Tag Archives: EdFestivals

“The Bubble Show” (Assembly George Square Gardens 10:40, AUG 15-26 : 10:40 : 60mins)

Posted in EdFestivals 2019, EdFestivals 2019 – Reviews, Theatre by

“Bubbleland is a real place, according to Mr Bubbles, a real place peopled by bubbles.”

Editorial Rating: 4 Stars: Nae Bad

There are two certain ways to get kids to disengage from whatever they are doing and excitedly focus on the novelty. The first is to enter the room and announce in a loud, clear voice, “Go Jetters to your stations.” Alternatively, one can enter singing “Go! Go! Go! Octonauts!” The outrage is real. The conclusion that you are the kind of halfwit who can’t even be trusted not to mix up the words to songs, is immediately, irreversibly drawn. The second method to get kids to stop whatever they are doing is more universal and has been since Cain, Abel and Seth were in pull-ups: bubbles.

Dr Johnson famously remarked that “when a man is tired of London, he is tired of life.” Less well known are the words that followed, “and if he be tired of bubbles why is a coxcomb knave whose very soul is decayed, possibly beyond remedy save only by the immediate and direct intercession of his personal redeemer.” Bubbles, in short, are brill.

Mr Bubbles enters to a crowd of all ages. Daughter 1.0, aged 4, is somewhere in the upper, lower middle of the range. The staging is simple. Only the set necessary to facilitate the magic that is to come. Mr Bubbles tells his life story. Born. falls in love with bubbles. Made to join the army. Gets out of army. Back to bubbles.

And what bubbles they are. BIG bubbles. Small bubbles. Fire bubbles (really). Helium bubbles. Steam-powered bubbles. Frothy bubbles. Smokey bubbles. Bubbles inside other bubbles. Treasures and artefacts brought (Parthenon Marbles style) back by Mr Bubbles from his journey to Bubbleland. Bubbleland is a real place, according to Mr Bubbles, a real place peopled by bubbles.

Mr Bubbles, is of a similar size and build to Justin Fletcher – although his army days have kept him somewhat trimmer, as Granny is quick to point out. He is young and his show feels like it will ripen with age. The truly high notes are yet to come. But the globetrotting graft that has gone in, makes for a flawless performance. He is not one of those hyperactive performers who think it their business to rile the kiddies up into a state of frenzy. His connection is personal and personable. The kids who join him on stage are confident and happy (although he could make more effort to select kids from further back).

The show is in two distinct halves. There’s the lively, jolly, a bit sciencey first half. Then there’s the sensory light and sound second half. The latter is when the very young ones fully engage. The whisps of squally discontentment lift life a helium bubble on its way to meet the houselights. Daughter 2.0 (19 months) would have loved the second half, although I think I would have had a job to keep her settled through the first. 

This is not a show that will blow your mind, but it’s gentle humour and obvious passion will lift your spirits. Daughter 1.0 leaves with a spring in her step and her face. Mr Bubbles (B.Ed.) has entrusted her and all the rest with the secret knowledge that life is better with bubbles. That was good sharing Mr Bubbles. Good sharing.

nae bad_blue

Star (blue)Star (blue)Star (blue)Star (blue)

—

Reviewer: Dan Lentell (Seen 12 August)

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THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Interview: Endless Second

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“I’ve pretty much grown up on fringe theatre.”

WHO: Madelaine Gray

WHAT: “A new play about consent within a relationship. A young couple at university have fallen in love. They listen to each other. They respect each other. But everything changes after a drunken evening with their friends. On this night, when he takes off her underwear and his boxers, she says, ‘No’. But he doesn’t stop. She struggles to assimilate the rape for what it was, because how could it be rape? He loves her. He couldn’t have done that. Endless Second explores how two people deal with a trauma that fundamentally alters the nature of their relationship.”

