“Too Pretty to Punch” (Zoo Southside, until AUG 26 : 13:25 : 60mins)

“This is a tech-heavy, content-rich show, delivered with a light and graceful touch.”

Editorial Rating: 5 Stars: Outstanding

Walking from EH10 to Zoo venues is a very pleasant experience. For once this rainy auld EdFringe the sun is shining. The people smile and say good morning. The mood music is what would happen if you were to shut Sir Harry Lauder and Ronnie Hazlehurst up together in a telephone booth and not let them out until they’d written something smile-inducingly pleasant. The gentrification wave that swept through EH9 before and after the crash has receded somewhat, but the shops and eateries are busy as well as interesting. Amble further down towards Northbridge and you start feeling as though you’ve arrived in EH91. Friends on the terrace at 86 Princes’ Street have their views, as do pals browsing the shelves at Lighthouse books. If there’s any agreement between them, which is doubtful, they might all conceded that people are less in their own space and more in your face the further from villadom one travels.

In their deeply personal, moving, and thought-provoking polemic, the poet and banjo wielder, Edalia Day, spends the hour describing what it is like to live day-to-day constantly menaced with aggression from randoms, both online and in the street. A lot has gone into this show. A lot of heartache and soul searching, a lot of personal discovery and revelation. “I didn’t escape from one box only to be forced into another.” You come for the social commentary, which is lucid and insightful, you stay for the video-projection, which is (as promised) kickass as well as for the finely tuned performance which shows no sign of flagging as EdFringe enters the home stretch. This is a tech-heavy, content-rich show, delivered with a light and graceful touch.

At a time when transgender voices are finally starting to be heard, it seems amiss to attempt to filter or dilute Edalia Day’s message for them. What I can describe is the effect this show had on this particular cis white male determined to be a strong ally in this generation’s fight for inclusivity, understanding, and respect. I came away having been thoroughly entertained. This is a performer who knows their craft and that, as with all great polemics, it’s not just about the message or the messenger, it’s about the recipient as well.



Reviewer: Dan Lentell (Seen 16 August)

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