Category Archives: Comedy

+3 Review: Elf Lyons: Pelican (Voodoo Rooms, Aug 5-28 : 19.50 : 1hr)

Posted in 4*, Comedy, EdFestivals 2016, Other, Rated: Nae Bad by

https://i0.wp.com/static.wixstatic.com/media/d6333a_4e35550fa3104999ad420a1236578246.jpg

“A smörgåsbord of comic delights “

Editorial Rating: 4 Stars Nae Bad

Generally, I tend not to trust people whose names are actual words. So, phonetically speaking, Elf Lyons wasn’t starting from a point of strength. However, after a fantastically absurd hour of screaming, tortured analogies and jokes about the French, I realised that perhaps it’s worth a change in policy.

Returning to the Edinburgh Festival, “Pelican” is a show (as Lyons puts it) about wishing her mother was dead. As far as thematic linkages go, it’s a doozy, and links in neatly with a smörgåsbord of comic delights pulled from Lyons’ bohemian life.

Elf Lyons’ greatest strength is immediately visible from the moment she steps on stage. The Philip Gaulier school is lucky to have such a talented clown among them  – “cartoonish” does not do her justice: she has an almost fey energy to her, leaping and waving around on stage with strength unsuggested by her slim frame. Even when the occasional joke falls just short of the chortle line, her ostensibly boundless enthusiasm manages to nudge it across.

But, luckily, these scattershots are few. Far from allowing what is obviously a precocious wit to wither beneath her energy’s long shadow, it positively blooms. Much like her namesake, Lyons is far more of an opportunist than it may first appear, and an wonderfully unexpected sting after a few lighthearted puns definitely goes a long way. It’s not often that I’m surprised by a joke’s direction, but I’ll be damned if I wasn’t more than once during her short hour of comedy.

However, like many comedians, Lyons appears not to trust the quality of her own wit. Some jokes far outstay their welcome, when perhaps the beginning third would have been enough to coax a belly laugh from the audience. Her punchlines, though wonderfully clever, are delivered with more clarity than it appears she realises.

My usual recommendation for free Fringe shows is that you can’t go wrong: win or lose, nothing lost. But this is a show which deserves every penny it earns. The only reason against ticketing it is the possibility that someone will lose out on witnessing such a talented performer. Elf Lyons is certainly one to watch – though, don’t make the same mistake I did, and sit almost directly behind the pillar.

 

nae bad_blue

Star (blue)Star (blue)Star (blue)Star (blue)

—

Reviewer: Jacob Close (Seen 11 August)

Visit the Other archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Review: Axis of Awesome (Gilded Balloon, Aug 12-24, 26-28 : 22.30 : 1hr)

Posted in 4*, Comedy, EdFestivals 2016, Gilded Balloon, Music by

https://i0.wp.com/static.comedyfestival.com.au/2016/season/media/show/662/662_cropped_730x412.1452903771.jpg

“A bastion of dependable and hideously entertaining Fringe entertainment.”

Editorial Rating:  4 Stars Outstanding

My first contact with Axis of Awesome involved, like many other teens, me being glued to my computer screen as they rocked the hell out of a 360p feed on youtube. Now, a decade on from their founding, it’s clear that Fringe veterans Jordan Raskopoulos, Lee Naimo and Benny Davis are still soaring like a Birdplane even beyond the glittery lights of the LCD stage.

Whilst this review (as always) will attempt to avoid spoilers on the specific content of the show, let it not be said that the Axis does not begin on a high note. Their song “Elephant in the Room” is a fantastically witty product of self reference, and completely sets the tone for the rest of the show: heartfelt warmth, with a heavy dose of cynicism thrown into the mix. The quality of songs on display is very strong indeed: from rap to Bastille parodies, the musical nouse at play is almost unfalteringly good, save for a few sharp high notes in the group’s (often extremely) surprising vocal range. Davis in particular, despite his unofficial position as comedy whipping boy, continually proves he could go finger-to-finger with the best of them on the keyboard without missing a beat.

Between songs, the group’s clearly close dynamic is on full, glorious display. Though some of the skits felt a little low energy as the show warmed up for its final quarter, the inter-Axis fraternity outshines any qualms in terms of pure feel good factor. In an industry where so many horror stories abound of band members who cannot stand one another, bands like this one are increasingly rare. But even more rare, and all the more difficult, is for bands not only to stay friends through the rigours of long term performance; but also to keep that ember of their original intent and feeling alive.