WHERE: Pleasance Courtyard – Pleasance Below (Venue 33) 

WHEN: 15:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I have family in Edinburgh so I’ve pretty much grown up on fringe theatre. Endless Second will be show eight for me, so by now I really should know my way around! I’m looking forward to long hours in dark, damp rooms with lukewarm pints and I’m ready to be rejected on the mile many, many times.

What’s the biggest thing to have happened to you since Festivals ’18?

Biggest thing? Well, I’m quite an excitable person so even finding reduced red pepper hummus in my local corner shop was a massive deal for me. Oh, and I graduated from my MA and got to shake Grayson Perry’s hand.

Tell us about your show.

Endless Second is a two-hander about consent within a relationship, written by Theo Toksvig-Stewart and produced by Cut the Cord Theatre which is run by Camilla Gurtler. We premiered at Theatre503 back in January which gave us time to work on the text and bring it back tighter and better to 503 for our Edinburgh previews. The future? Who knows… We plan to take the play to schools and universities alongside our consent workshops for young people. We’d love for this show to have a long life either in London or around the country as we feel the theme and messages are relevant and timely to so many people.

What should your audience see at the festivals after they’ve seen your show?

You should definitely check out our sister show I Run, at Pleasance Below (13:55). It’s on directly before us… intense theatrical double bill anyone?

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+3 Interview: Frank Foucault: Desk

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“I watched Love Island for the first time. I have no idea why I’d never seen it before. If you’re resisting it, just watch one episode. It’s blown me away. It’s like watching Breaking Bad or Twin Peaks for the first time. It simultaneously presents the absolute worst and absolute best aspects of humanity.”

WHO: Luke Smith: writer and performer

WHAT: “Thump. James Corden hears a thump underneath his chat-show desk. Thump. It’s the evening before the start of his American talk-show career. Thump. This is not a stand-up show. Thump. But it’s written and created by my stand-up comedy persona. Thump. I understand that’s confusing. Thump. I hope you enjoy it. Thump. Thump. Love. Thump. Thump. Ego. Thump. Thump. Death. Thump. Thump. Sex. Thump. Thump. The Desk. ‘Baffling and daring’ **** (BroadwayBaby.com). ‘A tiny work of comic genius’ (Scotsman). ‘His real name is Luke Smith’ (Steve Bennett, Chortle.co.uk).”

WHERE: Paradise in The Vault – The Annexe (Venue 29) 

WHEN: 21:55 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve been coming up to the fringe in some sort of performing capacity since 2014. Each year I feel like I’m stepping right back into an anxiety dream, exactly where it had stopped the year before. It’s great though. Doing the fringe is like fighting a boxer that will sometimes punch you in the face and sometimes give you a bouquet of flowers.

What’s the biggest thing to have happened to you since Festivals ’18?

I watched Love Island for the first time. I have no idea why I’d never seen it before. If you’re resisting it, just watch one episode. It’s blown me away. It’s like watching Breaking Bad or Twin Peaks for the first time. It simultaneously presents the absolute worst and absolute best aspects of humanity. Just amazing television. Oh yeah, I went on a teaching course, moved to London, wrote a show and had a complete career change.. but it’s mainly the Love Island thing to be honest.

Tell us about your show.

We’ve been previewing it since Feb, but the idea had been knocking around the old noggin for about a year before then. I wrote it and persuaded the great Rosie Harris to direct it. Neither of us had done anything like this before. It’s a hybrid between stand-up and theatre and we couldn’t really predict what shape it would take until we started previewing it at comedy festivals. We would love to take it somewhere after this month, but a show like this really feels at home at the Edinburgh Fringe.

What should your audience see at the festivals after they’ve seen your show?

The Death Hilarious: Razor. Incredibly funny, dark virtuoso performance from one of the most hard working people in comedy. Grotesque, beautiful, hilarious.

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“Clive Anderson: Me, Macbeth and I” (Assembly George Square Studios, AUG 13-25 : 21:30 : 60mins)

Posted in EdFestivals 2019, EdFestivals 2019 – Reviews by

“If Prime Minister* Ken Clarke’s Hushpuppies were an EdFringe act, this might be it. Stylish, comfortable, unthreatening, finely-crafted, and ex-barristery.”

