savvy stand-up audiences? And then to perform on all the other compilation shows? Sharing stages with new colleagues and old friends from around the world? It’s a feast of stage-time, a friend frenzy, an energy management bootcamp, and a buzzing microcosm of stimulation and inspiration. So naturally, I can’t wait to gourge myself and level up my craft again, but with all the lessons from the previous two years.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

The biggest lessons I’ve learnt since 2024 are that something will always be stressing you out, and once that’s resolved, something else will take its place. In 2024, planning for when I might want to have a kid consumed me – the importance of motherhood, in what forms I could experience it, how and when I might be able to do it as I approach 40. So motherhood and freedoms are massive themes of High Hoe.

Now in 2025, financial stability has been my biggest stress. Egg freezing, a luxury for the privileged, ravaged my savings and left me in a new pit of insecurity, which a recession probably didn’t help with.

So realising, if it’s not one thing, it’s something else, has helped me to get a lot of perspective and enjoy what I do have.

On the topic of planning for the future, I learnt that you’ll go crazy if you try to make decisions based on desires you think you will have in the future. Plan for the future you want, but don’t let that destroy what you want for right now.

Another invaluable lesson that applies to a career in comedy, but relates to other spheres has been, when you feel like you’re not progressing, just zoom out a little further and you’ll see that on a bigger scale, you are still moving forward and improving.

Tell us about your show.

High Hoe is an hour of my best material from club sets, worked on in 2023 to 2024, bound in narrative, which debuted January 2025 in Berlin. I’ve been performing a minimum of 5 shows per week for the last 7 years. I self-produce and toured my last 2 solos around Europe, EdFringe, Adelaide Fringe, Melbourne International Comedy Festival and Leicester Comedy Festival. High Hoe has so far toured through Germany and Luxembourg and will be touring Lisbon, Barcelona, Eastern and Northern Europe and the Melbourne International Comedy Festival 2026.

What should your audience see at the festivals after they’ve seen your show?

Mike Rice is a dear friend and stand-up legend who I try to see whenever we’re in the same place. His show this year is Mike Rice: Cruel Little Man, and he’s my favourite kind of hilarious, nasty.

Sofia May, with her first solo hour and full festival run: 9/11 Birds and the Bees. Sofia loves playing with the darkness and pushing everything she can and I love it. I’ve seen her start out and blossum in the Berlin comedy scene and at EdFringe. This show is so perfectly located in the Flight Club room that looks like you’re on a plane. If you want a 9/11 experience, don’t miss this.

Kirsty Munro: 2 Slut Drops and a Chicken Burger. Kirsty’s a Fringe legend, authentic, hilarious, cheeky, silly, top-notch vibes. Also Masai Graham’s 101 Naughty Jokes in 30 Minutes!

Kyle Legacy – any of his shows. You’ll be lucky if you don’t see him. Joke! He gets up on so many shows and has a bunch of his own, the naughtiest probably being Comedy Striptease.

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EdFringe Talk: Ashley Frieze Is Not Coming

Posted in *EdFestivals 2025, *Written Interviews by

“It’s the first time I’ve very deliberately staged a show to which I’m not coming.”

WHO: Ashley Frieze

WHAT: “From the Author of How to Write, Perform and Produce a Cancelled Edinburgh Fringe Show comes an hour of nothing. Ashley Frieze is not coming to this Fringe. He’ll be singing his distinctive brand of comedy songs somewhere else. Sorry, it’s just way too expensive. I’d love to come but there’s no way that spending all the time and money creating a show will pay off. So, I’m staying at home. Enjoy this one without me. Let me know how it goes. After all, there’s no no-show business like no-show business.”

WHERE: The Lounge at Laughing Horse @ The Counting House (Venue 170) 

WHEN: 19:15 (55 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is not my first Edinburgh Fringe. I first performed at the Fringe in 2003 and had my first full show – The Musical! – in 2004. I’ve done double-act, compilation and solo stand-up shows since.

However, although this is not my first Fringe, nor is it the first Fringe I’ve missed, this year is a first for me. It’s the first time I’ve very deliberately staged a show to which I’m not coming.

