‘Tweedy’s Massive Circus’ (Venue 360, until Aug 21)

“A riot of perfectly pitched clowning.”

Editorial Rating:  5 Stars (Outstanding)

Our latest Fringe adventure was off to the smaller of the two big top in the Meadows. Tweedy is a well-kent face. Giffords, the famous circus, has been Tweedy’s home for well over a decade but now he has struck out on his own with Tweedy’s Massive Circus.

Massive is the right word because for Tweedy really is a giant of this world. He’s created is own circus – which the audience gleefully taunts him it being tiny with whenever he says it is massive. His massive/tiny circus (delete as appropriate) has landed at the Fringe.

Tweedy is the sun around which everything revolves but the rest of the cast are a talented bunch. Sam, Reuben and Lulu (who is constantly teased for being a terrible actress) and Tweedy’s nemesis, and funder, Madame La Reine (latterly Madame Latrine and Madame Lasgna). Sam, in particular, manages to steal some of the scenes but this is the Tweedy show. He really is a clown at the top of his game. It takes years of practice to look this shambolic.

My youngest, 8, loved every minute it of it; hooting with delight and at points doubled over with laughter. From the moment Tweedy came out in a tiny car, through tight-rope walking, vegan vampires, plate spinning, toilet humour, ladder play, dinosaur aerialists, and juggling.A riot of perfectly pitched clowning. He has the audience in the palm of his hand and as well as the ”tiny” teasing he has numerous lines that the crowd get behind as if a pantomime as popped into the summer sun. Oh no it hasn’t!

The story is simple: Tweedy has convinced Madame La Reine (latterly Latrine and Lasagna) to finance his massive circus and, whenever she appears, he manages to make some catastrophic error. She wants a world-class circus of the golden age. Tweedy has delivered something different. Of course, each failure is funnier than the last.

Tweedy is so good you never know if he is vibing or if it is scripted. It is an odd mix of high-level clowning and outright anarchy. The cast are forever trying to make the others laugh with adlibs or outright corpsing. There was one moment when Tweedy manages to suspend himself by the groin and he yelped in what seemed like genuine pain… I’ll never known if it was planned or not.

Many of these kids shows appeal to 5 year olds and – honestly – parents are checking the football scores. This is good, old-fashioned family fun. Everyone is laughing. Yes. It is silly. Yes. It is rude. Yes. It is puerile. Yes. It is slapstick. Which is, as they say in France, le sodding point.

As every great clown knows: no one – literally no one – wants plates spinning to stay up. We all want the Emma Bridgewater stuff smashed. An raucous, hour of bonkers delight. This is what clowning should be… which brings me to my slight negative was there was (on the day I went) no custard pies.

Go for the clowns, stay for the support cast. Get your coats on and see this.

+3 Interview: Children’s Shows (music, children’s)

“We are always surprised when children leave their parents to come near the stage and jump to the beat of the music! They sing with us, it’s great!”

WHO: Floriane Palumbo: Tour Manager

WHAT: “It’s never too soon to break out the Clash, never too late to submerge in the Beatles. And in between, float on Air, glide with Hardy and strut the Strokes! Covers and compositions blend into a true rock music awakening, a live show for curious kids and nostalgic parents sure to have you all singing, dancing, even screaming… from ages five and up! Comète is a group of pop rock musicians used to the biggest stages, here to share with your youngsters their personal rock galaxy!”

WHERE: Assembly Checkpoint – Assembly Checkpoint (Venue 322) 

WHEN: 10:30 (50 min)

MORE: Click Here!


Is this your first time to Edinburgh?

It is our first time with the company at Edinburgh, it’s so much fun for us to come and play a whole month in the same town and being part of this crazy festival, taking time to discover all that charming places, the special atmosphere of the town and the people from Edinburgh.

What’s the biggest thing to have happened to you since Festivals ’18?

It’s our first Fringe Festival and we are very excited about it!

We are always surprised when children leave their parents to come near the stage and jump to the beat of the music! They sing with us, it’s great!

When schools come and classes returned to their schools, the children sing «La musique Automatique», «Da da da», etc. The teachers then testified to the pleasure they had in finding and singing some of the songs in class, the pleasure they had in sharing them together. It’s so grateful for us to discover that we gave them a taste for music.

Tell us about your show.

Our show allows children to live a «real concert», so that they discover and experience pop rock music through experimentation rather than evocation. To show (by putting the children in visual contact with the different instruments that characterize rock music: the drums, the bass, the electric guitar, the keyboards), to hear, to feel the power of music.

So we thought up, developed and created a real «rock concert». Sharing with children the pleasure of rock songs that we listened to at their age, the ones that pushed us to become musicians and write our own compositions. The diversity of our musical tastes ends with a profusion of rock movements from the last 30 years, which children can discover without filters or boxes: pop music, electronics, hip hop, … Similarly, we have chosen different languages (French, English, German) to show how different instrumental and vocal sonorities are at the heart of rock. As for the musicians, they all sing (even the drummer), to let people know that anyone can become a musician, if they want it and work towards it. In addition, forming of a rock band is based on a sense of the collectivity.

From the first performances, in schools and anywhere public, children, parents and teachers have taken part in the concert by singing, clapping hands or jumping to the beat of the music. Or have listened intently during quieter songs. When classes returned to their schools, the children would sing «La musique Automatique», «Da da da», etc. The teachers then testified to the pleasure they had in finding and singing some of the songs in class, the pleasure they had in sharing them together. Mission Accomplished for us: we gave them a taste for music.

In addition, we have paid particular attention to fully respecting auditory and visual safety stan- dards. We have specifically employed a sound engineer who accompanies us and ensures com- pliance with the new standard of 85 decibels.

What should your audience see at the festivals after they’ve seen your show?

Our Belgian’s friends are taking place at Summerhall with FrontX: dance/theatre show about how atypical individuals transcend their difficulties through their artistic practice.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! FIND US ON FACEBOOK! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!