Category Archives: EdFestivals 2019

All our coverage from the 2019 festivals.

+3 Interview: Don’t Be Terrible

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“Our main character, self-confessed nice guy Steve, thinks comedy can save his relationship.”

WHO: Ellen Waddell, co-writer

WHAT: “Can stand-up save your love life? Self-confessed nice guy Steve thinks so. That’s why he’s asked Alice, an up-and-coming stand-up, how to make people laugh. It’s his last-ditch attempt to distract his girlfriend from the funny guy at work. Unfortunately, misanthrope Alice believes in comedy much more than she believes in love, and may not be quite the guru he was expecting. A comedy about comedy, that asks whether nice is ever funny and whether sexy is ever nice.”

WHERE: Pleasance Courtyard – Bunker One (Venue 33) 

WHEN: 23:00 (60 min)

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Is this your first time to Edinburgh?

I bought two solo shows here previously, and this is the second year of bringing up this show. I have also been up as a punter dozens of times.

What’s the biggest thing to have happened to you since Festivals ’18?

After our Free Fringe run in ‘18, we put on several showcases of the play in London, and The Pleasance came along and offered us a spot for this year. Which was mind blowing.

Tell us about your show.

It’s a pitch black comedy play that asks ‘can stand up save your love life?’ and it straddles the thin and meta line between stand up and play. Our main character, self-confessed nice guy Steve, thinks comedy can save his relationship. That’s why he’s asked Alice, an up-and-coming stand-up, how to make people laugh. It’s his last-ditch attempt to distract his girlfriend from the funny guy at work. Unfortunately, Alice believes in comedy much more than she believes in love, and is not the guru he was expecting. It was written by myself, Ellen Waddell, and Oliver Milburn and is self-produced. I came up with the premise for the show after I got dumped, and then decided to do a stand-up gig that evening.

I overshared with the audience due to break up sadness, and bombed. It was a horrible set, and probably not funny. BUT it did give me the idea for a play about two characters dealing with relationships through stand up. I then pitched the idea to my old university chum Oliver, who is a freelance director and writer. Luckily he was keen and we worked on the show together and took it to the Free Fringe in 2018. It went very well, and we are very excited to bring it back this year, and hope that afterwards, it gets a London theatre run, and/or regional tour.

What should your audience see at the festivals after they’ve seen your show?

Briony Redman is Indecisive (or Isn’t, You Decide!) – she’s an amazing comedian and improviser, and her shows are normally deeply charming and full of funny sketches and bits of character comedy. Very much a feel-good show, which is essential when you are at the fringe.

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+3 Interview: The Extraordinary Time-Travelling Adventures of Baron Munchausen

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“The Baron is a huge fan of Edinburgh and has been to this beautiful city on many occasions.”

WHO: Nigel Lovell, Chief Adventurer

WHAT: “Amazing tales, elegantly told. Top award-winning comedians and improvisers tell extravagant stories, all based on The Adventures of Baron Munchausen. There will be swords, duels, elephants, castles built of cheese and all of it completely and irrefutably true! Discover how the Baron invented morris dancing, how his actions saved the Isle of Skye from sinking beneath the waves, why every fourth child in Bruges is named after him and other fantastically delightful stories. This show will delight adults and children with its wonderful joie de vivre and other pretentious words!”

WHERE: The Stand’s New Town Theatre – Studio (Venue 79) 

WHEN: 16:10 (60 min)

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Is this your first time to Edinburgh?

Oh no, The Baron is a huge fan of Edinburgh and has been to this beautiful city on many occasions. Last year he got trapped by an ogre inside Arthur’s Seat and only escaped because he’d remembered to take a whisk with him. It was quite the adventure and I’m sure he’ll tell you all about it this August.

The Baron has been telling his stories in this show in Edinburgh for the last two years, but his adventurer friends have done over 50 Edinburgh runs between them.

What’s the biggest thing to have happened to you since Festivals ’18?

Well, we were nominated for “Best Kid’s Show 2018” at the Leicester Comedy Festival which was pretty special. We had a sell-out run at the Attenborough Arts Centre which was amazing. Then we had another sell-out run at the Brighton Fringe. We’ve been featured on the BBC and done several great radio shows. But, I think the best thing we’ve done since last year is to continue having such fun with so many families at our shows. We genuinely love doing this show because it’s always so joyful. We never know what ideas or suggestions that our audiences are going to throw at us so it’s always spontaneous.

Tell us about your show.