Anyone can miss a Fringe, but I’ve put the extra work in, to not appear for 55 minutes on a specific date.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I’ve learned that the AI revolution has already happened and we’re all trying to come to terms with it. Indeed, thanks to AI, I released 3 comedy albums last year, where my silly lyrics and ideas were conjured into plausible music by Udio. This “The Incredible Jukebox” project taught me a lot about songwriting, because it gave me the hunger to write more and more songs, and gave me instant feedback on whether they sounded good.

The main lesson here is to practice your craft in any form you can, and then see how the practice feeds into all areas of it. I’m a better improvised-song creator now, and I’m even releasing an album of comedy songs performed by me.

The AI revolution is hard to take on board. Some thing I’ll be sending an AI avatar to my show in my place… but that remains to be seen.

Tell us about your show.

My show is one of a kind. It’s a fully prepared, fully automated absence of a show. Though if you follow the links to my website you may find some supporting materials. The Fringe is an increasingly expensive place, where you need independent funding in order to be able to stage anything. While companies like the Free Fringe and Free Festival do their best to ease the financial burden of staging a show, the city itself, possibly through excessive tourist (and Oasis fan) demand, just gets more and more expensive a place to be in August. I’m Not Coming has cost me money to stage and is a symbol of how art comes at the cost of the artist… even absence comes at a price.

What should your audience see at the festivals after they’ve seen your show?

Go and give loads of love and support to Friz Frizzle. They’ve had a really tough year and yet they’re a brilliant comedian with a great story and a ridiculous amount of brilliant comedy songs. Like a lot of good people, Friz has left the cess pool that is Twitter, and so you’ll have to find them through other means.

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EdFringe Talk: My Life as an “Inspirational Porn” Star!

Posted in *EdFestivals 2025, *Written Interviews by

“I would not have expected myself to be here a year ago. I’ll admit I applied on a whim with no expectations and I let the universe do the rest.”

WHO: Gabrielle Leonore

WHAT: “An “inspirational porn” star, Gabrielle Leonore shares her life story in this irreverent one-woman comedy, filled with candid anecdotes about sex, drugs, and the aspects of life no one prepares you for – especially as an autistic woman. Written and performed by Leonore, the show builds on the success of her previous production, (Re)union, which won the Social Good Award at the 2019 Tampa International Fringe Festival and was also featured in the 2019 Tampa Bay Theater Festival.”

WHERE: Just the Snifter Room at Just the Tonic at The Mash House (Venue 288) 

WHEN: 20:35 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes! This is my first time ever in Edinburgh—let alone Europe—and honestly, it feels surreal that my show is a part of the biggest performance arts festival in the world. To be honest, I would not have expected myself to be here a year ago. I’ll admit I applied on a whim with no expectations and I let the universe do the rest. I’m excited to immerse myself in a new culture, explore the city’s rich history, and witness performances from all walks of life, and have the adventure of a lifetime.
As a producer, I feel incredibly privileged to invest in and believe in my team—and to bring this show to Edinburgh with my best friend Mitch by my side makes it all the more meaningful. We’re doing something every artist dreams of, and I’m proud to say we’re making it our reality.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

The biggest lesson I’ve learned since 2024 is the importance of who you surround yourself with. There’s that quote—you are the average of the five people you spend the most time with—and over time, it couldn’t be more true. At the end of the day, everyone you interact with is a mirror of yourself. So if you don’t like your reflection, simply change the mirror. I’ve also learned to do honest audits of my relationships. If the people around you aren’t choosing to grow with you, there’s nowhere to go together. It’s not just about being chosen—it’s about choosing yourself, too.

As cliché as it may sound, we only get one life, and spending energy on people who are uncertain or stagnant will only hold you back.

These were far from easy lessons to learn, but I know each decision I’ve made has brought me closer to where I’m meant to be. One day, I’ll be proud of how far I have come.

Tell us about your show.

I’m the writer, producer, and performer of My Life as an “Inspirational Porn” Star—a raw, stand-up comedy/burlesque show based on my real life as, well, an “Inspirational Porn” star. I share candid anecdotes about sex, love, and drugs—especially through the lens of being an autistic bisexual woman.

The show is produced by Feeling Inspired Productions, which I co-founded with my best friend and collaborator Mitch Sims. We launched the company to not only develop our own original work, but to uplift the voices of neurodivergent and marginalized women who are so often overlooked.