Editorial Rating: 3 Stars: Outstanding

“So who is Clive Anderson?” my companion drawls Mid-Westernly. “He’s a pretty big deal,” I reply. “Ex-Footlights. Ex-Barrister. He interviewed Gorbachev. Not exactly a national-treasure, but definitely a favourite national tea-mug that’s been in use down the ages.” My companion looks blank and I recall the look on the guard’s face at the National Portrait Gallery when she asked him, “Sir, where are the famous people?”

My own personal favourite tea mug had been purchased from the EUSA shop, not a stone’s throw from where we stood behind a long queue of expectant punters. Said mug, which advertised that the Guardian newspaper could be purchased by students for 20p, saw service in both the undergrad and postgrad campaigns, toured the provinces during the lean years, and saw service in every rented cupboard and shabby (but not chic) dresser, right up to the forever house, with it’s surprisingly grabby preschoolers and less surprisingly unbouncy kitchen floor tiles. It’s currently helping to drain the soil for a scented geranium. It’s fair to say that my cherished mug has seen better days.

So what of the nation’s favourite tea mug, Clive Anderson? In what state will we find him? Faded? Chipped? Bitter from some sod putting making instant coffee in him and not washing him out properly?

The former chat show host and chair of Whose Line is it Anyway? arrives on stage dressed like what Henry Irving thought Macbeth dressed like. Pause for breath and… vroom! he’s off with the same stately, but dynamic energy as one of those Bentley motorcars he tongue-in-cheekedly plugged in a Christmas episode of HIGNFY. A lifetime on the after-dinner circuit and he’s cornering with precision, racing down the straights with material that is well-worn without being tired, homely without being plain. If Prime Minister* Ken Clarke’s Hushpuppies were an EdFringe act, this might be it. Stylish, comfortable, unthreatening, finely-crafted, and ex-barristery.

*apologies I watched the next episode from the Brexit box set while you were out.

Anderson opens with a learned essay on his favourite Shakespeare play, Macbeth. Not super researched, the historical Macbeth went to Rome and not the Holy Land, but sufficiently well remembered to open onto a scenic landscape of showbiz reminiscences and anecdotes. It is a very pleasant hour and we all leave pleasantly pleased… with one exception.

“This is just like that time you took me to see that Gyles Brandreth dude!” complains my companion. “This guy was good, and I get that he’s a big deal on your side of the pond, but did no one remind him that the people sitting stage right also paid for their seats?” Her case for the prosecution presents a litany of minor (and not so minor) staging errors, her criticism of Anderson’s admittedly frantic pacing is crushing, and her insinuation that the fowl specimen of wretched humanity in the dock has been driving without due care and attention of his director may stick in the jury room.

This is not objectively a *5 show from her technical perspective. Subjectively, however, if you are in the market for a Clive Anderson product this EdFringe, this is an excellent vintage. If Jack Pomeroy were selling it in his wine bar, it would deliver considerably more than his regular Chateau Thames Embankment. Chateau Clive Anderson has many finer seasons in store and I can’t wait to try them.

outstanding

StarStarStar

—

Reviewer: Dan Lentell (Seen 11 August)

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THIS REVIEW HAS NOT BEEN SUBEDITED

+3 Interview: Hyper-Nice

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“I had just started chemotherapy during last year’s fringe – I thought at the time I looked great. Having reviewed the photographic records turned out I looked like a duck egg wearing spectacles.”

WHO: David Watson: Solo Performer

WHAT: “Aspiring to be more vacuous? Thanking strangers for no reason? Hyper-Nice is a new, original, one person stand-up show in which David Watson mostly apologises for breathing and tries to be “nice”. It seems sorry is not the hardest word. Incisive social comedy.”