The Extraordinary Time-Travelling Adventures of Baron Munchausen is a family friendly, improvised storytelling show. It features a cast including Nigel Lovell, Will Seaward, Gordon Rideout, Alice Moore, Ellie Griffiths, Donna Scott and many other award-winning comedians and improvisers. We came together as we’ve all been on hundreds of adventures with The Baron and we wanted to have the opportunity to share these with families because the stories really encourage creativity and confidence in children. It’s based on an original idea by James Wallace, who in turn was influenced by the great jewel thief, Rudolph Eric Raspe. We are really looking forward to the Edinburgh Fringe and afterwards we will be returning to the Attenborough Arts Centre, Leicester before doing the Esher Festival and then we *hope* to be taking the show on tour all over the UK.

What should your audience see at the festivals after they’ve seen your show?

I hate this question simply because there is so much great stuff on during the Fringe. I Believe in Unicorns by Michael Morpurgo, First King of England In a Dress, Bumper Blyton, all are great family shows. My advice is to take a chance on something that you’ve never heard of before, sure the Gruffalo might be something that everyone knows but if you go and see Science Magic, the kid’s will probably enjoy it more (because they don’t know what’ll happen) and they’ll learn more from it too.

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+3 Interview: Echoes of Villers-Bretonneux

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“Neighbours! I managed to snag a small role on the long-running soap that aired in February this year, which seemed to bring a lot of old fans of the show out of the woodwork!”

WHO: Shane Palmer, Producer

WHAT: “France. 1918. The Allies are about to lose the war. A deadly night assault led by the Australian troops of the 15th Brigade could swing the balance. Follow the journey of George Stevenson through the nightmarish horrors of the Western Front trenches. A story of mateship, courage and the ultimate cost of war. Based on the real events at the battle of Villers-Bretonneux.”

WHERE: Greenside @ Nicolson Square – Fern Studio (Venue 209) 

WHEN: 15:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Yes. First time bringing a show on tour, so extremely excited to navigate all of the challenges and unexpected joys of a completely new environment.

What’s the biggest thing to have happened to you since Festivals ’18?

Neighbours! I managed to snag a small role on the long-running soap that aired in February this year, which seemed to bring a lot of old fans of the show out of the woodwork! Felix Benson will hopefully return to Erinsborough again, and the desperate public will learn what happened to the tree or shrub he was so intent to buy.

Aside from that, I was lucky enough to be in the feature film Stringybark; a historically accurate yet controversial take on the Ned Kelly gang; from the perspective of the Police in 1878. Stringybark is set to hit screens in late 2019.

I also played Michael in Double Black, a dark-comedy mixing in Mountain Bikes, Mental Health and the depths of masculinity. A hugely challenging role, this film asks a lot of questions, and will definitely ruffle some feathers in our current political climate.

Tell us about your show.

Echoes of Villers-Bretonneux debuted at the Melbourne Fringe Festival in September 2019, after I spent most of the year researching and writing the one-man show. The initial draft was approx 10,000 words, which we sliced down to avoid the show being too bogged down in detail and exposition.

I had relatives involved in WW1, and feel it is such a huge part of modern history that is vastly under-represented.

In Australia, much of the public knowledge is limited to Gallipoli, whereas some truly incredible stories emanated from the Western Front that sadly are rarely heard.

Most of Echoes of Villers-Bretonneux is based on historical fact, largely drawn from the incredible accounts of CE Bean, the official war-correspondent of the Australian Imperial Force during WW1.
I wanted to create an account of the conflict that does justice to those who served, and show what life was really like in the trenches, and what it took to survive and come home with your soul intact.

What should your audience see at the festivals after they’ve seen your show?

There’s a few shows at other Greenside Venues I’m really excited to see.

“Wrath of Achilles” – by Bedivere Arts Company – is an adaption of Homer’s The Iliad, and looks to retell the drama of the Trojan War.

Wrath of Achilles is playing at the Mint Studio in Infirmary St, for the whole season at 5.20pm.
Another I’m looking forward to seeing is “Enigma”, an original musical about female American codebreakers in the Second World War.

Enigma is playing at Nicholson Square during the 1st week of Fringe, in the Fern studio at 5.30 pm.
“Sales Pitch” is another can’t-miss show, a darkly comic piece of theatre presented as an investment seminar.

Sales Pitch is playing at the Forest Theatre in Infirmary Square, with shows at 3pm, for the last two weeks of the festival.

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+3 Interview: Are You Alice: A New Wonderland Tale

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“Our biggest discovery came with the realization that not one of us is just an Alice. We are all so many things and are capable of so much.”