But sat in an audience of hundreds, I might as well have been in my childhood bedroom again, eagerly clicking through links as the screen blinked out into the cathode-tinted night. The same thrill of discovery, the same laughs, and the same joy. And I think this illustrates what exactly makes this trio of modern day troubadours so compelling. It’s not their (considerable) musical skill, lyrics or even stage presence. They’ve gone through many changes over the years (the most obvious being that Lee is now bald), but Axis of Awesome’s greatest asset is that, at their core, they’ve remained wonderfully consistent. This is a show which has a little of everything: comedy, tragedy, horrifying mask props – all wrapped up into a neat bundle by music which will be stuck in your head harder than a sniper shot.

This is a show that proves, despite the ever-changing face of the  festival, Axis of Awesome remains a bastion of dependable and hideously entertaining Fringe entertainment.

outstanding

StarStarStarStar

—

Reviewer: Jacob Close (Seen 10 August)

Visit the  Pleasance, Potterrow & Teviot  archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Review: Tiff Stevenson: Seven (Assembly Roxy, Aug 8-14, 16-28 : 19.10: 1hr)

Posted in 4*, Assembly Roxy, Comedy, EdFestivals, EdFestivals 2016, Rated: Nae Bad, Theatre by

https://www.cityvarieties.co.uk/ArticleMedia/Images/CVTiffStevensonbig.jpg

“Stevenson has a presence you could smash a wine bottle on”

Editorial Rating:  4 Stars Nae Bad

When you see a comedian on TV, it’s almost a coin flip as to whether they’ll stand up to their digital performance when you’re maybe ten feet away. For some, it’s clear that they’re funnier as a bundle of pixels – but, as in the case of Tiff Stevenson, proximity makes joke grow funnier.

Even when loping around the stage, Stevenson has a presence you could smash a wine bottle on. Despite being wrapped up in a thick web of humour, it’s clear from the outset that there’s an iron core to every joke: it’s as if scientists managed to fuse Belva Lockwood and someone’s drunk aunt. Pushing their own distinct beliefs is something, consciously or otherwise, all comics do; and Stevenson is a masterclass in delivering it without sounding evangelical. Even if you don’t agree with what she’s saying (however you’ve managed to come to that outcome), you’ll be hard pressed not to laugh along with her.

From the get-go, it’s an unmistakably zeitgeist-y set. In a surprisingly speedy hour, Stevenson runs the full gamut from bus bombings to baby showers, joyously flicking up v’s behind her as she runs from topic to topic. We might be awash in a sea of Macintyres, but Stevenson is one of many happy islands where comedy’s rebellious, fringe roots are still dug deep. No subject is too taboo, as she very happily reminds the audience throughout – however, often the transitional link between these subjects can wave from tenuous to unneeded, but as it takes up perhaps a minute of time in total, it hardly spoils the bunch.

If there ever was a complaint, it was that sometimes Stevenson doesn’t seem to trust her own considerable wit enough. Several times throughout the show, a fantastic joke was extended far beyond its peak, simply for the sake of explaining it. Whilst none of these jokes fell into “unfunny”, it certainly blunted the otherwise fantastically sharp tongue which dominate the rest of the show.

To talk too much about Tiff Stevenson’s set at the Roxy is to do her a disservice: half of the enjoyment comes from the unexpected directions she swerves with every punchline. But if you’re looking to start your evening on a high note, you’ll have no tiff with her.

 

nae bad_blue

Star (blue)Star (blue)Star (blue)Star (blue)

—

Reviewer: Jacob Close (Seen 6 August)

Visit the Assembly Roxy  archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Review: Lords of Strut: Late Night TV Talk Show (Assembly Roxy: 5-28 Aug: 19.00: 1hr)

Posted in 4*, Assembly Roxy, Comedy, EdFestivals 2016 by

“Crams so much ridiculousness into an hour that you can’t help but laugh at something”

Editorial Rating: 4 Stars

Sometimes you have to see a DJ dressed as a bunny, a man pretending to be a rock and a Michael Flatley tribute to really feel like you’ve experienced the Fringe properly. This show crams all that and so much more ridiculousness into an hour that you can’t help but laugh at something.

It’s very full-on and upbeat, if a little chaotic, and the energy of our hosts Sean and Seamus is infectious – striking that perfect balance between confidence and self-deprecation to form an instant connection with the audience. We join them in their attempt to put on their own late-night tv talk show, and we are their live studio audience. Of course it doesn’t go at all to plan and they have to make various fudges to keep things running – and that’s when the hilarity ensues.

