Tag Archives: EdFringe

EdFringe Talk: Mary Beth Barone: Silly Little Girl

Posted in *Written Interviews, EdFestivals 2022 by

“This is my very first time at the Edinburgh Fringe. I’ve been warned it’s a completely insane experience so naturally I am very excited.”

WHO: Mary Beth Barone

WHAT: “Join Mary Beth for her eagerly anticipated debut hour, as she shares her checkered journey as an aspiring young starlet through to the present day, covering a range of topics like growing up in the 90s, her dating history, and of course, The Cold War. No integral childhood memory is spared, not even the ones she wishes she could forget (which she definitely can’t forget because there are photos). Creator and star of Comedy Central’s Drag His Ass, and co-host of the podcast Obsessed, alongside Benito Skinner. ‘A rare comic…deeply intelligent and honest’ (Vulture.com).”

WHERE: Pleasance Courtyard – Upstairs (Venue 33) 

WHEN: 20:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes! This is my very first time at the Edinburgh Fringe. I’ve been warned it’s a completely insane experience so naturally I am very excited. I’ve done some comedy festivals but those were all like 3-5 days long. This time, I’ll be doing 26 performances of my hour. I would say preparation makes a great festival, plus lots of sleep and under eye masks.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

I’ve learned so much since 2019! For one, I think we should abolish the police. That had never really crossed my mind before. I guess also, I learned that you can try to plan your life but plans really aren’t shit when a global pandemic could start at any time.

Tell us about your show.

I wrote my show and I’m producing, with my best friend Jake Morris directing. I’ve been touring it all over the US this year and afterwards? Well you’ll just have to wait and see!

What should your audience see at the festivals after they’ve seen your show?

Go and see Leo Reich, Fern Brady, Ania Maglianio, Patti Harrison, Sikisa, and Catherine Cohen. See all of these people immediately!

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EdFringe Talk: The Awkward Silence’s Big Break

Posted in Bedfringe 2022, EdFestivals 2022 by

“No other festival is as intense or all-consuming; at no other festival does Basil Brush rub up so closely against a one-woman comedy show about going through a divorce.”

WHO: Ralph Jones and Vyvyan Almond: Writers and performers

WHAT: “Louis Voler wants his dad, Mike, out of his life – which is difficult as Mike’s just got them sent to jail. Can Louis navigate life inside without his old man to guide him? Can Mike win back his son’s affection before it’s too late? Award-winning comedy duo The Awkward Silence present their dynamic father and son prison musical. Resentment. Redemption. Songs. Diamonds. Escape? Lovely.”

WHERE: Gilded Balloon Teviot – Balcony (Venue 14) 

WHEN: 14:20 (60 min)

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Is this your first time to Edinburgh?

It’s not our first rodeo, no. This is the first time we’ve attempted the entire month since 2014 when we went up with a narrative sketch show called The Voyage of The Narwhal. We’ve been up in various guises over the years but this feels like the big one. Ed Fringe is just an astonishing collection of the wonderful and the bizarre. No other festival is as intense or all-consuming; at no other festival does Basil Brush rub up so closely against a one-woman comedy show about going through a divorce. The Fringe is a great festival partly because, though there are shows happening in many disparate places, it does feel as though there’s a real unity to them: that everything is related. It’s a smorgasbord but a connected one. When it’s buzzing it genuinely feels like the most exciting place on Earth, and who knows – maybe even beyond Earth.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

I’m not sure we’ve learned anything since 2019, no. Just trying to think… nope.

Tell us about your show.

The Awkward Silence’s Big Break is a comedy musical, written by us and starring us, about a father and son who are sent to prison together. The father, Mike, is a career criminal who immediately wants to escape with his son, Louis. But Louis is innocent and is having none of it: he puts his faith in the authorities. But is this unwise? Should he have accepted his dad’s offer?

We play all of the various characters in the prison and sing all of the songs, all of which were composed by Henry Carpenter. The show was directed by Julian Spooner of award-winning theatre group Rhum and Clay.

The Awkward Silence came together in 2010 in Oxford, when we met on the student comedy scene before stepping tentatively onto the London circuit.

What should your audience see at the festivals after they’ve seen your show?