WHERE: theSpace @ Surgeons Hall – Haldane Theatre (Venue 53) 

WHEN: 17:20 (50 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve been to the festival 5 or 6 times, as a punter and as a writer and director, but I’ve Never performed before. I’m doing a 1 man show, having done a bit of stand up in the past, mostly at home in Liverpool. What am I expecting? The ticket sales for my week look ok, but I’m all over the 2 audience members on a wet Tuesday situation and expecting it again. Doesn’t bother me one bit (he says now). I remember late-night drinking and possibly the best funk disco I ever attended in my life with cans of red stripe being distributed from dustbins – different times. I remember the faces of the poor residents marching past curiously dressed promotors with looks of disdain.

What’s the biggest thing to have happened to you since Festivals ’18?

This answer was going to be straightforward until I read the stipulation “try and make the reader smile”. I had just started chemotherapy during last year’s fringe – I thought at the time I looked great. Having reviewed the photographic records turned out I looked like a duck egg wearing spectacles … and the weight loss was nowhere near sufficient for my purposes either. Anyway, much better now and I guess this 45-minute show (WHICH CONTAINS NO MENTION OF CANCER) is a reaction to that, I may as well just as well be jumping out of a plane or seeking to ride a bull…

Tell us about your show.

It’s a one-man stand-up show written and performed by me, and it contains, I would say, moments of genius, and, it will probably transpire some filler. It’s about being gauche and English and apologising too much, and getting off on the gratitude of others.

I did a free Liverpool show two weeks ago to about 90 mates and mates of mates. It was fun and chaotic, and I’ve toned down the swearing. No plans for after the fringe yet Burt probably a London show at some stage … and a lot of radio work (that was a joke).

What should your audience see at the festivals after they’ve seen your show?

Jonny Pelham: Off Limits – amazing subject matter, which doesn’t sound like it should ever be the subject of comedy, which is why it should.

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+3 Interview: Cathy: A Retelling of Wuthering Heights

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“I also was on a popular Channel 4 reality tv show, although since it hasn’t aired yet, I’m unsure if I’m allowed to say which one!”

WHO: Michael Bascom: Composer

WHAT: “This new musical by Michael Bascom retells the story of Heathcliff and Cathy, two soul-bound lovers thwarted by family, society and God. The sun shines over the moors, but a storm of vengeance is brewing in this story of a passionate romance which transcends life – and death – itself. Described as ‘a highly moving production, brilliantly depicting the tragedy and passion of Bronte’s novel’ (TCS), the show sees its Fringe debut after premiering last November to a critically acclaimed, sold-out run at the University of Cambridge.”

WHERE: theSpace @ Niddry St – Upper Theatre (Thrust) (Venue 9) 

WHEN: 22:20 (75 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I visited Edinburgh briefly last autumn, but this is my first time to the Fringe festival! I was warned that it was ‘a lot’ and I have to say that it’s taken a little while to adjust to the perpetual exhaustion of putting on a show, flyering for a show, and then actually seeing shows, and so on. I arrived with high hopes, having had a surprise mention on Elaine Paige’s show on BBC Radio 2 the Sunday before the festival, although I’ve realised more fully since being here what a slog the Fringe is meant to be. I love a challenge, however, and I’m starting to find myself in my element amidst the madness of it all!

What’s the biggest thing to have happened to you since Festivals ’18?

The biggest thing to have happened to me since last year’s festival was probably graduating, finally! I started my undergraduate degree a tad later than usual, at 24, and it was something I’ve always known I wanted to do before starting my career. So it’s a bit weird adjusting to ‘real-life’ after feeling a bit on hold for the past 10 years! I studied music at Cambridge, but being a mature undergrad I got to study at St Edmund’s college with other ‘mature’ (aka over 21) students, where I met some truly incredible people. I also was on a popular Channel 4 reality tv show, although since it hasn’t aired yet, I’m unsure if I’m allowed to say which one!

Tell us about your show.

