“Gleefully challenges stereotypes of sex and race with a full grin, bared chest and raised middle finger.”

Editorial Rating: 5 Stars Outstanding

I sat for some time before writing this review trying to think of an introduction which best captured what I thought of Hot Brown Honey. But the truth is, there’s not much else which can compare to the bombastic gut punch of a burlesque show Assembly Roxy has somehow managed to contain inside their theatre. From the second that the glass-panelled hive lights roar to life, this show is a nonstop ride that has the audience welded to their seats.

Hosted by unapologetically badass MC Kim “Busty Beatz” Bowers, Hot Brown Honey is a raucously funny and entertaining trip through acrobatics, beatboxing, song, dance and everything in between. But don’t be fooled – despite considerable comedy thrills, it never strays from what makes it so compelling: a show which not only celebrates the power and complex femininity of women of colour, but gleefully challenges stereotypes of sex and race with a full grin, bared chest and raised middle finger.

To talk too much about the acts would lessen their impact, but it cannot be said enough that each segment of performance was distinct, feverishly well executed and consistently jaw dropping. Every single honey from this hive is impressive enough to warrant their own review, let alone packing every single one into a single critique. Of course, for those who aren’t fans of audience participation, proceed with tentative caution: a show like this one demands to spill out into the aisles, to surprising and hilarious results.

The honeycomb that links up this show, however, is both more subtle and infinitely more loud than the performers themselves. There are West End shows that could learn things from the tech team behind the burlesque extravaganza. The sync between every technical element and the behaviour of the set is nothing short of breathtaking, for those who can bear to concentrate on anything but the inspired spectacle going on centre stage.

But what makes Hot Brown Honey such an outstanding show goes beyond its strength in immediacy. When the applause stops and the doors are open, that doesn’t mean the show is over: the messages, ethos and enthusiasm for equality, sexuality and sensuality stick around far after the day is done. As a piece of burlesque, Hot Brown Honey is outstanding simply by merit of its performance. But as a complete show, its greatest triumph is that it fully achieves the vision set out by creators Bowers, Lisa Fa’alafi and Candy B: not simply social activism masquerading as entertainment, but a genuinely thought provoking thrill which, at least personally, will open the eyes of many to any issue they never even know existed.

If you like your shows sexy, superbly skillful and socially conscious, you cannot miss Hot Brown Honey this Fringe. It’s a rare show indeed.

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Reviewer: Jacob Close (Seen 6 August)

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THIS REVIEW HAS NOT BEEN SUBEDITED