Oooooh. They could and should see Colin Hoult: The Death of Anna Mann, or Police Cops: The Musical or Austentatious, or Showstopper. These are all fun, funny shows performed by people at the top of their game. Gorgeous.

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EdFringe Talk: Svengali

Posted in *Written Interviews, EdFestivals 2022 by

“The Fringe run will be the show’s world premiere – leaping in feet first to the fray of the festival.”

WHO: Eve Nicol: Writer and director

WHAT: “Success demands sacrifice. So does Svengali. Gripping, intimate monologue exposing the dark heart of a dynamic of power, desire, and control. A promising young woman rises to supernatural heights on the tennis circuit under the hypnotic thrall of a master coach. Mentor and protégé battle for dominance – on the courts and off. Channels sports stories and 1980s erotic thrillers to reimagine a classic character for the #MeToo era. Performed by Chloe-Ann Tylor. Created by Scottish playwright and director Eve Nicol. Selected for the Edinburgh National Partnerships Programme. ‘Raw, hugely evocative’ **** (Scotsman). ‘Strange, soulful’ **** (Skinny).”

WHERE: Pleasance Courtyard – Bunker Two (Venue 33) 

WHEN: 13:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Svengali will be my seventh Fringe production – but my first working as an independent producer of my own writing.

My debut play, ‘One Life Stand’ was presented at the Paines Plough Roundabout @ Summerhall by Fringe legends Middle Child. My adaptation of Belle & Sebastian’s album ‘If You’re Feeling Sinister’ followed, with might of Avalon and BBC Arts producing. I work in Scottish theatre year-round, but Edfringe is a whole other beast that I still feel like I’m trying to tame. Every festival feels like the first!

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

2019 was my busiest year work-wise but also the year my health took the biggest hit. The two were completely connected. I’ve learnt to scale back and prioritise the stories that matter most to me.

Most of the digital theatre offerings left me cold. The loneliness of lockdown reminded me how much I value the relationship between actor and audience. ‘Svengali’ foregrounds the magic of actor and audience sharing a space in real-time.

Tell us about your show.

I’ve written the show, riffing off the biggest selling novel of the Victorian era, which is now all but forgotten. The character of Svengali – a mesmeric influencing force, remains. His name has become the very definition of manipulative control today.

Our ‘Svengali’ tells the story of the complicated power dynamic between a master tennis coach and his young, female protégé. They reach giddy success whilst tearing lumps out of each other. Ego, ambition and sexual desire blow the whole thing up with only one left standing by the end.

It’s a small team – just me, sensational performer Chloe-Ann Tylor (’Trainspotting’ Citizens, ‘Doppler’ Grid Iron) and the brilliant Robbie Gordon (Wonder Fools) offering Movement Direction. After a couple of years of working on more large-scale projects, it’s been surprisingly liberating to pull it back. ‘Svengali’ is a distillation of what is most important to me- a compelling story with as little as possible between the actor and audience.

The Fringe run will be the show’s world premiere – leaping in feet first to the fray of the festival. The Pleasance and Pitlochry Festival Theatre demonstrated their confidence in the project by selecting ’Svengali’ as part of the Edinburgh National Partnerships programme. They’ve been supportive partners. I hope to use the programme as a launchpad for touring ‘Svengali’ in 2023.

What should your audience see at the festivals after they’ve seen your show?

See Scottish theatre in all its humour, sexiness, intellect and power in the Lyceum’s ‘The Strange Undoing of Prudencia Hart’, Isla Cowan’s ‘She Wolf’ at Assembly, Michael John O’Neill’s ‘This is Paradise’ at Traverse and James Ley’s Ode to Joy (How Gordon Got to Go to the Nasty Pig Party) at Summerhall.

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EdFringe Talk: Colin Hoult: The Death of Anna Mann

Posted in *Written Interviews, EdFestivals 2022 by

“I have learnt to lift large weights at the gym and how to do yoga.”

WHO: Colin Hoult

WHAT: “Anna Mann is back! The acclaimed actress, singer and welder (gotta have a back up) returns after five long years to tell the incredible story of her life in the arts in this, her final hour. Visceral, real and achingly brave, Colin Hoult (After Life, Netflix) presents a hilarious meditation on life, death and literally everything in between.”