The show is a ‘retelling’ of Wuthering Heights; I wrote the music/lyrics and adapted the original novel into a script (who am I to change Emily Brontë’s own words?). It closely follows much of the original story, but I’ve altered the second half somewhat significantly to make it a bit more Shakespearean in its gesture, with the real-time events of the tragedy occurring all within a 24-hour period rather than over the course of 30-40 years. I first conceived the musical about 10 years ago when I was 17, being a young, closeted Mormon gay boy, and totally inspired by Heathcliff and Cathy’s tumultuous, passionate romance – putting each other above their own family, society, and even God – I knew I had to set it to music.

I also knew I had neither the talent nor means to pull off a musical at that time, so whenever a song would come to me (usually in its entirety, almost like a ‘download’, on random afternoons) I would just archive it until the time felt right. Finally (having since ‘come out’ and leaving Mormonism), last year seemed to be that time and so I put on ‘Cathy’ at one of the university theatres in Cambridge. It had phenomenal success, so I decided to take it to Edinburgh, although really I still consider it a bit of a showcase for a bigger, full-length musical (and I’m looking for a scriptwriter!). Hopefully, I’ll take it to London after, depending on what happens here in Edinburgh!

What should your audience see at the festivals after they’ve seen your show?

A friend of mine has written a show based on Northanger Abbey (called – surprise – Northanger Abbey), which will be on at the French Institute on the 12-13 and 16-24. She’s incredibly talented and the whole team are great – it also received a 5-star review in Cambridge last year! So I would 100% recommend catching that while you can, and it will probably help lift the spirits slightly after Wuthering Heights!

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+3 Interview: F. Off

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“The company came together after our membership auditioned via mobile phone self-tapes telling us what they thought about social media and then we spent a month workshopping and scratched the show for one night only at The Criterion Theatre in the West End, when Ian McKellen said it was the best NYT show he’s seen his years.”

WHO: Paul Roseby: Director

WHAT: “F. Off. As the extremes of social media kick up an unsettling and unsavoury stink, Evening Standard ‘One to Watch’ writer Tatty Hennessy, National Youth Theatre Artistic Director Paul Roseby and Britain’s best young talent are kicking off in response in true interrogatory style to put Mark Zuckerberg and his social network colleagues on trial. The question is who really is to blame, and who is following who? So we ask you, the audience, to be the jury and the NYT company will be the disrupters. Served with a heavy helping of humour, some knitting and hardcore experts.”

WHERE: Underbelly, Cowgate – Belly Button (Venue 61) 

WHEN: 12:50 (75 min)

MORE: Click Here!

Is this your first time to Edinburgh?

My first ever Edinburgh was right next door to our venue this year on Cowgate actually, at the Grey Friar’s Kirkhouse. I was in a play called Respectable Wedding by Bertolt Brecht and we had to eat three courses of food each day whilst the furniture around us deliberately collapsed. There were some interesting actors in there as part of the Hoxton Players, at the time when Hoxton was somewhere you would very rarely go during the day, let alone at night. It was a mixed company [ages and abilities] with some fairly old actors at the time whose first jobs probably weren’t acting and quite possibly never their real jobs. Mixed with us first-timers, not least a wickedly cheeky actor called Neil Stuke who you’ll now recognise on many a TV series playing detectives and wearing raincoats. It was hard work but I loved it and it sold out. I also remember we played the track, ‘Perfect’ by Fairground Attraction every morning when we were getting ready in our bedsits. I don’t think it ever was [perfect] but we certainly tried to make it so. I’m looking forward to audiences getting up on stage and involved in our show, especially the magic trick. Oh, and I went on Christopher Biggins’ show this week, does that count as a namedrop?

What’s the biggest thing to have happened to you since Festivals ’18?

Long story, that starts with getting an OBE and ends with my husband of 10 years dumping me. In between, I’ve protested outside a Government ministers office in Lisbon to prevent our dream home being destroyed. The use of oversized beach balls featured heavily. Witnessed my Mum of 94 years die, and my Dad of 97 years not. Lose over a stone in weight and reconnect with my 30-inch waist. Sadly no one else has yet to reconnect with it. Crashed a hire car in Suffolk but learnt to meditate in a shed. All in all seems appropriate then to be directing a show entitled F.Off!