As with any chat show the format is a serious of skits and characters making guest appearances, the funniest of these being the appearance of the hosts’ mother as a last-minute stand-in – a plus-sized, randy cougar who of course makes her rounds in the audience to find a man. I won’t spoil the surprise, but let’s just say I (along with various other male members of the audience) was invited to do something I have categorically NEVER done before, and something which caused much hilarity (and a little disbelief) among the crowd. To those with a delicate disposition, look the other way and run, fast!

In saying that, what is pleasantly surprising about this show is how talented the Lords are: early on we are treated to a no-holds barred dance routine to one of Queen’s greatest hits, with various acrobatic tricks thrown in for good measure, and both gentleman are genuinely funny and creative in their costume designs and skit ideas. The “rough around the edges” and slightly improvised feel adds to its charm, if not to my personal taste.

With stand-up, storytelling, dance breaks, weird and wonderful characters, fight sequences, and of course, a healthy dab of audience interaction this show does have something for everyone, but having a drink or two before going to see it might be advisable…

Star (blue)Star (blue)Star (blue)Star (blue)

—

Reviewer: Steve Griffin (Seen 5 August)

Visit the Assembly Roxy archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Review: A Lady’s Guide to the Art of Being a Wingman (Gilded Balloon: 4-28 Aug: 23.30: 1hr)

Posted in 3*, Cabaret, Comedy, EdFestivals 2016, Gilded Balloon by

“Performed with great energy… the trio really can sing”

Editorial Rating: 3 Stars

This show sees three young Australian women in suits and huge pink beehive wigs attempt to adopt the traditionally male “wing man” mentality to get them laid on a night out. To assist them in their farcical mission they follow the steps of a recorded self-help manual, and a lot of pop songs.

Of course it’s all a bit ridiculous, but it’s a (fairly) light-hearted comedy show that doesn’t take itself too seriously. However, it took me 10 minutes or so to work out what was going on to start with, as the show opens quite frantically with a lot of attitude and numerous snippets of well-known pop songs, all sung by the girls live.

Once the piece settles down it becomes much more enjoyable, and I was able to appreciate more of the artistic merit behind it. Three interesting characters emerge, each representing women with different levels of sexual confidence and experience, and we follow their plight through every step of their night.

At every juncture the girls burst into song, each of these being a well-known pop-song with lyrics cleverly and subtly adapted to suit the message. They are performed with great energy, and the trio really can sing, making the whole experience infinitely more enjoyable than having to sit through seemingly endless karaoke car crashes. The accompanying choreography is slick and performed with pizzazz, so on the whole, the actual performance element ticks almost all the boxes.

The surprising a capella rendition of Imogen Heap’s Hide & Seek towards the end is the best showcase of just how talented the girls are as vocalists, even if this number seems a little out of place among the rampant and upbeat pop numbers throughout the rest of it.

I was a bit disappointed in the over-reliance on the recorded advice, and would have preferred a more creative technique to keep the action on track and flowing from one section to the next. A little more focus on control and less mayhem at the beginning of the piece would also make it seem more professional and easier to engage with from the off.

This show won’t be to everyone’s taste – it’s loud, unapologetic and very fast-paced. But it is funny, full of life and contains a surprising amount of depth, particularly towards the end.

Star (blue)Star (blue)Star (blue)

—

Reviewer: Steve Griffin (Seen 4 August)

Visit the Pleasance, Potterrow & Teviot archive.

Calypso Nights: Juan, Two? (Assembly Roxy: 5 – 30 Aug : 21:30 : 1hr)

Posted in *Ratings, 4*, Assembly Roxy, Comedy, EdFestivals 2015, Music, Rated: Nae Bad, Venues by

https://i0.wp.com/tourism.atdw.com.au/Multimedia/Original__9674861_WATC_CN_Press1.jpg

“As entertaining as he is inventive”

Editorial Rating: 4 Stars Nae Bad

It’s very hard to tell the flavours in a good condiment apart. It’s that phenomenon when two different kinds of thing come together to form something completely new, and often indescribable. Somewhat ironically to the themes of Barnie Duncan’s riotous show, “Calypso Nights: Juan, Two?” very much contributes to that phenomenon. It’s dance, music, laughter and ridiculousness all rolled up into something which resembles a surprisingly entertaining, cuba-libre flavoured fever dream.