WHERE: Pleasance Courtyard – Beneath (Venue 33) 

WHEN: 21:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve been here for years! First one was in 2004, no actually I was when I was 16 and in Julius Caesar, that was the only time I got 5 stars in the Scotsman. It’s been such a constant in my life – for a long time it was how I measured the passage of the years. It’s been a while now and I feel like I’m coming back finally with a degree of life experience and perspective at 43. But give me a week and I’ll be back to being a blubbering mess.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

I have learnt to lift large weights at the gym and how to do yoga. That’s about it. I’ve discovered I have ADHD and so a lot of my time is spent learning to unpick the dreadful thoughts I developed about myself without losing the good things it can give me.

Tell us about your show.

My show the Death of Anna Mann is the final show for a character, Anna, whom I’ve done her twice before, actually 4 times as she appeared in my multi character shows before that. She’s a powerful and confident person who dares to poke fun and point to truth in a way I never dare. This is her last show it’s all about death, grief and discovering yourself – in a way which is very silly and fun. It’s produced by cool child stars Berks Nest, headed by lovely Owen Donovan. After Edinburgh it’s going on tour and finishing for 5 nights at Soho Theatre.

What should your audience see at the festivals after they’ve seen your show?

You must see the Delightful Sausage – they’re hilarious and appeared in Anna’s sky arts special. Amy Gledhill and Chris Cantrill are them and also both have solo shows. I recommend Christopher Bliss for more character comedy. Pete Heat who’s a hilarious and magical person.

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EdFringe Talk: Tom Little Has Good Reviews So Prepare to Be Impressed

Posted in *Written Interviews, EdFestivals 2022 by

“I genuinely think the Fringe is the best place in Britain to see stand-up. You’ve got to see the right show though. (The right show is mine).”

WHO: Tom Little

WHAT: “Real reviews for Tom Little: ‘He’s the real deal. An instinctive comedian with oodles of charm and a quirky, frenetic intensity…. If he cuts his energy levels by 10 per cent he could end up in movies’ (Spectator). ‘Inventive, unexpected and often very silly… can’t remain a hidden treasure for long’ (Chortle.co.uk). ‘His elevation to TV panel show favourite is surely only a matter of time’ (TheWeeReview.com). ‘A huge talent’ (Scotsman). ‘An unashamed crowd-pleaser’ (BeyondTheJoke.co.uk). ‘Gut-wrenchingly funny’ (FringeReview.co.uk). So there. Beat that!”

WHERE: PBH’s Free Fringe @ Subway – Main Room (Venue 50) 

WHEN: 15:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

I’ve performed stand-up comedy at every Edinburgh Fringe since 2015, which is why I’m so famous and rich now. I come back every year because it’s great to be able to perform so many times in one month without having to drive anywhere. Also you get a different kind of audience. Audiences at the Fringe tend to be more open minded and attentive, which makes the comedians more creative and ambitious. I think that makes for a better show for everyone, so I genuinely think the Fringe is the best place in Britain to see stand-up. You’ve got to see the right show though. (The right show is mine).

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

I think the pandemic destroying all our plans and changing our world overnight was a big lesson in coming to terms with the random unfairness of life and accepting how much of our own existence is outside our control. Also, I learned what TikTok is.

Tell us about your show.

It’s a stand-up show so it’s all written by me. It’s one long story about an absurd misunderstanding but I’m not going to reveal anymore than that. I think it’s the funniest thing I’ve done. I previewed it around the country before the Fringe started and everyone who’s seen it agrees that it’s humanity’s greatest achievement. I keep saying ‘Don’t be daft. It’s not THAT good’ but they insist ‘No, really Tom, it is!’

What should your audience see at the festivals after they’ve seen your show?

Off the top of my head I heartily recommend Eric Rushton, Sooz Kempner, Gary G Knightley, Harriet Dyer, Stuart Goldsmith, Chris Cantrill, Joe Wells, Faye Treacy, Rob Copland, Dan Tiernan and Mark Grimshaw because they’re all funny comedians and none of them have done anything to get on my bad side (that I know of).

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EdFringe Talk: Christopher Bliss: Captain Words Eye

Posted in *Written Interviews, EdFestivals 2022 by

“If you’re ever bored at the fringe just walk 10 metres in any direction and you won’t be bored any more.”

