Editorial Rating: 3 Stars: Outstanding
It’s not often I’m lost for words when coming out of the theatre, but Mr & Mrs She is one of the most bizarre plays I’ve ever seen. Yet, while its incomprehensibility may be perceived as a negative, there’s something to be said for a play whose questions stay with you for many hours – even days – afterwards.
The show opens with what appears to be a fairly stereotypical wealthy couple enjoying a generous amount of their favourite tipple and getting rather merry. Cue the entry their very eager-to-please staff, a comment about enjoying oneself too much before breakfast, and suddenly the play takes a much darker turn.
Hollie Glossop’s script may well be abstract, but there’s something gripping about the subversion of power from these seemingly stock characters that becomes pleasingly disquieting. The level of detail and pace at which the action develops is masterful, and while I would prefer a greater sense of grounding and cohesion to be able to connect more with the action, Glossop has created a world that begs to be explored further.
Sofia Nakou’s direction embraces and extends the quirkiness with intelligent physicality and proxemics, making the most of the large performance area to highlight the power struggle between each character and the vast emptiness each one is in. As the action creeps closer to the audience, the level of discomfort rises on all fronts and it’s impossible to predict what will happen next, or how you should feel about it.
Kudos to all of the young company performing this work, embracing its weirdness and committing to their roles in it. David Llewellyn in particular demonstrates fantastic range and risk-taking throughout his demise, while Grant Jamieson is suitably sinister as his butler.
It would be fantastic to see this show developed further – it has the makings of a truly memorable piece of theatre. That being said, it seems somewhat unfair to attribute a star-rating to a piece like this, which might easily alienate some audiences while titillating others. Either way, if you’re on the lookout for something different that will leave you with many unanswered questions to debate afterwards, this may well be for you.
Reviewer: Steve Griffin (Seen 8 July)
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