Tag Archives: EdFestivals

+3 Interview: 3 Years, 1 Week and a Lemon Drizzle

Posted in *Written Interviews, EdFestivals 2018, Plus 3 2018 – Features by

“I played Sylvia Pankhurst in a BBC One docudrama which was so much fun…”

WHO: Alexandra Donnachie, Performer

WHAT: “The show pieces together Alexandra and Kate Donnachie’s sometimes heartbreaking but often hilarious memories of growing up together and managing their close bond when older sister, Alexandra, developed a severe eating disorder. When Alexandra (finally) decided to ask Kate what that time was like for her, she began cooking up ideas for this autobiographical show – albeit before Kate agreed to be in it. This is a performance that recalls on touching memories, shares laugh-out-loud anecdotes and melts Mars bars to bring to stage a story about living with an eating disorder.”

WHERE: Underbelly, Bristo Square – Jersey (Venue 302) 

WHEN: 14:25 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s my eighth time! I’ve been up to the festival every year since 2010 but in a number of different capacities. I worked at a venue on box office for a number of years and in 2013, I performed in a show whilst holding down the box office job. I would not recommend this to anybody. Other years, I’ve popped up to see stuff but I’m also half-Scottish so I get to go up a fair bit outside of the festival too!

What’s the biggest thing to have happened to you since Festivals ’17?

I was on the telly! I played Sylvia Pankhurst in a BBC One docudrama which was so much fun and such a great job to get to do with some amazing people.

Tell us about your show.

Our show is about the relationship between my sister and I when I was ill with an eating disorder as a teenager. My sister and I made the show together almost two years ago and we both perform in it which – so far – has been a really fun experience because we work so well together! Mind you, this will be the longest run of the show we’ve done so let’s hope we’re still saying that at the end of August.

What should your audience see at the festivals after they’ve seen your show?

Ooh lots of stuff! Definitely see Ladykiller which The Thelmas are bringing to The Pleasance Courtyard this year and Christina Murdock’s Dangerous Giant Animals at Underbelly, Cowgate looks fantastic. I also discovered Jess Robinson earlier this year and thought she was incredible. She has a show at the festival this year called Jess Robinson: No Filter which I think will make for an awesome evening!

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+3 Interview: Universoul Circus: Hip Hop Under the Big Top

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“You’re going to be riding the clouds after seeing our show.”

WHO: Cedric Walker, Founder, Creator, and Producer

WHAT: “After electrifying US audiences for 25 years, America’s ‘coolest show on earth’ (Newsweek) comes to the UK for the first time. It’s Hip-Hop Under the Big Top, combining edge-of-your-seat performances, stunning spectacle, hilarious audience participation and a soundtrack that will blow the roof off the tent. UniverSoul’s international cast includes high-wire artists, slapstick comedy, jaw-dropping contortionists, Caribbean limbo fire-dancers and global internet sensations Fresh The Clowns. Come see the show that has entertained over 20 million people in the USA.”

WHERE: Underbelly’s Circus Hub on the Meadows – The Lafayette (Venue 360) 

WHEN: 17:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes. We’re extremely excited to be coming to Edinburgh for the first time. Not only is this our first time in Edinburgh, this is our first time playing Europe! We are very excited about sharing the UniverSoooul experience with a new audience, on new stage.

Tell us about your show.

This has been an amazing journey that started 25 years ago when I wanted to create a multi-generational show that would bring people together of various backgrounds, cultures, and ethnicities. Since its inception 25 years ago, we have produced more than 12,000 shows for an audience of more than 20 million people. Our team includes myself, the founder, creator, and producer, along with creative director and a show producer Deneise Howard. Production consultants include British creative film producer, John Watkins, Tom Marzullo, who has created amazing live shows for such greats as Justin Bieber, Kiss, and Prince, and famed set designer, David “Gurn” Kaninski. Following our Edinburgh engagement, we will head back to the States for the continuation of our 25th Anniversary Tour.

What should your audience see at the festivals after they’ve seen your show?