WHO: Rob Carter

WHAT: “Shropshire’s worst writer pulls on his socks and sandals, irons his shell suit windbreaker, combs his curtains, and leaves Shropshire for the fifth time in his life to bring his fifth show to the Edinburgh Fringe. As seen on 8 Out Of 10 Cats Does Countdown teaching Suzie Dent about the English language. ‘This is how character comedy should be done’ **** (Chortle.co.uk). ‘Deliciously Fun’ (Guardian). ‘One of the best character shows we’ve seen for a long time’ (Comedy.co.uk). Warning: This show contains scenes that some viewers may find extremely nice.”

WHERE: Pleasance Courtyard – Beneath (Venue 33) 

WHEN: 18:40 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my 10th time performing at the fringe, but each time always feels completely new. As a performer it’s a bit of a knife-edge and will either be the best month of your year or the worst month of your life, depending on how your show’s going. As a punter it’s just incredible. If you’re ever bored at the fringe just walk 10 metres in any direction and you won’t be bored any more. And if you haven’t been before, drop everything and just GO.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

During the pandemic I was living in the countryside, instead of my usual London, and I learnt that the country way of life is delightful and infinitely better than living in a city. Peaceful walks, birdsong, beautiful sunsets, serene and relaxing afternoons in the garden without 60 people looking into your tiny outdoor space (if you’re lucky to have any at all). Have I absorbed the lesson yet? Absolutely not. I moved straight back to London as soon as I could and can’t imagine living anywhere else. What a pathetic little city rat I am.

Tell us about your show.

‘Christopher Bliss: Captain Words Eye’ is a character comedy show about the worst writer in Shropshire. Christopher’s last three shows have seen him tackle novels, theatre and film, but this year he has found as many new forms of writing to butcher as possible: poetry, journalism, children’s books and more. It’s an extremely silly, feel good show about self-confidence told through the lens of a passionate deluded rural oddball, and happiest air-head the world has ever seen: Christopher Bliss. Written by me, produced by Berks Nest, premiering in Edinburgh, and afterwards is tbc but probably touring it in 2023 around the UK.

What should your audience see at the festivals after they’ve seen your show?

Oh God too many to choose from. Genuinely hundreds. I’d say watch a bit of every genre you can, but I’ll recommend some comedians I’m in love with. All of these are masters of their craft. Favourite alternative comedians: Sam Campbell, Jazz Emu, Marcel Lucont, Lucy Pearman, Roisin & Chiara, Alasdair Beckett-King, Jordan Brookes, Joz Norris, Lara Ricote. Favourite standups: Chloe Petts, Lou Sanders, Ray Badran, Jack Barry, Leo Reich, Jo Griffin, Josh Jones. Favourite sketch: Sheeps, Crybabies.

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EdFringe Talk: The Tiger Lillies: One Penny Opera

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“I have seen some amazing performances in Edinburgh over the years as well as some shows that make me question why they thought that was a good use of their time and effort.”

WHO: Adrian Stout: Performer

WHAT: “They’re back! After years away touring the world, the Olivier Award-winning godfathers of alternative cabaret celebrate their 30th anniversary with a triumphant return to the Fringe. Based on the seminal 18th-century Beggar’s Opera, the band present a new song cycle swarming with highwaymen, thieves, jailers, pimps and prostitutes – a world of greed, crime, poverty and inequality. Expect immense beauty and outrageous comedy from the Grammy-nominated, street-opera trio. ‘The execution is impeccable throughout. Phenomenal’ ***** (Guardian). ‘Extraordinary, seek out a ticket for this glorious show’ ***** (Scotsman).”

WHERE: Underbelly, Bristo Square – Cowbarn (Venue 302) 

WHEN: 21:20 (70 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It’s not our first time, we first played in Edinburgh in 1995 when we we asked to perform with The Men Who Know. We may have misbehaved during the show and gone off script a few times. Soz. A great festival has a diverse mix of the sublime and the ridiculous, lots of people trying new ideas and experienced performers all trying to make as memorable experience for an audience. I have seen some amazing performances in Edinburgh over the years as well as some shows that make me question why they thought that was a good use of their time and effort. I love going into a room and coming out after seeing the world differently. Most audiences never see the effort that goes in day after day, the late nights and the endurance that you need to do a good show every day.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

Be flexible and expect the unexpected are some of the sessions we have learned. Apart from that, if you don’t work for 2 years, get a hobby.

