“The best student production I’ve seen in quite some time”
One certainly cannot fault the courage of the students at Edinburgh University this year for taking on so many challenging productions, and to even attempt Beckett – whose works so often have age and world-weariness as themes – is admirable. I was lucky enough to spend an entire term studying Beckett at university, under the tutorship of a renowned expert on his works, but even then I worried that my final performance would be a tragic, naïve offering compared to what had gone before.
Beckett certainly isn’t for everyone, and Endgame is a one-act play with a running time of close to 90 minutes that has very little narrative development or real “action”. What is most satisfying about this production is the group’s sensitivity to Beckett’s text. The great man is notoriously particular about how his work should be performed, and Edinburgh University Theatre Company don’t try any tricks or fancy interpretations to make it new or innovative, but instead use subtlety to let the text speak for itself. Finlay McAfee’s masterful direction teases out various interesting repetitions in the dialogue and hints at some of the political undertones, but never makes bold statements or suggestions.
In saying that, this production also doesn’t take itself too seriously – it’s littered with comedic moments, just as Beckett intended, and is a very well-rounded and watchable show. Sarah Brown’s set is simple yet effective, using black and white as a nod to the “game” element, while all other creative elements are in sync to present a cohesive and professional mise-en-scene.
Thomas Noble as Hamm is the centrepiece of the actors – always on stage, centre stage, he commands attention with charisma and gusto. His moments of anger when flinging props aside are powerful, while he shows great contrast in more intimate conversations with Clov. In turn Clov (Michael Hajiantonis) is excellent as the down-trodden servant, whose development in confidence towards the end, extreme physicality and impressive Irish accent all contribute to a commendable performance.
Jennifer Jones is compelling to watch as Nag, with fantastic control over the small movements and expressions she makes inside the bin. Her physicality is exquisite, and her delivery of the tailor story is achingly on point. Antonia Weir is equally captivating and convincing as long-suffering wife Nell.
To me the only thing lacking from this production is a deeper sense of age and timelessness. The action all seemed a little too fresh and perhaps a touch too “performed” for it to be believable as a snapshot of continual drudgery. In saying that, I’d much rather a slight tip in this direction to keep it energetic and engaging rather than veering down the road of self-indulgent dawdling. In all other respects this show is hard to fault, it’s certainly the best student production I’ve seen in quite some time.
Reviewer: Steve Griffin (Seen 23 March)
Go to Endgame at Bedlam Theatre
Visit Edinburgh49‘s Bedlam archive.