Well, the UniverSoul Circus is very thrilling and uplifting. You’re going to be riding the clouds after seeing our show. With all the excitement and audience interaction, we hope you will want to see other uplifting performances. There’s some other great circus shows happening as part of Underbelly’s Circus Hub programme – our Canadian cousins Cirque Alfonse are bringing their show Tabarnak which I am excited to see. Circa are always amazing and they have a family show this year called Wolfgang too, alongside our Colombian friends with the amazing Circolombia! Otherwise, I hear there’s some great music at the International Festival and Fringe – which I’m really excited to check out. I’m sure people will find a lot of fantastic shows just from wandering around the city at such an amazing time!

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+3 Interview: Reading the Streets: An Old Town Poetry Tour

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“I’ve been congratulated on my productivity, but in fact, both books were written very slowly over several years.”

WHO: Ken Cockburn, Producer/Writer/Performer

WHAT: “Weaving through courtyards, kirkyards and vennels, hear poems about Edinburgh past and present written by residents, tourists and those who visited only in imagination, including Robert Burns, Victor Hugo and the great Anon. The city has inspired tragic ballads and heartfelt love-songs, poems celebrating its dramatic beauty and poems attacking its grey narrow-mindedness. Ken Cockburn has led poetry walks on the Royal Mile since 2007. ‘An excellent tour for both the historian and the poetry lover: Ken is a brilliant guide… book yourself a tour – you won’t regret it!’ (ScotsGay.co.uk).”

WHERE: Scottish Poetry Library – Outside SPL (Venue 203) 

WHEN: 11:00 (90 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I first experienced the Fringe many years ago as a member of a student theatre company, and loved the buzz of activity. Since I moved to Edinburgh I’ve been every year as an audience member, then since 2016 I’ve been presenting poetry walks on the Fringe, and immersing myself in the festival city again.

What’s the biggest thing to have happened to you since Festivals ’17?

I’ve had not one but two books published this year. Floating the Woods is a collection of poems, including some about Edinburgh; and Heroines from Abroad is a collection of translations from the German poet Christine Marendon. I’ve been congratulated on my productivity, but in fact, both books were written very slowly over several years.

Tell us about your show.

I’ve run poetry walks in Edinburgh since 2007, but more intensively over the past three years. I do pretty much everything myself, researching poems – most are extant, but I’ve written some new ones myself –connecting them to particular sites on and around the Royal Mile, and working out the overall route. Each year the Fringe walks start and end at the Scottish Poetry Library, but I vary the material and the reading locations. I’m just finalising this year’s script and itinerary at the moment. Edinburgh is a busy place at festival time, but there are quiet and attractive spaces off the Royal Mile still to be found. After the Fringe I’ve a couple of private tours booked… then I have a large folder full of poems that I want to turn into a book, so the aim is to work on that over the winter to have something ready for summer 2019.

What should your audience see at the festivals after they’ve seen your show?

I love Summerhall as a venue, especially the Anatomy Lecture Theatre, and the programme is always worth checking out. This year my eye has been caught by Darkfield’s Flight which, in total contrast to Reading the Streets, ’takes place in a shipping container in absolute darkness’! I’ll also look forward to ScotlandsFest 2018 run by Luath Press (who published Floating the Woods) at the Quaker Meeting House. In the Art Festival, I want to visit the new Collective Gallery on Calton Hill, and to see Shipla Gupta’s sound installations inspired by 100 Jailed Poets at the Art College and the Burns Monument on Regent Road.

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+3 Interview: Tobacco Road

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“The story is autobiographical and it does what it says on the tin. I have been telling these anecdotes in the pub for years.”

WHO: Hannah Wisher, Producer

WHAT: “Following their sell-out All Quiet On The Western Front, Greenwich Partnership Award-winners Incognito return with their explosive physical style to tell the story of five resourceful young men and women attempting to carve out a place in the murky underworld of 1920s London. In the wake of the Great War, can they find the fame and wealth they crave or will their desperate need to belong lead to disastrous consequences?”