Tell us about your show.

One Penny Opera is based on Joh Gay’s Beggars Opera from 1728, it’s also the basis of The Three Penny Opera by Brecht and Weill. The story satirised politics, poverty and injustice, focusing on the theme of corruption at all levels of society. We are playing it as a song cycle, using songs from the album we put out last year, and including some songs from previous albums as well. Martyn has written songs that take the characters into the work of the Tiger Lillies, there is some very poignant songs and some very funny ones as well. We developed the show ourselves over a number of years, the first time in 2001, then we reworked the songs in 2020 and performed it at the Soho Theatre and Wiltons Music Hall. Hopefully we can play it in Berlin later in the year.

What should your audience see at the festivals after they’ve seen your show?

I always try and watch Simon Munnery at the Fringe, his shows are great, thought provoking and very funny. He is at the The Strand.

Becky Fury is at PHB’s Free Fringe with her show C*NT!, she is a great performer and poet. Prepare to be offended.

Camile O’Sullivan is playing in the same venue as us and doing a stripped down show with just piano.

Alok at the Traverse Theatre will be excellent, they are currently at Soho theatre now.

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EdFringe Talk: Ali Brice: I Tried To Be Funny, But You Weren’t Looking

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“I also learned that I love video calls. Not Zoom. I mean Face-timing or whatever the WhatsApp equivalent is. I hate talking on the phone, it makes me anxious. But I love a video call.”

WHO: Ali Brice

WHAT: “Ali Brice is embracing life after almost losing it. Three years on, he’s admitted defeat and is back on his feet and trying again. Through therapy, friends and… sausages, he’s living in the moment and celebrating the little things life has to offer. A sincere, heartfelt and happy show, expect silly stories, big questions, and jokes aplenty from a ridiculous man with a stupid moustache. ‘World’s most naturally funny person’ (Joz Norris). ‘A hidden gem’ (Skinny). ‘Side-splittingly comical’ (TheUpcoming.co.uk). ‘Joyously bonkers’ (Chortle.co.uk). As seen/heard on BBC and Channel 4.”

WHERE: PBH’s Free Fringe @ Banshee Labyrinth – Chamber Room (Venue 156) 

WHEN: 16:50 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is my 11th time and the Fringe. I love it. Each year I say, ‘This will probably be my last’ and then I always end up going the next year. I can’t stay away.

It’s my favourite time of the year. I always put it this way. For 11 months of the year, conversation is dominated by football. It’s used a shortcut to get to know someone. I don’t like football. However, at the Fringe, football is replaced by comedy. And I love comedy.

Basically, for 1 month each year I get to live in a world where my favourite thing is the main conversational currency and I feel at home. On top of that, I get to do the thing I love every day for a month. And on top of that, all my friends go as well. What could be better than that?

Over the last 10 years I have seen the Fringe grow and become too big (although that does just mean more comedians, really, and I kind of like that!), I’ve seen people become stars, people have a tough time, I’ve laugh, cried, been frustrated, made friends, fallen in love…. it’s been a real rollercoaster. But the one thing I have learned is that you have just got to have fun. Nothing else matters. Just enjoy yourself.

This will probably be the last time I go.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

I spent my lockdown doing therapy. Not intentionally, it was just coincidence. And a very happy one. I spent two years working through some stuff and really getting to know myself for the first time. It was hard work, really tough at times, but is 100% one of the best things I have ever done.

So, I have learned a lot about myself.

I also learned that I love video calls. Not Zoom. I mean Face-timing or whatever the WhatsApp equivalent is. I hate talking on the phone, it makes me anxious. But I love a video call.

I guess my wider point there is, I have learnt that connection is key. It’s good to talk.

Tell us about your show.

My show is about a very dark moment in my life in 2018 when I tried to end it all. But it is funny.

I wrote it. Jonny Freeman directed it. I met him in Madrid while he was pretending to be an alpaca. True story.

I performed the very first outing of the material in August 2021.- just to see if I could talk about it and make it funny. So, it’s been a long journey and the hardest I have ever worked on a show.