Presented by high-powered DJ Juan Vesuvius (Duncan), Calypso Nights is a spicy blend of music, comedy and Caribbean-tinged factoids, tied together by his considerable powers as a mix DJ and seemingly never-ending cultural knowledge.

And the Caribbean couldn’t ask for a better ambassador, fictional or otherwise: with a pair of turntables and expertly used dry ice, Duncan dominated the small stage with such confidence that he managed to pull off the bizarro-world Elvis look.  And it was that very bravado that served to underscore the blurring between audience member and participant; it requires a special type of performer to turn an at first reticent audience into a flag-waving dance party – but DJ Juan Vesuvius has the knack.

The message of the benefit of mixtures was wholeheartedly present throughout the act: his DJ’ing skills had a surprising substance and quality quite unheralded by his pidgin english-spouting exterior. Mixing between seemingly dissonant bands and musical styles, Duncan creates something new and interesting nearly every time – although, his high energy weirdness threatens to send the unstable show into meltdown towards the end, where the comedy content is eaten up somewhat by a fusion cascade of sheer strangeness.

If you’re looking for a night of nigh-indescribable fun, Juan Vesuvius is your man. As entertaining as he is inventive, it’s hard to top this dose of musical chutney.

nae bad_blue

Star (blue)Star (blue)Star (blue)Star (blue)

Reviewer: Jacob Close (Seen 26 August)

Visit the Assembly Roxy archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

Floe­-Joe’s Faces (Just The Tonic @ The Mash House, 24 -30 Aug : 21.00 : 1hr)

Posted in 3*, Comedy, EdFestivals 2015, Rated: Nae Bad by

“A very entertaining show, with plenty of giggles”

Editorial Rating: 3 Stars: Nae Bad

The premise of this character comedy show is very interesting – having three different characters discuss their contribution to the mysterious “Floe-Joe’s” new album, track by track, at its first “listening party”, hosted by the main man. The whole show is underpinned by a selection of what I can only describe as incidental hip-hop – the kind that might play in the lift of a trendy club, which sets out a very clear vibe for the show overall, and its use and styling works very well to cover the transitions between each character, as well as giving each one its own soundtrack.

First up is the drunken and ballsy Irishman Fergyl Walsh, whose brother is Louis Walsh. He rants about being misunderstood and the angst involved in creating the album. It’s a gutsy performance, even if the accent slipped a little from time to time.

Next up is recently graduated RnB singer U (yes, that’s his name), who is desperate to move on from being a hooker (the singer that just sings the “hook” of a song, while the rapper hogs most of the limelight). Compared to the brash Fergyl, U is shy and assuming, and because of that is very likeable. Through various snippets in this section, Fairey also boasts a surprisingly impressive singing voice, and it was a shame not to hear more of it.

The final character of the show is the multi-faceted and over-confident street dancer, Lydia Left, who longs to break away from her dance troupe and achieve the stardom she dreams of. While something of a stereotype that doesn’t bring much uniqueness to the stage, she still manages to get the party started and the whole audience on their feet.

As can be expected of a slightly quirky character comedy, there are various moments when Fairey interacts with the audience -asking us to recount something good that’s happened today, or to predict what song might be playing in our heads. There’s also a great moment at the end where we get the chance to try out a few dance moves on stage, which was actually very refreshing and nowhere near as awkward as one might think.

A couple of the jokes fell a little flat, and there were a few moments that Fairey seemed a little apologetic for the performance, rather than oozing with confidence that a show like this really needs. However, on the whole it was a solid and very entertaining show, with plenty of giggles, and different to anything I’ve seen before.

 

nae bad_blue

Star (blue)Star (blue)Star (blue)

—

Reviewer: Steve Griffin (Seen 27 August)

Visit the Other archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

Submarine (theSpace Niddry Street: 1 – 29 Aug: 20:25 : 1hr 25mins)

Posted in 4*, Comedy, EdFestivals 2015, Other, Rated: Outstanding, Theatre by

https://i0.wp.com/res.cloudinary.com/indiegogo-media-prod-cld/image/upload/c_fill%2Cf_auto%2Ch_413%2Cw_620/v1430134987/wdfwzatevts68bz9gueq.jpg

“Slick and powerful”

Editorial Rating: 4 Stars Outstanding

Go see a stage adaptation of an indie film adaptation of an award-winning book they said. It’ll be fun, they said. Luckily, they were right. Popcorn Theatre’s “Submarine” is an undeniably enjoyable piece of theatre, whether you’ve even seen the original work or not – or even if you’re not a fan of indie movies.