WHERE: Pleasance Courtyard – Upstairs (Venue 31) 

WHEN: 15:15 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No this isn’t my first time! I first performed at the Fringe at the age of 15 with Young Pleasance. We did John Godber’s ‘Teechers’ which was the most amazing fun with all the 80’s music and hair. After that I performed with them for 3 more years before moving into production. The year before last I worked in the Pleasance Press Office before producing for Incognito. This will be my 8th year at the Fringe, I think it’s safe to say I definitely have the Fringe bug.

What’s the biggest thing to have happened to you since Festivals ’17?

Lots of great things have happened to us as a company since Edinburgh ’17! We were fortunate enough to win the Les Enfants Terribles Greenwich Partnership Award and have received some great support from Greenwich Theatre, we have welcomed two new cast members into the company and are making some more great work for the Fringe this year!

Tell us about your show.

The show is called Tobacco Road and it’s the story of 5 young gang members carving their place in the murky underworld of 1920’s London. We’re merging the fact with the fiction to bring you the trials and tribulations of post-war Britain and those who felt left behind. The company are devising the piece as a group with everyone contributing to the writing. As it’s set in a specific time and place we feel it’s really important to properly research the era and incorporate our unique style of physical theatre into the story. We did a little work-in-progress for it in December 2017 but are looking forward to getting back into the rehearsal room.

I’m the lucky one to be producing this show with my love associate and assistant producers Cindy and Lydia and we’ve had some great mentorship from James at Greenwich Theatre.

The company itself have been around for 5 years as part of the Pleasance Future initiative as XYP and this is their second year as a completely independent company. We’re hoping to tour the show in 2019 so watch this space!

What should your audience see at the festivals after they’ve seen your show?

I’ve had the highlighter out on my Fringe Festival guide already! I’m really looking forward to Camilla Whitehill’s ‘Freeman’ which will be at the Pleasance and Spies Like Us’ ‘Woyzeck’. Also, ‘The Insignificant Life and Death of Colin McKenzie’ at Greenside looks great and the Les Enfants show ‘Flies’!

More than anything I’m just looking forward to being up there and seeing anything and everything, I’m a sponge ready to absorb!

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+3 Interview: Chris Henry: Around the World in 80 Dates

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“Up until this point, I’ve remained under the radar doing shows at the Laughing Horse Free Festival, which has been great for working on my craft and putting pennies in my pocket, but this year I have my sights set on bigger goals.”

WHO: Chris Henry, Performer/Comedian

WHAT: “Scottish Comedian of the Year finalist Chris Henry is back to take you on a whirlwind global gigglefest as he attempts to find The One. After sold-out, award-nominated performances around the world, this 40-year-old bachelor delivers the ultimate anti rom-com by hilariously dissecting our favourite cliches with razor-sharp stand-up, replacing them with 80 dates he hopes will take him from reformed playboy to the perfect husband. Prepare for a blind date like no other.”

WHERE: Underbelly, Bristo Square – Clover (Venue 139) 

WHEN: 20:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

The first time I did my own show in Edinburgh was 2009 and the first show happened the day after a particularly gruesome break up that features heavily in this years show. Up until this point, I’ve remained under the radar doing shows at the Laughing Horse Free Festival, which has been great for working on my craft and putting pennies in my pocket, but this year I have my sights set on bigger goals. I have a big show, and I want it to go to big places (all this use of “big” is starting to make me think I’m overcompensating too). I’m unbelievably excited to be working with the Underbelly.

What’s the biggest thing to have happened to you since Festivals ’17?

That’s a tough one, I’ve sold out shows in the UK, Australia, Singapore, The Philippines & Thailand. But the biggest thing that’s happened to me is either the realisation that brought me to the idea for the show, or the fact last week I decided to walk the West Highland Way for three different charities, ROHHAD Association, Epilepsy Scotland & MND Scotland, and raised nearly £2000 by walking 96 miles. Not quite the same as The Proclaimers song. I like to tell people it’s because my life is so much fun and I wanted to give back to something I believed in, but the truth of the matter is that I turn 40 at the end of July and I think it was a little bit of a mid-life crisis.

Tell us about your show.

The show is all about my disastrous love life and how the dating world has changed dramatically in the last decade. With a healthy dose of self reflection it also delves in to why I’ve been single for 9 years, and what I’m doing to change that. It’s honest, heartfelt and the funniest thing I’ve ever written.