The production premiered at the Tampa International Fringe Festival this past June, where it won both the Social Good Award and Social Media Slayer Award. It was actually my second time winning the Social Good Award—since my first production (Re)union back in 2019.

After Edinburgh, I plan to continue touring the show through North American festivals—though I’d love to bring it to more venues across Europe and beyond. I also plan on making my show into a published memoir as well.

What should your audience see at the festivals after they’ve seen your show?

After my show, you should see Furniture Boys by Emily Weitzman at Underbelly George Square. She’s another brilliant writer-performer from Florida—so you know I’ve got to represent and support my peers! It’s important to uplift other women artists, and Emily’s work is smart, bold, and full of heart. You don’t want to miss it.

Here are some other acts I’m looking forward to checking out at Edinburgh:
@destheray (Desiree Burch) is doing The Golden Wrath, and she’s funny, smart, totally commanding. Just my type.

@mollymcguinness_’s show Slob is so funny and raw, like in a way that makes you feel seen and slightly called out, which is exactly what you want in an Edinburgh Fringe show.

If you like your comedy unhinged and covered in fake blood, who doesn’t? Check out @joekentwalters’s Frankie Monroe: DEAD!!! is the show for you.

@uroojashfaq is doing How to Be a Baddie and it’s just… incredible. I laughed, I felt feelings, I can’t wait to it.

And @lorntreen’s 24 Hour Diner People is like stepping into a fever dream staffed entirely by weird little gremlins—and I mean that in the best way possible.

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EdFringe Talk: Moving On… Really, Really Slowly

Posted in *EdFestivals 2025, *Written Interviews by

“Where else would you be able to see an entire show on legs or an entire show on limes which later involved resurrecting a lime after the lime broke as a Frankenlime’s monster.”

WHO: Stephen Catling

WHAT: “How do you recover from heartbreak or loss when you are an autistic depressed little slug? This triple-A comic (Alternative, Autistic and Award-winning (Keep It Fringe 2023)) reflects on this conundrum like the irredeemable clown that he is. Nominated for the Malcolm Hardee Award for Comic Originality and the Actually Autistic Excellence Award, who knows what this horrid gastropod has in store (possibly an exorcism on himself?). ‘A delectable, messy and wild amuse-bouche of zany absurdist comedy’ ***** (@TheCrumb_Reviews). ‘His absurdist performance is a joy and a masterclass in play’ **** (NeurodiverseReview.co.uk).”

WHERE: The Attic at Laughing Horse @ The Counting House (Venue 170) 

WHEN: 19:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I have been performing at the festival for many years and attended longer but this is my second full run at the fringe. The Edinburgh fringe is perhaps one of the most marvellous festivals in both the country and the world. In many parts of the circuit outside of the festivals promoters want what is safe but safe is not always the most interesting, unique or funniest. For example where else would you be able to see an entire show on legs or an entire show on limes which later involved resurrecting a lime after the lime broke as a Frankenlime’s monster.

As a punter the festival is a smorgasbord of delights filled to the brim with much creativity and excellence, some will will be highly refined and excellent while some with be rough around the edges, messy (literally or metaphorically) and all the more memorable for it.

As a comic performing it is a chance to see so many of my friends that I love dearly as lived in Scotland, the north of England and London at various stages of my life and comedy career so seeing peers i do not seen often is a delight, I might be saying hello to another friend every few minutes I am walking around the streets of Edinburgh and I meet many other new and wonderful people and make even more friends as my friends introduce me to friends i have not had the pleasure of meeting and vice versa.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

That your partner breaking up with you does not mean have to mean they no longer care for you or that they cannot be your friend. This is an important lesson I learnt from this year and while it really has meant I have had to make alterations to the show, I say knowing she still wants the best for me does fill me with hope for future relationships as well as our present.

The other lesson I am learning is sometimes you can offer people something really amazing but they won’t appreciate what you are offering them and that is their loss not yours. Just show appreciation if they have acknowledged you and walk away to someone who will value your work. No point wasting time and energy on those who won’t give you the time of day.

It’s ok to ask and enquire you might get an opportunity to really shine further down the road. I am also really beginning to understand a lesson that a mentor taught me that audiences enjoy things differently and that is ok, for example I have had reviewers loved my shows even when I thought they absolutely hated it (some people are really just hard to read).

