‘Tom Greaves: FUDGEY’ (Venue 139, Aug 7-13, 15-18, 20-26)

“A show bursting at the seams with drama, sturm, und drang.”

Editorial Rating:5 Stars (Outstanding)

Effortless takes effort. If art is anything it is the ability to make a thing look natural that isn’t. Perhaps the most annoying thing about Olympians is their total lack of puffed outness at the end of the race. I want them to look how I feel after encountering any sort of gradient after months spent trotting around the falter-than-flat Cambridgeshire fens. Instead, they have all this… what’s the word… composure. Learning to go through life composed is one of the hardest things to achieve and, like so many things in the age of viral rage, composure is in short supply.

For centuries, those with the means taught their offspring the art of ‘composed’ by shipping them off to boarding school where the routines and regime could (not so gently) bash them into a composed shape. James Bond’s sang-froid is the intentional product of this system. Problem. It turns out that most little human beings don’t like being separated from their parents and that placing very young children into institutions can do more harm than good.

We enter to find little Tom Greaves prepping for his first day at boarding school. It’s a big deal that he’s going. It’s a massive point of self-identity and pride for Pater Greaves that his progeny can take the toll road less travelled and start off several runs up the social ladder from the kids little Tom is currently spending his carefree days with. But there is trouble in paradise. Little Tom can see, even if he cannot yet fully understand, that his parents are deeply, irreconcilably unhappy with each other. As will become painfully clear during the subsequent stage traffic, adult Tom’s world is as unstable as a top-heavy very unstable thing and no amount of front, bluster, laddish banter, and emotional disconnection can compensate. As becomes painfully clear, the early death of innocence does not have a happy afterlife. The very things that were obtained at so great a cost are anchoring poor Tom to the storm where he must now suffer for our amusement.

Effortless takes effort and it would take a lot of effort to unpack all the stagecraft, all the tricks of the trade, all the raw energy that has gone into this super powerful and super memorable production. This is a show bursting at the seams with drama, sturm, und drang. This is storytelling at its most profound. This is a dark comedy for people who like to see society’s imagined social betters falling apart and failing, flailing at life. This is a production for people who like their theatre chaotic and spontaneous yet also techie and on-target.

Come for the comedy-drama. Stay for the mayhem. Leave with a revitalised sense of what real living theatre can make happen. Get your smart new uniform coats on and go see this!


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EdFringe Talk: Tom Greaves: FUDGEY

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“I remember sleeping on the floor crammed into a room somewhere near the Meadows and feeling this magical Edinburgh Fringe feeling that I’ll never forget.”

WHO: Tom Greaves

WHAT: “A brutally funny dark comedy about boarding school. Through the character of Fudgey: your quintessential, tone-deaf man in a suit (you know, the “harmless” type… until you find them running the country), award-winning, Gaulier-trained Tom Greaves explores the complexities of his own privilege in this mind-bending, tour-de-force debut. As Fudgey’s reality hits breaking point, Greaves embodies a carousel of personalities and puppets in an anarchic and virtuosic performance, ultimately facing Fudgey’s past to find his own (Tom’s) future. Strap in for a thrilling ride of laughter, tears and transformation. ‘Funny, clever, and disturbing’ **** (TheatreAndArtReviews.com). **** (MervsPOTFringe.com).”

WHERE: Assembly Roxy – Downstairs (Venue 139) 

WHEN: 17:55 (60 min)

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Is this your first time to Edinburgh?

No, and my first Fringe experience goes way back to 2002 when I came to visit a young company doing a Greek tragedy made up of people from my school. I remember sleeping on the floor crammed into a room somewhere near the Meadows and feeling this magical Edinburgh Fringe feeling that I’ll never forget. I saw a surreal sketch comedy duo called ‘Nice Mum’ which was my first flavour of weird comedy. Now I’m making weird comedy myself. It took 20 years but I feel lucky to be doing it.

What are the big things you’ve learned since 2023 and have you absorbed any of the lessons yet?

The amount of f%&ing admin you have to do to make work. F%&k me! I did not sign up for this, can’t I just perform?! Getting things done on time, like writing the answers to this interview, I find difficult though necessary and inevitably rewarding! It’s part of the job and it does get easier/you get better at it. The fact I can say that is nothing short of GROWTH!

Tell us about your show.

FUDGEY is about boarding school and how it messes you up because it’s traumatic and everyone tells you it isn’t, in fact, they tell you it’s the best! It’s a dark, silly satire of the world of privilege I’m from that flips it on its head and rubs its face in its own shit. I wrote it coming out of a therapy group for lost, institutionalised men like myself looking for answers. Having just graduated from Gaulier I’d learned all this life-changing, funky new stagecraft and FUDGEY naturally (and painfully) emerged. My beautiful, talented partner and director Lara Ciulli has directed/supported me through it all and I’ve also had amazing input from physical comedian Trygve Wakenshaw. Building on last year’s work in progress ‘Goodbye Uncle Fudgey’, which was a word of mouth success and won a Mervyn Stutter Spirit Of The Fringe Award, this year we’re hoping to transcend 🙂

What should your audience see at the festivals after they’ve seen your show?

If you like your comedy absurd and a little crude, go see THE SISTERS FIG. Lara Ciulli and Blaise Wopperer are two of the best individual performers I’ve ever seen on stage. They’ve come together and created pure character comedy magic. Just go, it’s unlike anything else you’ll see at the Fringe. Also, Trygve Wakenshaw’s back and I can’t wait to see his new show… He’s just exceptional.


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