“A healthy serving of bawdy silliness “
Elizabethans aren’t particularly well-known for their musical theatre prowess, so developing a one-man (is it fair to call it a juke-box?) musical comprising songs only from the turn of the 17th century sounds like a risky move, but a compelling concept for those of us who enjoy a bit of both history and musical theatre.
The resulting Elizabethan follows the loves and losses of one Tobias Bacon, who comes of age after his father dies in 1599. Yet though it’s billed as a musical, what’s delivered is much more like a comedy cabaret – a lot of chat and period puns, with the odd musical ditty thrown in – but with very little in the way of narrative or emotive development. Disappointing if you’re expecting to be wowed by a 17th century equivalent to Tell Me on a Sunday, but packed with laughs and merriment – especially if you’re a fan of historical wordplay.
Elizabethan is created and performed by David William Hughes, who accompanies himself on the lute for each song. This stripped back musical simplicity of man and lute certainly works for the more melancholic moments, while attempts to rock out and mix up the vocal styling do go some way to adding interest and excitement to the subtle nature of the music when required. Hughes is clearly a gifted musician, but more complex arrangements and variety in style would help keep the songs more engaging while maintaining the integrity of its renaissance roots.
Hughes also shows himself as a very competent improviser in relation to audience reactions, which is where perhaps the biggest risk of this production becomes apparent. Hughes requires several audience members to participate in this production (though – thankfully! – nobody is asked to sing or play the lute), and these contributions make up a good bulk of the comedy and tension within the performance. While willing subjects make the show fresh and funny, it does rely rather too heavily on their good grace and humour for my liking.
On the whole, Elizabethan is a healthy serving of bawdy silliness with a couple of nice (though fairly samey) songs thrown in. It’s good for a giggle, though somewhat lacking in depth.
Reviewer: Steve Griffin (Seen 5 August)