It’s been produced by Natalie Allison who is the only person I’ve ever met who can make me even more excited about my own projects. She’s been invaluable in helping me take all my brain babies and helping nurture them in to mature funnies.

My aim is to take it to as many international fringe and comedy festivals I can find around the world. I have my heart set on a European tour in autumn/winter, then Australia in January till April, New Zealand then hopefully Canada, America, South Africa and anywhere else that wants to hear my tales.

What should your audience see at the festivals after they’ve seen your show?

Ray Bradshaw is bringing his show ‘Comedy Def Fam’ back for a limited run, if you missed it last year definitely check that out as it’s my favourite thing I’ve ever seen at a Fringe. Others you should definitely check out are Stephen Bailey, Ashley Storrie, Chris Forbes, Fannys @ Five, Janey Godley, The Master that is Stephen Buchanan, Jesus L’Oreal Nailed It – there is a massive list that I’d recommend. I always put a full list of recommendations up on my website or Facebook just before the Fringe starts.

Two top tips for choosing shows. Stop and speak to flyerers, ask them which shows they’d recommend other than the one they are selling, do that a few times and you’ll hear some names getting repeated which is always a good sign. Also, don’t go to any show that has more than one A at the start of the title, they’ve done this to get to the start of the brochure and if that’s as good as their imagination for the title gets, there isn’t much hope for the show.

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+3 Interview: Archie Maddocks: Matchstick

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“It’s all been upwards in the last twelve months.”

WHO: Archie Maddocks, Performer/Comedian

WHAT: “Award-winning Archie Maddocks presents an hour of biting, provocative, unflinchingly funny comedy where he explores his deepest and darkest thoughts, exposes his flaws and interrogates his personal connection to Grenfell Tower. Fresh from a stint in the BBC Writersroom, having previously toured South Africa and Europe, this ‘super cool, super smart storyteller’ (Bruce Dessau, BeyondTheJoke.co.uk and Evening Standard) hilariously explores life, love and loss with a candid authenticity, marking him out as a ‘real highlight’ (BBC Introducing).”

WHERE: Just the Tonic at The Mash House – Just the Snifter Room (Venue 288) 

WHEN: 13:55 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my fifth year in a row, but third show, if that makes sense? I was up before doing compilation shows and stuff, but this is my third hour long show. I personally love the madness of it all, running in to people you don’t get to see as often as you’d like, drunken emotional conversations at 3 in the morning on a staircase, having literally no idea what day or time it is most of the time. For me, Edinburgh is basically the most stressful holiday, you get away from everything, but you’re also in the midst of the most creative community there is. I love it. My waistline and liver says it don’t love me though…

What’s the biggest thing to have happened to you since Festivals ’17?

This year I’ve progressed a lot in the TV world, writing wise. I’m also a playwright, and since the last festival, I’m formally in development with five of the biggest production companies in the UK, have written an episode for TV on a greenlit series, and written a feature film for a massive company with a view to shoot soon, I was also in the BBC Writers Room, 4Screenwriting programme and was named the BBC Writer in residence – it’s been fucking hectic. With Stand-Up, I played Soho Theatre for the first time (all because of the Edinburgh show in 2017, IlluminArchie) and filmed a special in Norway, along with playing the biggest gigs in the country and fronting an online documentary for The Hook, which is going to be released in the next few months. It’s all been upwards in the last twelve months. I’m very aware that the fall is probably beckoning around the corner though. For now, I’m just grateful I can afford Nutella everyday.

Tell us about your show.

This show is about me growing into myself. Personally, it’s been one of the saddest years of my life, but also one of the most joyful – which I guess is what life is about, managing the ups and the downs and not getting drowned in either wave of optimism or pessimism. I’m more aware of what I think now, I’m more grounded in myself – and I’m also angrier than I’ve ever been at the state of things around me. This show, and how wanky is this, actually ‘means something’ (I feel like such a prick for writing that) and, while I’m never proud of anything I do (minus eating a 5kg tub of Nutella in 4 hours) this is the closest I’ve come to actually being me and being truthful on stage.

What should your audience see at the festivals after they’ve seen your show?