Tell us about your show.

Moving on…really really slowly (which originally i was going to call slugs , depression and demonic possession) is a absurdist take on mental health ,depression and heartbreak. I wrote a joke on social media about since my last show ended with me getting water-boarded with honey (a process I affectionally call bee-kake), would it not be funny if i started the new show crawling onto the stage as a slug ?

Many of my peers agreed this was funny so i thought what does a slug best represent ? the answer is the slow and painful process of healing from loss which I had quite the significant inspiration as I was dumped by an ex-fiancé in a particularly unpleasant way. In contrast my more recent ex-partner while did split up with me, she chose to be kind and still caring in the way she did it and this show will explore these relationships.

The show will also feature many of weird and wonderful things including an exorcism of sorts , a man with owls for hands as well as commentary of autism and mental health and relationships.

I have taken the show to many festivals before fringe including Leicester, Brighton Fringe as well as having the honour of being part of the first ever Derby comedy festival and Rik Mayall comedy festivals.

My director Phil Green ( @philgreencomedy) agrees that this show has potential to even surpass beehavioural problems something something autism (my 2023 show) which considering that show got me the keep it fringe award (thankyou @phoebewallerbr1), a recommendation of from @BritishComedy , and nominations for awards for @NDSreview and the malcom hardee award for originality is saying something.

Once I have done with fringe I have no concrete plans beyond doing @NottsComedyFest, however I would like it to go to some cities it has not visited and perhaps with some luck at soho theatre.

What should your audience see at the festivals after they’ve seen your show?

Su Mi: THISMOTHERPHUCKER- go see her and here is why, Su like myself is a fellow alternative comedian who like how I wish to break the mold with autism stereotypes she wishes to do the same for Queer, Female Asian comics.

She is a incredibly wacky comedian and has many strings on her bow except it is a guitar (she is also a musician and a great musical comic on top of a drag-king and stand-up). @sumicomedy

Phil Green: A Broken Man’s Guide to Fixing Others- the man is not my director for nothing , Phil has made many great shows that features fantastic story telling and joke-writing being able to balance topics such as mental health and witty analysis on life.

Ellen Turnill Montoya is Mr Handsome- an entire show where the comic’s character is a human sized hand, if this is not enough for me to convince you the show is also being produced by my lovely friend Charlie Miller and directed my the grandmasters of weirdos comedy Adam Larter who has produced and made many great shows himself. @weirdoscomedy

Lachlan Werner: WonderTwunk- I saw there last show and it was fantastic, he is an excellent ventriloquist and clown with a brilliant imagination and his charm is only surpassed by his range as performer and is truly a one man variety show. @LachyWerner

Andrew O’Neill: Escape & Andrew O’Neill’s History of Punk- a personal hero of mine and an excellent performer, I saw their Escape show at Leicester and it was fantastic as well as touching (I spoil it no more than that). Now I have not seen their history of punk but if it is anything like their history of metal it will be a absolute riot. @destructo9000

Joe Kent-walters- A comic genius and a beautiful madman, a true master of being able to play with the audience , he one the newcomer award last year and was named as a rising star to see by rolling stone and when you see him you will understand why. @joekentwalters

Biscuit Barrel: The 69-Sketch Show – fast paced, laughs a minute , high energy sketch show, i don’t if it was exactly 69 sketches as i lost track due to laughter. @barrel_biscuit

Nate Kitch: Something Different!!!!!A fellow comic who is after my own heart with his ripping of the rulebook of comedy and pushing the envelope of what a comedy show can be.@natekitch

Holly Spillar: Tall Child -an ethereal singing voice that captures many emotions. She captures madness, she captures joy ,you will laugh , you will cry and you will cry with laughter.@HollyJoySpills

And if you are still stuck for choice or want to find more shows The alternative comedy memorial society @AltComMemSoc has a variety of acts of all sorts of comedy genres on their nights with their own brochure of recommended acts on their site.

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EdFringe Talk: Fake

Posted in *EdFestivals 2025, *Written Interviews by

“I’ve performed all over the world but there truly isn’t any place like Edinburgh during August.”