I have performed it work-in-progress versions of it around the UK over the last year and taken it to a few comedy festivals (Leicester, Machynlleth, Brighton, Cambridge), but Edinburgh is the first place it will be performed in its finished form. I can’t wait.

I hope to perform it again after the Fringe. Plans are afoot!

What should your audience see at the festivals after they’ve seen your show?

Alwin Solanky tells the story of growing up as one of the only Gujarati speaking refugee families in a small town. It is beautiful.

Consignia – the most consistently bizarre, original, weird, and committed-to-doing-their-own-thing group of performers I have seen. They deserve bigger crowds go see them.

Joz Norris’ shows get better and better each year. I am in awe of his approach to comedy and very jealous of his talent.

Sooz Kempner is awesome. I did my last preview with her and her show is great – she has an amazing bit about Grease that is just laugh out loud hilarious.

Eleanor Morton is going to be star, see her while you still can.

Christian Brighty used to flyer for me for free back in the day and now he has over 400,000 followers on TikTok and has a brilliantly stupid show about the greatest love story ever.

Luke Rollason is original, hilarious, and wonderful watch – do the right thing and go and see him.

Rosie Holt – you can’t see her because all her shows are sold out, but she is an excellent character comedian and satirist. Do what you can to get a ticket.

Ania Magliano – I gigged with her recently and she blew my socks off, just excellent jokes.

Sam Nicoresti is unique and hilarious as is his show, which is all about self-explorations and cancel culture go see it.

Jordan Brookes is the current reigning champion of comedy, of course you should see him.

John Kearns is the best comedian of his generation; he will go down in the history books as true original.

Pat Cahill is one of the most naturally funny people in the world, a beautiful idiot.

Ben Moor is funny, clever, philosophical, life-affirming and one of the nicest people you could ever hope to meet.

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EdFringe Talk: Walk-Man

Posted in *Written Interviews, EdFestivals 2022 by

“You never know what to expect here in Edinburgh and that’s the beauty of it.”

WHO: Jannik Elkær & Kristoffer L. A. Pedersen: Artistic directors

WHAT: “You will never cross the street in the same way again! Don Gnu digs into the tediousness of everyday routines in search of poetry and humour with muscular physicality and edgy stunt tricks. One ordinary day, four ordinary men take an ordinary walk through the city, until one of them suddenly decides to rebel… With trademark Don Gnu everyday stunts and raw physicality, Walk-Man is a performance about the extraordinary experiences of ordinary life. In a world where our everyday rules, norms and routines no longer apply – who are we really?”

WHERE: ZOO Southside – Main House (Venue 82) 

WHEN: 12:15 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Our first time at Edinburgh Fringe festival was in 2016 where we were bringing our international bestseller “M.I.S. – All Night Long”, and it was hectic and overwhelming. We have been there quite a few times since then, and this year we are back at ZOO Southside with our new show “WALK-MAN”. And it is still overwhelming and hectic – but we love it!

You never know what to expect here in Edinburgh and that’s the beauty of it. It’s a mix of so themes, genres, styles and ways to express our human nature, vulnerability and crazyness, and we are always looking forward to be touched, confused and inspired from all the strange and crazy ideas out there.

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

That it’s important to be well prepared, but more important to be there!

It has been quite a reminder, that we never know how things will go, you can plan a lot of things, but you need also to be prepared for – and embrace – improvisation. This is also an important way for us to develop our work. The beauty lies in the mistakes – in the unexpected and in the extraordinaire experiences in ordinary life.

Tell us about your show.

WALKMAN” is a very physical, funny and touching performance about a close encounter of four pedestrians crossing the street. Or they are trying to do so at least….

We always strive to create our work in a close collaboration with the artist’s involved. Everybody has a personal impact on the productions – we do believe this is what makes the works come alive and creates the always surprising encounter with the audience that our company is known for.

The show premiered in 2019 and was selected for several showcases and festivals – but as many many other productions from that year, the momentum faded when everything was cancelled. We hope our participation in Fringe this year will bring the show new life, as it truly deserves.

What should your audience see at the festivals after they’ve seen your show?