Obviously, see my show. Apart from that… I would say get lost and just stumble into things. Go and see something you don’t think you’ll like, watch something mad and experimental – go and see someone you hate to see if your mind can be changed and your horizons shifted. I think we tend to go and see things we’ll know we’ll like too much, and that’s great, but sometimes it’s good to see what you don’t like and why. I, for example, didn’t know I wasn’t a fan of someone ramming their hand up their arse, all the way up to the elbow (!) and then licking it clean until I saw it. But I did see it, and now I know I ain’t a fan of that shit (not a pun. Is that a pun? I don’t think I know what a pun is).

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+3 Interview: Very Blue Peter

Posted in *Written Interviews, EdFestivals 2018, Plus 3 2018 – Features by

“I became a legal knife-wielding Oyster Shucker. I don’t know how. I don’t know why. But all I know is, I smell like fish more regularly than one man should…”

WHO: Toby Boutall, Writer/Director/Performer

WHAT: “1998. England are out of the World Cup. JK Rowling is still pretty skint. Richard Bacon has been framed. Or did it really happen? Or was it all just a cover-up of something much, much bigger? Get your badge on, here’s one we made earlier, welcome to the set of Very Blue Peter. A bonkers, immersive, party of a late night show – bringing you back to your childhood whilst destroying the innocence of all of it.”

WHERE: Gilded Balloon Teviot – Billiard Room (Venue 14) 

WHEN: 23:15 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

As a performer, yes this is my first time at the Fringe and i’m pretty excited! However, I came up last year working with Eastlake Productions helping with shows such as This Is Not Culturally Significant and Your Ever Loving! It was utterly ridiculous. RIDICULOUS.

What’s the biggest thing to have happened to you since Festivals ’17?

This year has been a pretty crazy one. Got seen for Genie on the west end… wasn’t quite right for that. Helped my mates reopen an immense theatre in Tottenham Hale, N16 (even though it’s N17). But by far, the most important thing that happened this year was far away from acting. I became a legal knife-wielding Oyster Shucker. I don’t know how. I don’t know why. But all I know is, I smell like fish more regularly than one man should…

Tell us about your show.

Very Blue Peter is my love child with Eric Andre and Rik Mayall (even though they don’t know it yet). The show centres around the Richard Bacon fiasco of 1998. After being supposedly caught in an illegal adult act, Richard Bacon was fired from the Blue Peter. However, this was all a cover-up for something much, much bigger! TCC (The Children’s Channel) had been cancelled on the 3rd April and 5PM for unknown reasons. After the cancellation of their channel, three disgruntled presenters broke into the BBC studios, Locked and blocked all the doors, kidnapped the school kids, the guests and the techies for that day’s show. They then forced the BBC to record this episode in hope of regaining some credit in their careers, but everything went disastrously wrong… The episode has only just been rediscovered and will be presented in front of your very eyes.

The show is being produced by Eastlake Productions, who recently opened Flesh & Bone at the Soho theatre! The company itself came about through a mix of drinking, football, stupidity and a little bit of theatre. After having worked with almost everyone here before, I knew they’d be the right people to go crazy with! We’ve only done a few in-house previews before hand, so Edinburgh will be getting the proper first previews and run! This is really exciting and we know that if it goes well, then it will go really well and we’ll hope to do a run in one of the theatres Eastlake Productions works with on the regular. if it goes wrong, I’ll find a nice little shack in Lancashire and retire. At 25.

What should your audience see at the festivals after they’ve seen your show?

There are a number of good bars to see at 12 o’clock at night. I like the one with the sofas in, that’s pretty neat. And Frankenstein’s for the mad one. Oh yeh, in terms of theatre, probably Loop, probably Ouroboros, maybe some of the young lads Naughty Corner’s productions…

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+3 Interview: Belly of a Drunken Piano

Posted in *Written Interviews, EdFestivals 2018, Plus 3 2018 – Features by

“Each time he performs in the UK, Stewart pulls together an awesome band of Scottish artists and this year is no exception.”