WHO: Chris Cook

WHAT: “It’s pretty, but is it art? Magician and storyteller Chris Cook weaves a true tale of deception through the lives of an artist, an art forger and a magician. Three men, centuries apart, connected by illusion. A story only a magician could tell about beauty, belief and the fine line between talent and trickery. ‘Chris Cook regularly tests the boundaries of what can be defined as a magic show’ (WorldMagicReview.com). ‘An absolute master of the stage’ (BroadwayBaby.com) ‘Not just clever sleight of hand and surprise effects… it’s also connections between people and occasionally poetry’ (Scotsman).”

WHERE: Speakeasy at PBH’s Free Fringe @ Voodoo Rooms (Venue 68b) 

WHEN: 18:15 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Incredibly, this will actually be my 12th year at the fringe! I brought my first full show in 2014, which was a bittersweet love-story told through magic tricks. Ever since then, I’ve been hooked and brought a fresh storytelling show to the festival every year. I’ve performed all over the world but there truly isn’t any place like Edinburgh during August.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I think the biggest thing I’ve learned came on a clowning workshop I did with my hero Eric Davies of Red Bastard fame. That was simply that I have to fully give myself to a performance if I want it to feel as real as possible. This is a show that I’ve been working on for a decade now so I know that I’m truly committed to telling this story.

Tell us about your show.

This year’s show might just be the most ambitious thing I’ve created. Ultimately it serves to ask the question “What makes something art?” It’s a show about an art forger who created the perfect fake and how some of the worlds greatest artists may in fact be a hoax. Ultimately, it’s a story that can only be told by someone with decades of experience of fakery and fooling people… ie a magician. It’s inspired by some of the final works of Orson Welles, along with the forgeries of David Henty and real-life experiences from the world of magic. The show is presented by Snap The Arrow Productions and was written by myself with creative support from my long term collaborator Rhys Williamson. Technical design is by the incredible Michelle Robb, who has worked on many of my shows in the past. It’s a joy to be able to work with such a brilliant team and I’m really proud of what we’ve created.

What should your audience see at the festivals after they’ve seen your show?

First up, go and see La Clique because it’s an absolute institution. It’s a ragtag bunch of ever-changing circus performers who create a divinely sexy freakshow of joy. I first saw it in 2014 and it completely changed my life. I remember watching it and just thinking “I don’t think I’m ever going to have a normal job…” This years lineup is absolutely outstanding, with special shout outs to the devilishly captivating Heather Holliday and the raucously brilliant Tara Boom. I’d also recommend trying to see Mark Forward. He’s a wonderfully energetic and abrasive Canadian comedian who you can’t help but fall under his spell. I believe his last show in Edinburgh was in 2017 so I’m really excited to have him back to the fringe. His shows seem to merge utter absurdity with genuine heartfelt realism, all the while showing an almost resentment of the audience that ends up being incredibly endearing. Don’t miss it!

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EdFringe Talk: Bryan Safi: Are You Mad at Me??

Posted in *EdFestivals 2025, *Written Interviews by

“I did test runs in New York and LA, and what became clear is that no matter how “done” you think it is, it keeps shifting.”

WHO: Bryan Safi

WHAT: “Emmy-winner Bryan Safi (star of ABC’s 9-1-1, Netflix’s You, Attitudes!) brings his distinctive voice to this solo comedy spiral all about queerness, confidence and the art of being unapologetically too much. A beloved comedian, podcaster and performer, Safi dives deep into big laughs, big feelings, terrible flirting and one aggressively horny apartment that might just steal the show. It’s a hilarious and heartfelt journey from one of comedy’s sharpest voices. After sold-out shows in LA and NYC, the spiral continues. If you’ve ever felt like “a lot”, this one’s for you.”

WHERE: Friesian at Underbelly, Bristo Square (Venue 302) 

WHEN: 17:20 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes, this is my first time performing at the Edinburgh Fringe, which means I’m totally excited and also mildly panicking. I’ve wanted to bring a show here forever, and I finally feel like I’ve got the right one. Everyone says the Fringe is wild in ways you can’t really prepare for, which honestly sounds perfect. I’m looking forward to doing the show every night, getting that immediate response from totally new audiences, seeing a ton of other work, meeting artists, and just diving into the full madness of it all. I can’t wait.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Honestly, the biggest thing I’ve learned is that these shows are living, breathing things. I did test runs in New York and LA, and what became clear is that no matter how “done” you think it is, it keeps shifting. I’ve watched the show back more times than is emotionally healthy, and I’m constantly refining and finding new ways to surprise myself (and hopefully the audience). So yes, I’ve learned lessons. Have I absorbed them? To be determined. But I’m definitely chasing the best version of the show I can make.