WHO: Christina Rose Ashby: director and founder of Permafrost Theatre Collective

WHAT: “A well-loved family favourite. Have tea with the Mad Hatter, chase the White Rabbit and hear about the Jabberwocky in this modern adaptation complete with original music, dance and puppetry! Repurposing passages from Lewis Carroll’s classic stories, Permafrost Theatre Collective presents a bold reimagining of Alice, questioning preconceived notions of identity, womanhood and self-acceptance in a Mad Hatter world that constantly redraws the lines and rewrites the rules.”

WHERE: C venues – C viva – cellar (Venue 16) 

WHEN: 14:30 (60 min)

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Is this your first time to Edinburgh?

A few of us have gone as audience members but this is our first time as participants! For a number of the cast, performing at the Fringe has been a career goal of theirs. For me, I have always wanted to be able to show my work internationally. I am so excited that we all get to cross off huge items from our bucket lists!

What’s the biggest thing to have happened to you since Festivals ’18?

The tremendous growth of this show! We started out in April of 2018 with four performers and one musician. We were able to add more cast members and creative content through a week-long residency on Governor’s Island courtesy of the Rising Sun Performance Company. This past March, we embarked on the third iteration of the show at The Tank NYC. For that production, Are You Alice was advertised in the New York Times, which is a HUGE achievement for an independent theater company in the city!

Tell us about your show.

It all started with a desire to adapt Alice in Wonderland in a new way. In November of 2017, not having any creative projects lined up at the time, I emailed groups of multi-talented artists that I knew to see if they wanted to get together for a few rehearsals and just play. We began by exploring themes of childhood loneliness, adult pressures and expectations, and imaginary friends. The show really began to take shape when we started using the texts of Lewis Carrol, which are thankfully in the public domain. Our biggest discovery came with the realization that not one of us is just an Alice. We are all so many things and are capable of so much. Since our first workshop performance in April 2018, we have had countless discoveries with more multi-talented artists and were fortunate enough to have two more exploratory productions. Ed Fringe will see the fourth iteration of the show with the four original performers, three amazing additional performers, and one immensely talented musician who composed the music for the show.

The main producing company, Permafrost Theatre Collective, grew out of this theatrical journey and aims to produce new work and to retell classic stories in unique and challenging ways. We are also being produced by another movement-based NYC company, The Chameleon Fools Theatre Troupe.

We have no direct plans after Edinburgh but are open to the idea of more adventures!

What should your audience see at the festivals after they’ve seen your show?

I suggest seeing Hitler’s Tasters at Greenside. I saw the original production here in NYC and was completely blown away. I have to shout out Drowning playing at Pleasance Courtyard. Their social media presence has been helping to boost female-led productions at Fringe.

And since our show is enjoyable for all ages, go see Alice and the Little Prince, also at Pleasance Courtyard!

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+3 Interview: SHINE

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“The audience are on headphones and most of the sound design is binaural, which adds a lot to the immersive experience of the show.”

WHO: Tiia-Mari Mäkinen, Co-creator and performer

WHAT: “Your daughter is missing. You are the only one who has not given up the search. You hear voices. They guide you. They also haunt you. Will you surrender to them? Or will you shine? Hippana Theatre invites you to the distant recesses of the mind to meet the stranger inside you. How much do we know about ourselves? Are we not one person, but many? SHINE is an immersive psychological thriller that blurs the senses and tricks the mind into feeling what might not be there.”

WHERE: ZOO Southside – Studio (Venue 82) 

WHEN: 19:45 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

This is our third venture to the Fringe Festival. The first time was at the PBH free fringe, performing in a small room somewhere in the bowels of the city. The second time was at The Pleasance. Both were fantastic experiences.

What’s the biggest thing to have happened to you since Festivals ’18?

We adopted a mentally ill kitten. And I don’t mean that as a hyperbole… he’s actually neurologically insane. We are afraid of going to bed at night because he likes to torture our faces while we are sleeping. So we are just not sleeping very much this year.

Tell us about your show.

The show is devised by us, a real life married couple and we also run Hippana Theatre. It’s about a man who goes mad after his girl goes missing. He starts hearing voices. The audience are on headphones and most of the sound design is binaural, which adds a lot to the immersive experience of the show. It’s called SHINE (bit of a reference to “Shine on your crazy diamonds” by Pink Floyd) and it is produced by the excellent From Start to Finnish production company.