Tell us about your show.

It’s written by the brilliant Tatty Hennessy, dubbed ‘One to watch’ this year by the Evening Standard and as sharp and witty as they come. It’s produced by the National Youth Theatre, the world’s first and best. The company came together after our membership auditioned via mobile phone self-tapes telling us what they thought about social media and then we spent a month workshopping and scratched the show for one night only at The Criterion Theatre in the West End, when Ian McKellen said it was the best NYT show he’s seen his years. Where next, who knows, Broadway!?!

What should your audience see at the festivals after they’ve seen your show?

There’s some amazing young National Youth Theatre talent at the festival in other shows this year, here are just a few:

Katie Greenall fresh from working with us on Spoken World at Latitude is her with her hilarious show #FATTYFATFAT at The Pleasance AND she was on the Guilty Feminist Podcast this week too!

Alice Vilanculo is another one-to-watch from our 2019 REP company and is in E8 at The Pleasance directed by our talented Associate Artist Ria Parry. Our company show the show this week and loved it.

There was never a day without shrieks of laughter in the NYT office when the brilliant Ben Salmon was the assistant on our flagship social inclusion course Playing Up. Catch him in Miller and Salmon at Just the Tonic at The Charteris Centre at 16.40.

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+3 Interview: Neon Hangover

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“I was just sitting down to sunbathe when this guy jogged past and something happened that I found really challenging… he complimented me.”

WHO: Kimberley Datnow: Stand Up Comic

WHAT: “A fast-paced hour of the cream of the up-and-coming crop! Sean Lynch (MTV’s Death Match), Ben Keenan (Amused Moose semi-finalist), Adam Elmi (SYTYF semi-finalist) and Kimberley Datnow (Warner Brothers Young Talent finalist, Bridget Jones for the modern millennial). Bringing you an hour of joyous silliness to kick-start your day! Best show you’ll see on the Fringe! See the show, get the glow. Free glow sticks to kick-start your morning! ‘Promising newcomers’ (Buzzfeed.com).”

WHERE: Just the Tonic at The Caves – Just the Spare Room (Venue 88) 

WHEN: 11:35 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

The first time I ever came up my friend emailed me and said do I want to come up to the Edinbrough fringe I genuinely thought it said Edinburgh Fridge. And she was like, “Kimberley what would be in an Edinbrough fridge? Haggis and Heroin!” I’m sorry it’s cause I’m dyslexic I have a problem with the written word.

What’s the biggest thing to have happened to you since Festivals ’18?

I was hoping to catch some rays in the park the other day… Ray Liotta, Ray Romano and Ray Mears… No, that’s a joke guys. I’d never sleep with a guy named Raymond.

I was just sitting down to sunbathe when this guy jogged past and something happened that I found really challenging… he complimented me. I have the hardest time taking compliments! Whenever someone compliments me… I GO THROUGH THE 5 STAGES OF GRIEF…

So this hot guy jogs past and he goes, “nice top.”  Straight away I’m into the first stage of grief. Denial: Surely he wasn’t talking to me? A moment later it’s stage 2 Anger. How dare he only care about my looks, I not some piece of meat, Then Stage 3 bargaining. Please, God. If he runs through this park again I’ll be nicer. Followed by Stage 4 depression, oh now what do I do, he might have been The ONE! My life is meaningless without him. And finally Stage 5 acceptance, yes, it is a nice top.

And that’s how I handle every single compliment. Maybe it’s just a side effect of having boobs. Lucky I hardly ever got any, otherwise, I couldn’t function.

Tell us about your show.

It’s a 4 person stand up compilation show, it’s our first time at Edinbrough, and first time doing a show together. One of the first stand-up shows in Edinburgh setting the tone for the day. 11.35am.  The comics are from around the world. English woman, Irish man, American man, and a guy from Birmingham and an mc from Texas! We all met on social media and decided to do a show together! “Risky!” After putting out a post and after a lengthy selection process we chose the best 4 based on wit, comic abilities and sex appeal! And one can be seen on MTV and Amazon Prime too!