We of course must recommend seeing some of our amazing Danish colleagues also selected for the #DANISH Showcase at the Edinburgh Fringe; ROCKY! by Fix and Foxy also performing at Zoo Venues or one of the 4 works from Palle Granhøj performing at Dance Base – or maybe the online show TUESDAY NIGHT SLEEPING CLUB from Danish Hello Earth.

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EdFringe Talk: Elf Lyons: Raven

Posted in *Written Interviews, EdFestivals 2022 by

“It is one of the most exciting places to spend a month and take risks – especially when seeing all the amazing alternative talent that you might miss on a usual commercial line-up or panel show on TV.”

WHO: Elf Lyons

WHAT: “Edinburgh Comedy Award Best Show nominee Elf Lyons floats to the Fringe with her new horrifying comedy show inspired by Stephen King. Part mad clown comedy spectacle, part Hammer horror. Elf becomes your own personal Pennywise as she merges horror techniques with old school storytelling to make you laugh and shiver in equal measure. Don’t be a Misery, get a glass of red rum, bring your pal Tony and laugh with Elf forever and ever. ‘Silly, touching and catastrophic’ **** (Sunday Times). ‘Lyons has genuine funnybones’ (Chortle.co.uk). As seen on ITV2, Dave and BBC Three.”

WHERE: Gilded Balloon Teviot – Dining Room (Venue 117) 

WHEN: 20:30 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No. I’ve been almost every year since I was 18. It is one of the most exciting places to spend a month and take risks – especially when seeing all the amazing alternative talent that you might miss on a usual commercial line-up or panel show on TV. There are so many talented clowns and physical performers this year – especially from L’ Ecole Gaulier, which I would recommend!

What are the big things you’ve learned since 2019 and have you absorbed any of the lessons yet?

Chances are you are dehydrated and you just need to eat a vegetable and have a power nap.

Tell us about your show.

It is written, created and made by me. I hire a rehearsal room, throw loads of shit around (sometimes metaphorically, sometimes literally) and see what sticks and makes me happy. You have to challenge yourself.

What should your audience see at the festivals after they’ve seen your show?

There are so many amazing shows at this year’s Edfringe. If you like my style of comedy (and why would you be on here if you didn’t you weirdo?) then here are a few that I would definitely recommend that you check out and see. These guys are eccentric, unique, alternative and just all brilliant.

3am Brain – George Dimarelos .- Lovely man from Australia who is a book nerd and knows a lot about economics.

Amelia Baylor: Greatest Hits – Brings the Vibe in a way that makes you feel like a feminist and empowered manic pixie dream.

Amy Matthews: Moreover, the Moon – Go and see this woman for her style alone and then be jealous of both her comedy skills and her dress sense.

Andy Field – Best I-Shit-Myself-story ever.

Ben Moor and Joanna Neary: BookTalkBookTalkBook- This is art and this is what the fringe is ABOUT. Please go.

Britney – Friends and Nothing More – They have a sketch about Stephen King and Tabitha King. Need I say more?

Cerys Bradley: Sportsperson-Phenomenal funny legend directed by the phenomenal funny Joz Norris.

Christian Blighty: Playboy- Clown Madness with too many props. Crone – Horror comedy by one of the best physical theatre performers I’ve seen in yonks.

Crybabies: BagBeard – Good long eggs with silliness galore.

Davina Bentley: Never Again 2- Characters. Charisma. Nerve and So MUCH Talent.

Diane Chorley: Down the Flick – You just have to go.

Frankie Thompson: Catts- This woman is a future artist that Performance Art Grads will write their thesis about.

Garrett Millerick: Just Trying to Help- You can’t get better stand up.

Garry Starr: Greece Lightning- His dance as Atlas is one of the silliest things I’ve ever seen. We once did a naked Hamlet together on stage. See this man.

God Damn Fancy Man- AWESOME.

Grant Buse: SentiMENTAL!- We used to live together and he has gorgeous hair and a gorgeous voice and filthy jokes. Not Tim Minchin.

Harriet Dyer: Trigger Warning. Frankly if this does not win every award and get the accolades it deserves the whole fringe is flawed.

Isabelle Farah: Irresponsabelle- I wish I had been able to see this woman live on stage when I was growing up because she is inspiring and funny as hell.