Following the adolescent trials of misfit Oliver Tate, “Submarine” addresses themes of love lost, youth reconsidered and the nature of human emotion in relativity; if that all sounds a bit much, rest assured – it never feels overwrought or artsy for art’s sake, staying firmly rooted in it’s homely welsh drab and expertly weaved soundtrack.

Jonas Moore and Rachel Kelly are a tour-de-force as Oliver and leading female Jordana Bevan. There’s such palpable substance in their characterisation, it’s easy to get lost in their characters. Every physical tic and vocal quirk feels energetic yet realistic, aided hugely by a skilled, slick set of supporting actors. A particular favourite was Tom Titherington as the wonderfully ridiculous Graham, who managed to summon laughs up without fail every time he appeared on stage.

And the comedy really is good. Every punchline is unexpected, driven by the sustained, cerebral oddness of Dunthorne’s characters. But Submarine is also a show which pulls no punches in regard to poignant, emotional drama either. The scenes between Jill and Lloyd Tate (Catherine Prior and Josh Hunter) were often heartbreaking in their portrayal of a marriage falling apart – not with a bang, but with a disappointing slump.

But slump seems the right word to describe parts of this show also. Despite it’s strengths, it’s inescapably “indie”: meaning the often manufactured dramatic turns and heightened energy many theatregoers are used to just isn’t present. It stays at a high but disappointingly constant drone which, though it helps it succeed in imitating real life, also meant that certain scenes felt like they needed a little something more.

However, that does little to diminish the strong performances and time-tested writing underpinning a very slick and powerful show. The clever staging, the wonderfully implemented Super-8 footage and the expertly talented cast pull together what for others may have ended up being a tedious and pretentious spectacle. Taking no prisoners when it comes to left-field humour and commentary on the human state, Submarine is definitely a show with six full miles of depth.

 

outstanding

StarStarStarStar

—

Reviewer: Jacob Close (Seen 25 August)

Visit the  Other archive.

THIS REVIEW HAS NOT BEEN SUBEDITED

Sophie Pelham: Country Files (Pleasance Courtyard, 7 – 30 Aug : 16.45 : 1hr)

Posted in 3*, Comedy, EdFestivals 2015, Pleasance, Pleasance, Potterrow & Teviot, Rated: Nae Bad by

“Likeable, effusive, hilarious”

Editorial Rating: 3 Stars: Nae Bad

Upon entering the Pleasance Cellar (sorry, Dorset) the audience is offered a tot of sherry and a sausage roll to get into the mood. For me, in this, my third back-to-back show, this seemed like a dream come true. And indeed the dream continued for the first 10 minutes or so when Pelham, as village lady-of-leisure Vanessa Bluwer hilariously tells us about life in Kilmington, her noble employers, and the various courses she runs on a voluntary basis (everything from breast-feeding to bereavement counselling). As this character Pelham is likeable, effusive and strikes a good balance between prepared material and audience interaction.

Alas, after this the show falters somewhat, with a series of less well developed characters, too much audience interaction and little drive to keep the performance moving. Pelham’s Lord Ponsanby, a drunken country gent utters my funniest line of the show “I’m not homosexual, just bloody posh”, but falls flat after a few minutes and it’s a bit of a relief when she goes off to change again. Two of her characters are animals (a badger and a fox respectively, the less said about those the better), but posh school girl Primrose and yummy mummy Sulky Waterboat are both enjoyable, making fun of relevant stereotypes.

While some parts of the audience interaction in this show were great – getting various members to hold a hobby horse, read a letter and answer the odd question – I felt that on the whole there was an over reliance on this, and as the show went on there was a definite sense of awkwardness in the room, particularly among those in the front row who seemed to get “picked on” multiple times.

And just as the level of audience interaction was pushing it, sometimes her jokes also strayed over the line into being somewhat cringeworthy, the worst offender of these definitely being the one about the Muslims… hushed silence all round. Some gags were spot on tone-wise though: safer topics included politics and class, both suitably ridiculed, while even references to underage sex got a few chuckles.

Overall, I think this show has the bones of something that could be really special, but would be better if it focused on fewer individual characters, and having a clearer sense of narrative between them, to keep the show flowing from one scene to the next. A good effort.

nae bad_blue

Star (blue)Star (blue)Star (blue)

—

Reviewer: Steve Griffin (Seen 22 August)

Visit the Pleasance, Potterrow & Teviot archive.

THIS REVIEW HAS NOT BEEN SUBEDITED