WHO: Sandy Bruns, Producer

WHAT: “Multi-award winning performer and artistic director Stewart D’Arrietta (My Leonard Cohen, Fringe 2016-17) returns with a new show for 2018. Belly of a Drunken Piano offers gritty, imaginative arrangements of the most-loved music from the most enigmatic and influential songwriters of the age, punctuated by D’Arrietta’s laconic humour and compositions of his own. The lyrical tragedies and jocular narratives of Tom Waits and Leonard Cohen, Ian Dury, and others, inhabit the underworld of D’Arrietta’s drunken piano. All five-star reviews at Adelaide Fringe 2018 – ‘Not to be missed’ (BroadwayWorld.com). ‘10/10!’ (TheAdelaideShow.com.au).”

WHERE: Assembly Rooms – Ballroom 18:15 (Venue 20) 

WHEN: 18:15 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Stewart is a regular at the Edinburgh Festivals, this year being his fifth year at EdFringe. In 2016-17, ‘My Leonard Cohen’ was a big success with audiences, but he’s returning with a new show for 2018, titled ‘Belly of a Drunken Piano’, in which he’s taking on the material of Tom Waits, Ian Dury, Randy Newman and other musical legends.

Each time he performs in the UK, Stewart pulls together an awesome band of Scottish artists and this year is no exception.

What’s the biggest thing to have happened to you since Festivals ’17?

The biggest thing for us since 2017 was the Adelaide Fringe Festival in Feb/March, at which Stewart premiered ‘Belly of a Drunken Piano’, to great acclaim. The show earned four reviews, all of them 5 star, including 5 stars from the Adelaide Advertiser (which is the Adelaide equivalent of getting a 5 star review from The Scotsman).

Tell us about your show.

We premiered the show at Adelaide Fringe Festival earlier this year. It represents a welcome return to some of Stewart’s favourite material, the music of Tom Waits, which he has worked with extensively in the past. Having performed his Tom Waits show (also titled ‘Belly of a Drunken Piano’) in New York for five years, Stewart was surprised to find himself faced with a ‘cease and desist’ order from the man himself!

This reincarnation of ‘Belly of a Drunken Piano’ offers gritty, imaginative arrangements of music from the most enigmatic and influential songwriters of the age, including Tom Waits, Randy Newman and Ian Dury, among others, punctuated by D’Arrietta’s laconic humour and compositions of his own.

What should your audience see at the festivals after they’ve seen your show?

The Girl Who Jumped Off The Hollywood Sign – I saw it last year, very good. And we’re really looking forward to seeing stand up comedian Camilla Cleese, daughter of John Cleese, who is producing his daughter’s show. We bet it’ll be brilliant!

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+3 Interview: The Delightful Sausage: Regeneration Game

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“Last year went embarrassingly well. Reviewers and audiences liked it. We really weren’t prepared for that.”

WHO: Amy Gledhill and Chris Cantrill, The acts

WHAT: “Surreal comedy from Yorkshire’s finest, meat-themed double act. Join Chris and Amy in a gag-packed mission to crown their town the City of Culture. Find out what culture is, who’s been secreting it and why that stain won’t wash. A multimedia adventure for fans of economic recession, blue top milk and Bigfoot. The follow-up to the duo’s debut show which was recorded for NextUp and transferred to the Soho Theatre. ‘One of the best adverts for modern alternative comedy’ **** (EdFestMag.com). ‘Inventive and increasingly hysterical’ **** (Skinny). ‘Brims with ideas and creativity’ **** (ThreeWeeks).”

WHERE: Monkey Barrel Comedy Club – Monkey Barrel 2 (Venue 515) 

WHEN: 12:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It will be our second time up there as a duo. (Chris did a solo show in 2016 and the twelve people who saw it have never been the same since.)

Last year went embarrassingly well. Reviewers and audiences liked it. We really weren’t prepared for that. We were brought solidly back to Earth though when we got back to the confused grimaces of comedy clubs of the north-west.

What’s the biggest thing to have happened to you since Festivals ’17?

We had a run at Soho Theatre which was a huge deal for us. On the last night all four of our parents were on the front row, and Chris had a tiny cry on stage, which has never happened out of joy before. Amy’s dad shook everybody’s hand in the theatre bar and since then we’ve both had the confidence to complain in restaurants.