Jazz Emu: You shouldn’t have- Silliness and Garth Marenghi oddity to the ecore.

Jen Ives: Peak Trans- You have to love Jen Ives. She’s ON it.

John Robertson: The Dark Room- He is Cult.

If you want to be cult, see JR. Jordan Brookes- No one can sit on a chair like him. Go to see him sit on a chair.

Jordan Gray: Is it a Bird? – She is a goddess that makes your heart soar and your stomach muscles churn from laughing.

Josh Glanc: Vroom Vroom- SUCH A FUNNY SILLY STUPID ONE MAN SKETCH SHOW FROM ONE OF THE KINDEST MEN IN THE WORLD.

Joz Norris: Blink – There is only one Joz Norris.

Julia Masli: CHOOSH! – Clown silliness from the doe eyed princess Julia Masli.

Katie Pritchard: Disco Ball – You can’t help but feel giddy with euphoria from seeing Katie and her joyous musical comedy.

Laura Davis: If This Is It. Laura loves plants, loves brioche, loves life and her comedy is like a beautiful couture gown with how it is woven together.

Lauren Pattison: It Is What It Is. Lauren should be Prime Minister because there is no one so on it as she is. She is the word EUREKA in one person.

Lily Phillips: Smut. Smut. So much smut. The Lovely Boys. These boys make me cry laughing every time. I just cannot.

Luke Rollason: Bowerbird. TOO MANY PROPS and a very good mime.

Maisie Adam: Buzzed. Her engagement story had me crying with laughter. She’s like how I imagine all The Losers Club would be in one person and that is a big compliment.

Mary O’Connell: There’s Something Wrong With Mary. Mary had be aching with laughter when I saw her at a gig the other day. She is as sharp as a knife Kathy Bates would use.

Michelle Brasier; Average Bear. Heard so so so many things about this show. Cannot wait to see her. Naughty. Just from witnessing this angel on stage at one of my clown courses, I know this is going to be super.

Nikki Hartung: Love, Pierre. Again, another student from one of my clown courses. Nikki entranced me then and no doubt will entrance you on stage.

Norris & Parker: Sirens. These women take sketch to places it should not go and I love them for it.

Paul Foot: Swan Power. I mean, if you don’t know who Paul Foot is… where have you been?

Phil Ellis: Hedgehog. Phil is chaos and will probably breach all health and safety rules in the process of his set.

Pierre Novellie: Why Can’t I Just Enjoy Things? Such an acerbic and nuanced comedian.

Richard Brown: Horror Show. Never seen Richard but I have heard awesome things and this sounds awesome.

Richard Stott: Afterparty. SOLID GOOD EGG THIS ONE.

Rosie Holt: The Woman’s Hour (I directed this one). Character comedy that is razor sharp.

Ryan Lane Will Be There Now In A Minute. Oh go on. Go. If you saw Hilda and The Spectrum then you need to see this. No one can do characters like Ryan.

Sami Abu Wardeh: Bedu. Physical clown fun.

Seayonce: Res-Erection. Silly AND sexy? What!?

Shelf: Hair. My god children. Had to include them.

Sikisa: Life of the Party. Sikisa is god. Siblings: Siblage. Siblings on stage. What isn’t to love?

Sooz Kempner: PlayStation. Sooz is the most loveable nerd queen of us all.

Susan Riddell: Living My 2nd Best Life. Every time I see Susan on stage I fall more in love with her.

Tom Crosbie: Nerd’s Eye View. Keep thinking about what this man can do with a Rubik’s cube.

The Ugly Animal Preservation Society. Technically a mixed bill but Simon Watt who runs this is ace and deserves praise for such a dynamic concept.

Vidura Bandara Rajapaksa. Has a joke on Portugal that kills me.

Vittorio Angelone: Translations. Seen this guy do some very exciting alternative short sets so interested to see his full hour.

Where’s Your Head At? Faye is divine AND has a trumpet.

Will Duggan: Iceberg. Will is to comedy what a strong oak tree is to a forest.

Yasmine Day: Songs In The Key Of Me. Always cry laughing watching Yasmine.

Yuriko Kotani: Kaiju About. The way Yuriko plays with rhythm on stage is a delight.

Zach Zucker: Spectacular Industry Showcase, Paid me to include him on this list.

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