What should your audience see at the festivals after they’ve seen your show?

Monsoon season it’s a tragicomedy it’s at 2.25 Underbelly! Unique and gripping.

Rob Mulholland; great stage presence, great timing, well-written jokes, brilliant!

I would recommend A friend’s show called Disabled Coconut, he is a disabled comic, very funny and his show has been sold out every night!

Also, go and see Mother, it’s a 2 person sketch show in the vein of news review, very funny, also go and see news review!

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+3 Interview: Children of the Quorn™

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“This year is our first time going up as a duo/Megan from HR. which we’re really excited about though of course, it’s equally terrifying because we’re almost starting from scratch.”

WHO: Ambika Mod: Co-writer/performer

WHAT: “Former stars of the multi award-winning Durham Revue, ‘comedy geniuses’ (Jeremy Vine), and future Fringe legends Andrew and Ambika present a new sketch show, complete with séance. From dying onstage to straight-up dying, this is how two friends fill their time whilst waiting for the dead to arrive. From winners of the Derek Award for Best Sketch Show at the Edinburgh Fringe 2016 and 2017, Children of the Quorn™ is an hour of intelligent, original, high-energy comedy that will raise the roof and raise the dead. ‘Gonna be huge unless they get real jobs’ (Stevie Martin).”

WHERE: Just the Tonic at La Belle Angele – La Belle Angele (Venue 301) 

WHEN: 15:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

We performed at the Fringe for three years from 2015-17 as students with the Durham Revue at Underbelly, and we were fortunate enough to experience great success each year, including sell-out audiences, 5-star reviews, and a couple of awards. This year is our first time going up as a duo/Megan from HR. which we’re really excited about though of course, it’s equally terrifying because we’re almost starting from scratch. But we’re thrilled to bring Children of the QuornTM to Just the Tonic and if people liked our work in the Revue, then they’ll definitely enjoy this show too.

What’s the biggest thing to have happened to you since Festivals ’18?

It’s been eventful: Andrew moved down to London, I quit my job and shortly after, Megan from HR. was born. We only started writing Children of the QuornTM in January with no major plans for development (and certainly not the Fringe) so everything’s evolved super quickly but we’re so proud of the progress we’ve made. The show’s reception has also been exceedingly positive: two sell-out London performances, two 5-star reviews, and ThreeWeeks naming the show as one of their “Three to See” most promising sketch shows at the Fringe this year. Also the Jonas Brothers got back together. Huge.

Tell us about your show.

The show was written by me and the other half of Megan from HR., Andrew Shires. We decided to work together not only because we’re best friends but because we complement each other so well which is one of the reasons our partnership is unique. Andrew is constantly upbeat and quirky, whilst my forte is deadpan, dry and witty humour. We are almost polar opposites which creates an interesting dynamic for our comedy and friendship. Andrew will often make big gestures about how much I mean to him whereas I often stop taking his calls, refusing to see him for weeks at a time. Despite this, we have been working together for nearly 5 years and earlier this year, we wanted to create a brand new sketch show with a difference.

We decided to weave in our shared love of horror and that’s how we came up with the idea of us trying to conduct a séance as the main thread of the show. Within this, we’ve incorporated our tight, witty sketches that really traverse a range of premises and styles, and we strongly believe they have a broad appeal. On the whole, the show is high-energy and fun and the writing is snappy and clever. We’ve thought a lot about the narrative and how to create a story for the audience, especially how everything ties together by the show’s conclusion where there’s a major plot twist (#nospoilers). We debuted the first incarnation in February and have gone on to perform it twice more as well as taking smaller chunks of our material around the London comedy circuit. We had our final London preview on July 18th and we definitely have plans to bring it back to London after the Fringe (follow us on social media for updates on this).