Tell us about your show.

Regeneration Game is a bizarre comedy show, loosely (oh so loosely) based around a City of Culture bid. It features trolls, unsettling illustrations and is packed tight with gags. We write (secrete ) and produce it ourselves with the overseeing, ever-twitching eye, of our agent.

We met whilst performing as solo acts in the Leicester Square New Comedian of the Year final and both of us ended up relocating to Manchester and needing someone to have a Cheeky Vimto with.

Regeneration Game will premier at the festival this year and if the friendship survives, it will be going on a small tour of the UK early next year.

What should your audience see at the festivals after they’ve seen your show?

We’d highly recommend having a day at The Monkey Barrel, their programming is innovative, often silly and of a really high standard.

Our other picks of the fringe would be;
Ross Brierley – Accumulator.
James Meehan – Gaz
Jack Evans – Work
David Callaghan – One for Sorrow, Two for Joy – Shoes.
Sleeping Trees – World Tour
Lazy Suzan – Forgive Me, Mother!
Harriet Dyer- Sooz A Prick
Lou Conran – At Least I’m Not Dog Poo Darren
Lee Kyle – Kicking Potatoes

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+3 Interview: KillyMuck

Posted in *Written Interviews, EdFestivals 2018, Plus 3 2018 – Features by

“I took last year off to pay all the credit cards and loans I took out to fund my work!”

WHO: Kat Woods, Writer/Director/Producer

WHAT: “Inspired by real events, Killymuck is a housing estate built on a paupers graveyard in 1970s Ireland. Niamh navigates life through the parameters of growing up, with the trials and tribulations of being a kid from the benefit class system. Lack of opportunity, educational barriers, impoverishment, addiction and depression are the norms as the struggle to escape the underclass stereotype becomes a priority. From school trips organised as cross-community excursions to unite a fractured post troubles town, to finding the humour within an estate crippled with misfortune. From award-winning, critically acclaimed writer of Belfast Boy, Wasted, Mule.”

WHERE: Underbelly, Bristo Square – Jersey (Venue 302) 

WHEN: 18:25 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

In 2004 I went on a Hen party to Edinburgh and one of the only things I can remember was the Frankenstein bar and a very drunken open top bus tour!

This will actually be my fourth Edinburgh Fringe. My previous shows include BELFAST BOY in 2014 (Sold out and won; The Stage award for Excellence and The Fringe Review award for Outstanding Theatre), WASTED (Sell out shows transferred to New York and London) in 2015 and MULE in 2016 (Sell out shows transferred to London and Northern Ireland). I took last year off to pay all the credit cards and loans I took out to fund my work!

What’s the biggest thing to have happened to you since Festivals ’17?

I cleared my credit card, working a million Restaurant hours!

I signed with a fantastic writing agent, Alex Rusher at Independent Talent. Found my writing Mojo again and penned Killymuck. Mule went on tour to Northern Ireland. Belfast Boy took part in a producing showcase in London. Wasted premiered in Wales.

My company have been invited to Baltimore and Washington DC, at the end of August to present Wasted as part of a college campus tour.

Tell us about your show.

I am the Writer/Director/Producer. The show is a solo piece of theatre and will be performed by Aoife Lennon. I have known Aoife from doing a Drama Degree in Derry N.Ireland over 10 years ago and I have worked with her on a few pieces, most notably, our last EdFringe piece Mule.

Killymuck is an exploration of issues surrounding class, that I have experienced throughout my childhood and adult life. I am from a council estate, grew up on benefits. With the rise of unpaid internships, unpaid work in general and cuts to arts funding. I felt compelled to write something. We are in danger of the arts becoming solely an elitist playground. Yes, ‘Fleabag’ is fantastic but it is yet another middle-class voice. Where is the representation of the underclass, have we been forgotten? No one speaks of us. It’s time to change that.

What should your audience see at the festivals after they’ve seen your show?

I am always a little bias towards other Irish shows and in saying that, ‘My Left Nut’ by Michael Patrick and ‘Maz and Bricks’ by Eva O’Connor both look incredible.

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