Tell us about your show.

The show’s called Are You Mad At Me??, and yes, it’s a question I ask constantly. I’m sure a lot of people do. It’s a solo comedy hour with a mix of storytelling, stand-up, character work, and full-blown spirals. I wrote it myself, which is probably obvious once you see it (because who else would include Paula Abdul and an epic broccolini takedown in one show). I’m bringing it to Edinburgh for its official international debut, and then I’m hoping to take it on the road a bit through the UK, then back to the States.

What should your audience see at the festivals after they’ve seen your show?

After you see Are You Mad At Me??, I highly recommend checking out some of my brilliant and hilarious friends. Gearóid Farrelly is one of the funniest people period so go see his stand-up hour. Cat Cohen’s Broad Strokes is top of the list too. No one does cabaret as brilliantly as she does. Eden Sher’s I Was on a Sitcom is a fabulous ride. And Natalie Palamides wrote and directed Spiegelworld, which looks very exciting – anything she touches is fearless, innovative and hilarious. These are all artists I love and admire, and their shows are not to be missed.

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EdFringe Talk: Liz Guterbock: Nice

Posted in *EdFestivals 2025, *Written Interviews by

“I took the year off in 2024 and I learned that it’s okay to have a year off!”

WHO: Liz Guterbock

WHAT: “Toxic positivity? Yes please! American-born Brit comedian Liz Guterbock (Guardian and Dave Joke of the Fringe Top 10s) remains f*cking nice despite the world increasingly being run by bullies. With everything going on right now, Liz would swear more, but she’s not even sure she’d do it in the right accent. Americans say she sounds British. Brits say she sounds American. Liz thinks she might just sound like a jackass – but come and judge for yourself. She’ll be nice. Promise… ‘Emanates sweetness with added LA charm’ **** (FunnyWomen.com).”

WHERE: Southsider at PBH’s Free Fringe @ Southsider (Venue 148) 

WHEN: 19:00 (60 min)

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Is this your first time to Edinburgh?

This is my 5th time doing the Fringe, and I’m so excited to come back. The nicest part is it’ll feel even more like a homecoming because I’ll be doing my show at Southsider with PBH’s Free Fringe, which is where I did my first ever split bill of stand-up comedy with my buddy Louise Bastock back in 2018. The Fringe is such a special event because whatever kind of show you’re into, it’s going to be there. There really is something for everyone. As a performer, it’s all too easy to just get laser focused on performing my show every day. However, it’s my goal this year to see a lot more shows than I have in past years. There are so many incredible people in town all at once – might as well try to see as many of them as I can!

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

I took the year off in 2024 and I learned that it’s okay to have a year off! I also learned a lot from previous Fringes – mostly I’ve learned that even if City Restaurant does amazing gluten free fish and chips, that doesn’t mean you should have it every day. But I’ve also learned that the best thing to do at the Fringe is to focus your energy on the people who are coming to your shows, whether that’s one person or 40 people. I think I’ve absorbed both those lessons – I don’t eat fish and chips every day, and I’ve done previews to as few as two people in the run up to the Fringe…and it was a lot of fun!

Tell us about your show.

I wrote the show all by myself like a big grown up and I’m very excited to share it. Ingenious Fools are producing it – I’ve always self-produced in the past, so it feels special (and incredibly helpful) to have a professional production company behind me this time. This is a premier for the show up in Edinburgh. After the Fringe I’d like to do a little tour of the UK with it, but I’ve got to think about this year’s Edinburgh first! Then grand plans can be hatched!

What should your audience see at the festivals after they’ve seen your show?

See Nick Everrett – he’s one of the funniest men I know. His style is unique, and his writing is skilful, not to mention he’s got incredible improv chops. He’s always surprising – check him out.