What should your audience see at the festivals after they’ve seen your show?

House of Influenza – this is a play that Andrew wrote which parodies a lot of the tropes you see in horror movies (a theme?) and is equally funny and moving. It’s being performed by our super talented friend and fellow Revue alum, Lily Edwards.

Phil Wang: Philly Philly Wang Wang – not that he needs my or anyone else’s recommendation but Phil is one of my favourite comedians (maybe, ever?) and never fails to make me laugh. He’s also a super, super nice guy.
Police Cops – The original Police Cops was perhaps the best show I have ever seen at the Fringe; combining physical theatre with parody, it was insanely funny and impressive. Their follow up Police Cops in Space was also really enjoyable so I will definitely be seeing their new show Badass Be Thy Name.

Lily Hyde & Alissa Anne Jeun Yi: Gentleman Please – our friend Alissa made her Fringe debut with the awesome Love Songs at last year’s Fringe and the show did insanely well (becoming Guardian and TIME’s Pick of the Fringe). She’s now turning her talents to stand-up and I think she and Lily will be a really refreshing combo.

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+3 Interview: Morgan & West: Unbelievable Science

Posted in *Written Interviews, EdFestivals 2019, Plus 3 2019 – Features by

“The Wee Windes gave way to Garfunkel’s Coffee House some years ago and we’ve slowly moved away from the long hours flyering. As we get older we just don’t have the legs for it anymore…”

WHO: Rhys Morgan: Performer and co-writer.

WHAT: “Unbelievable Science is an interactive science show for the whole family, where experiments take place right before your eyes! Captivating chemistry! Phenomenal physics! Bonkers biology! Magicians, time-travellers and all-round spiffing chaps Morgan & West have a secret past – they are genuine, bona-fide, legitimately qualified scientists and now are bringing their knowledge to the stage! Expect explosive thrills, chemical spills and a risk assessment that gives their stage manager chills! ‘This is magic at its very best’ **** (EdinburghFestivalsforKids.com). ‘Hugely Talented’ **** (Daily Mirror). ‘Superbly crafted’ **** (Stage).”

WHERE: Assembly George Square – Gordon Aikman Theatre (Venue 8) 

WHEN: 16:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

We’ve been coming to the Edinburgh Fringe as performers since 2007 with only one year off (last year as it happens). When we started out we used to spend six hours a day standing outside the Wee Windes on the Royal Mile handing out our flyers to anyone who walked past. The Wee Windes gave way to Garfunkel’s Coffee House some years ago and we’ve slowly moved away from the long hours flyering. As we get older we just don’t have the legs for it anymore…

What’s the biggest thing to have happened to you since Festivals ’18?

Taking a year off from the Edinburgh Festival Fringe in 2018 was brilliant. We had time to sleep, eat properly, and not worry about how our show was going. It also gave me personal time to train for my first ever marathon. I ran the London Marathon in April raising money for my local branch of Samaritans (which I also volunteer for). It was an amazing experience and gave me a new perspective on a lot of things including how to take the pressure of the Fringe with buckets full of good cheer.

Tell us about your show.

We’ve been magicians for the last decade but before we ran away to join the circus we were science teachers. Very well qualified science teachers who loved educating kids about science and so we decided that it was about time we stopped squandering our degrees and training! So ‘Unbelievable Science’ was born, all about the scientific method with the hope that families who see it will be stimulated into looking more into what science actually is. In the age of ‘so called experts’ we want to help make ‘expert’ a respected, fantastic title again.

What should your audience see at the festivals after they’ve seen your show?

Foxdog Studio: Tomorrow’s Office – Just brilliantly innovative technology and funny as heck comedy. Jonny & The Baptists Love Edinburgh and Hate Bastards – Crying with laughter, happiness, and significant feels. Matt Parker: Humble Pi – fascinating and funny, all about maths gone wrong. Timandra Harkness: Take a Risk – A show all about risk, EdFringe is all about taking risks on shows so get to it!

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