“A riot of perfectly pitched clowning.”
Editorial Rating: 5 Stars (Outstanding)
Our latest Fringe adventure was off to the smaller of the two big top in the Meadows. Tweedy is a well-kent face. Giffords, the famous circus, has been Tweedy’s home for well over a decade but now he has struck out on his own with Tweedy’s Massive Circus.
Massive is the right word because for Tweedy really is a giant of this world. He’s created is own circus – which the audience gleefully taunts him it being tiny with whenever he says it is massive. His massive/tiny circus (delete as appropriate) has landed at the Fringe.
Tweedy is the sun around which everything revolves but the rest of the cast are a talented bunch. Sam, Reuben and Lulu (who is constantly teased for being a terrible actress) and Tweedy’s nemesis, and funder, Madame La Reine (latterly Madame Latrine and Madame Lasgna). Sam, in particular, manages to steal some of the scenes but this is the Tweedy show. He really is a clown at the top of his game. It takes years of practice to look this shambolic.
My youngest, 8, loved every minute it of it; hooting with delight and at points doubled over with laughter. From the moment Tweedy came out in a tiny car, through tight-rope walking, vegan vampires, plate spinning, toilet humour, ladder play, dinosaur aerialists, and juggling.A riot of perfectly pitched clowning. He has the audience in the palm of his hand and as well as the ”tiny” teasing he has numerous lines that the crowd get behind as if a pantomime as popped into the summer sun. Oh no it hasn’t!
The story is simple: Tweedy has convinced Madame La Reine (latterly Latrine and Lasagna) to finance his massive circus and, whenever she appears, he manages to make some catastrophic error. She wants a world-class circus of the golden age. Tweedy has delivered something different. Of course, each failure is funnier than the last.
Tweedy is so good you never know if he is vibing or if it is scripted. It is an odd mix of high-level clowning and outright anarchy. The cast are forever trying to make the others laugh with adlibs or outright corpsing. There was one moment when Tweedy manages to suspend himself by the groin and he yelped in what seemed like genuine pain… I’ll never known if it was planned or not.
Many of these kids shows appeal to 5 year olds and – honestly – parents are checking the football scores. This is good, old-fashioned family fun. Everyone is laughing. Yes. It is silly. Yes. It is rude. Yes. It is puerile. Yes. It is slapstick. Which is, as they say in France, le sodding point.
As every great clown knows: no one – literally no one – wants plates spinning to stay up. We all want the Emma Bridgewater stuff smashed. An raucous, hour of bonkers delight. This is what clowning should be… which brings me to my slight negative was there was (on the day I went) no custard pies.
Go for the clowns, stay for the support cast. Get your coats on and see this.







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