Our company is called Hippana Theatre. The founding members of Hippana met in Brussels and we devised our first work in the mayor’s assembly room in a small town in Sicily called Prizzi (Greek name is Hippana). Shine will premiere at the Fringe although we did 2 previews at Chickenshed in May. We have our fingers crossed for a national UK tour after the festival.

What should your audience see at the festivals after they’ve seen your show?

Go see “I’m a phoenix, bitch” by Bryony Kimmings, “dressed.” by ThisEgg and “Electrolyte” – all beautiful and powerful shows. And check out the fabulous From Start To Finnish program for 2019 Fringe: they showcase the best of Finland’s theatre scene at Edinburgh. Also Big In Belgium program has some very interesting stuff!

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+3 Interview: Jayne Edwards Is Top Bodybuilder Brian

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“The show goes on a journey through Brian’s life to try to find out where it all went so right!”

WHO: Jayne Edwards: Creator, writer, performer, producer

WHAT: “Top Bodybuilder Brian will demonstrate that shadow boxing outside Paddy Power can be a lifestyle choice. From the mind of weird comedian Jayne Edwards (as seen on BBC Three), comes a multidisciplinary and extremely silly comedy show about loss (wife), gain (weight) and whey protein. A lo-fi spectacle with a cult following, Brian is finally ready to open the door of his caravan and let the world in. ‘A multi-layered spectacle of comedic talent’ (JAMmag.com). ‘A unique comic’ (Skinny).”

WHERE: Heroes @ Dragonfly – Room (Venue 414) 

WHEN: 22:00 (50 min)

MORE: Click Here!

Is this your first time to Edinburgh?

It is my first Edinburgh! I’m so excited to bring my first solo show. I’m proud of the show and it is exactly what I want it to be. And I’m pumped for the whole Fringe experience. Especially because I’ve got a new cagoule I’m looking forward to cracking out!

What’s the biggest thing to have happened to you since Festivals ’18?

I was in a sketch for BBC Three. It was a dream to go to the BBC to film it. Internally I was freaking out with excitement. Externally I was acting very cool about it, wearing sunglasses while endlessly drawing on the end of a cigarette, flicking the butt onto the floor before whispering “where do you need me” in a husky voice.

Tell us about your show.

The show is about a middle-aged ex-bodybuilder called Brian. He’s “Readers Wives Submitter of the Year 1995” and now lives in his caravan in Rhyl after his recent divorce. In his spare time he tries to crack the recipe to Lucozade in an attempt to pay off his whey protein debts. He’s based on men I knew in my hometown and the current political climate. The show goes on a journey through Brian’s life to try to find out where it all went so right! It is multi-disciplinary and very very silly. After Edinburgh, I hope to do more festivals with this show and maybe organize some performances in independent venues.

What should your audience see at the festivals after they’ve seen your show?

Delightful Sausage are not to be missed, ever. They are the so funny and their shows are so charming, gruesome, inventive. Sean Morley is another act that if you didn’t see at the Fringe, sorry, but you’ve not really been to the Fringe!! The man is single handily making a new genre of comedy. Foxdog Studios are musical, hilarious, robot making magicians. All these acts are treasures, and be warned: they will sell out a lot!

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+3 Interview: Father

Posted in *Written Interviews, Plus 3 2019 – Features by

“So yes I do believe theatre can have an active role now. We are at a crucial point in our civilization.”

WHO: Francesca Bartellini: Writer, Director, Actress

WHAT: “A woman reveals her daughter’s terrible secret which only surfaces as the daughter becomes a young woman. The father is a well-known meteorologist who abused her own daughter. ‘In the dense poetic texture of the script there is a haunting vision of a world destroyed by patriarchal attitudes taking some kind of watery revenge on the whole of humanity; including women like this mother, who collude with abusive men by somehow seeing and saying nothing, even when the truth is right in front of their eyes’ (Joyce McMillan, Scotsman).”

WHERE: Greenside @ Infirmary Street – Forest Theatre (Venue 236) 

WHEN: 20:50 (55 min)

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Is this your first time to Edinburgh?

Yes, this is my first time and I am really looking forward to being in such an international theatre community.

I am also aware of the huge competition, but my show speaks about topical issues in a quite provocative way. Audiences have reacted positively already, especially young public which makes me particularly happy.

What’s the biggest thing to have happened to you since Festivals ’18?