Desiree Burch – she’s a total powerhouse and I’m so excited she’s back at the Fringe. Desiree is wise, witty and unflinchingly honest. A breath of fresh air and I can’t wait to see her new show.

Ball and Boe – John Kearns and Adam Riches are bringing their brilliant show Ball and Boe up to the Fringe, about Alfie Boe and Michael Ball, and it’s one of the funniest shows I’ve seen in a long time. They’re charming, ridiculous, and crucially, can sing. And this version of the show is Christmas themed – what’s not to like?

Heidi Regan – Heidi is intelligent, silly, and just plain fun. Her new show is called Jekyll and Heidi – I’m laughing already and I haven’t even been to the show. Imagine what it’ll be like AT the show! Go see her!

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EdFringe Talk: Showstopper! The Improvised Musical

Posted in *EdFestivals 2025, *Written Interviews by

“I only hope that the rising costs can be brought under control so that artists from all backgrounds are able to take part. That vision must be protected. Please don’t let it be an event for rich kids only.”

WHO: Adam Meggido

WHAT: “The Olivier Award–winning West End hit is back! It’s opening night for the hottest new musical in town… every night! There’s just one problem – the writer hasn’t written a note and needs your help… See your suggestions turned into a brand new musical ‘the funniest improv on the Fringe’ (BroadwayBaby.com). Now in their 16th year, your Edinburgh experience is incomplete without it! ‘So polished, it defies belief’ ***** (Telegraph). ‘This festival mainstay is a consistent audience favorite for a reason’ ***** (Playbill.com). ‘Achingly funny… worth seeing again and again’ ***** (Time Out).”

WHERE: Grand at Pleasance Courtyard (Venue 33) 

WHEN: 17:20 (70 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my 21st Fringe. I first came with the National Youth Music Theatre in 1986! I remember being thrilled by the sheer scale of the festival and that hasn’t changed. Every year I marvel at the range of extraordinary acts, plays, events, storytellers, dancers, musicians, and artists of all kinds. The boundaries between us all come down – we are all punters, artists, producers, all making art and watching others do the same. I am still hugely enthusiastic about the festival. I only hope that the rising costs can be brought under control so that artists from all backgrounds are able to take part. That vision must be protected. Please don’t let it be an event for rich kids only.

What are the big things you’ve learned since 2024 and have you absorbed any of the lessons yet?

Don’t worry so much. Enjoy each moment. I have also learned a great deal about the effect I have on other people. I won’t share that here, but suffice to say I’m working on it 🙂

Tell us about your show.

It’s a musical – but everything is made up on the spot. Nothing is prepared in advance. And we’ve been doing it since 2008! Back then, a few of us were working with Ken Campbell, the inspirational theatre maverick, improvising at the Royal Court and Shakespeare’s Globe. It was a blast! Ken always enjoyed it when some of us sang, so we got used to improvising songs and ‘moments from a musical’ and it always seemed to go down well.

One day I sat down with Dylan Emery (who at that point was playing the keyboard for us) and we discussed doing a whole musical – entirely improvised. There were other improv musical shows in the world, but I had never seen anyone do something that looked and felt like a real musical, so that’s what we aspired to. We were lucky that audiences were prepared to come on that journey with us.

Now it’s played all over the world and runs in London’s West End. I think we will continue to tour, play the West End, and play the Fringe, for as long as people want to watch us. I enjoy the show now more than I’ve ever enjoyed it. It’s endlessly fascinating and we are constantly working to improve it. The novelty is yet to wear off and I love doing something different every night.

What should your audience see at the festivals after they’ve seen your show?

Literally anything. That’s the joy of the Fringe. You can have everything! Something similar, something contrasting… whatever you fancy. Personally, I love to go and see dance at the Fringe. Or clowning from overseas. I’m always keen to see something I can’t see when home in London. Something that will inspire me and make me think differently.

Two shows specifically are Susan Harrison’s ‘Should I Still Be Doing This?’ – Susan has been to the Fringe many times as a performer in Showstopper! and is now bringing a new character comedy show to the festival. I also think people should see Nina Conti’s show ‘Whose Face Is It Anyway?’.

But I love to hear people talking about our show as they exit – they can’t believe it’s improvised. Sometimes they don’t believe it’s improvised. (It is, but we take that as a great compliment.)

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