In the last twelve months, working on FATHER has been most rewarding and we received critical and public success when it previewed at the Tron Theatre in Glasgow in April. I’ve also presented a companion piece MOTHER, an installation performance piece, at the Contemporary Museum in Naples – it’s known as Mother as well, and world-renowned; I’m developing two feature film projects and I’m writing what will be a very provocative book about Michelangelo… it’s been an extremely busy and productive year!

Tell us about your show.

I wrote it and I am directing and performing the play. The producer is Ipazia production, a new company created by a friend of mine. We have opened with a preview in Glasgow at the Tron theatre in April 2019 and had really positive reviews. I am aiming to take this play around the world.
I started my theatre career in Chicago and New York city where plays of mine have won awards. So naturally, these two cities are in my heart as well as many cities in Europe. I lived in Paris for many years and worked as director of documentaries in Europe and South Africa. I’d love to take the play to Cape Town and Johannesburg to the Baxter and the Market theatres.

FATHER, is a one-woman show and carries a message. It’s based on a friend of mine’s real experience and it’s an intimate work with mythical scope, where the personal experiences of the child and parent are reflected in our wider relationship with Mother Nature and the evolving tragedy of our climate. In fact, when my friend was telling me her story I immediately envisioned a wider perspective. The father here is also a well-known meteorologist who is aware of climate change. He wants to save the Earth: he believes Man is the cause of the disaster; therefore Man should be the solution. He is lost in his own delusion because he was the first to commit a crime having abused his own daughter. So multiple layers of storytelling give to this play a strong metaphorical meaning. I believe theatre to be the only place where in the dark you are confronted with another human being’s feelings in that precise moment. No technology. This is so vital for getting in touch with our deeper emotions.

So yes I do believe theatre can have an active role now. We are at a crucial point in our civilization. Many people do not realize how dangerous the situation we are living in is, even if many scientists are more and more alarmed. But as my meteorologist says in the play: ‘ What if they are using us as a cover? They send us on television…they let us having conferences…but what if no one of them cares?’ And this is definitely what people in the world are start thinking about the decision makers and who is behind them.

What should your audience see at the festivals after they’ve seen your show?

There are some fantastic shows at Greenside – the venue in which I’m performing – I will see Hitler’s Tasters – like my show, based on a true story – about the young women who were given the honour of checking that Hitler’s food was not poisoned – the patriarchy at work again … Ontroerend Goed I’ve heard great things about and their show Are We Not Drawn Onward to a New Era is looking at the future for humanity. I’m intrigued by Cardboard Citizens’ show Bystanders – about the shocking experiences of homelessness, which, again, is based on true stories.

There’s other artist too that are tackling the issue of climate change: Sam Haygarth: Climate Crisis, David Finnigan’s You’re Safe ’Til 2024, BoxedinTheatre’s Daphne or Hellfire… considering where we are right now, I’m surprised there aren’t hundreds of show about what’s happening to our planet! I am looking forward to discovering new, radical artists, making work that asks questions and deals with where we are now at this point in human history. I’m looking forward to the sheer scale of creativity that Edinburgh offers in August and I’m looking forward to exploring the City’s architecture, galleries and hidden corners.

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+3 Interview: Not Black and White

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“We are very excited that Not black and white will premiere at Edinburgh Festival Fringe 2019 and will be followed by a UK tour in 2020.”

WHO: Henry Bays, Producer

WHAT: “United by love, broken by reality. Remelle faces a constant battle to feel comfortable in her own skin. Her family want her to be proud of her heritage but she hasn’t become a successful business woman by flaunting her Jamaican roots. Now life’s pressures are starting to get to her, but are they all real? A new piece from the award-winning creators of the critically acclaimed Freeman. Praise for Strictly Arts: ‘a revelation, a piece of stunning physical theatre’ (Guardian). ‘Outstanding artistic courage’ (BroadwayBaby.com). ‘Breath-taking ensemble work that is visually captivating’ (Everything-Theatre.co.uk).”

WHERE: Pleasance Courtyard – Pleasance Above (Venue 33) 

WHEN: 17:10 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

Our first time at Edinburgh Fringe festival was last year performing Freeman. It was quite an overwhelming experience, not only because Freeman did so well and we received tremendous support, but also because the festival is so BIG. It’s exhausting but also rewarding which is why we’re coming back for more.

What’s the biggest thing to have happened to you since Festivals ’18?

We went International for the first time! Off the back of the Fringe run, we were given the opportunity to perform Freeman in Chicago at the Physical Theater Festival in June, and in August the Freeman cast will be heading to Peru to perform the show and deliver workshops in Lima.

Tell us about your show.

Our new show, Not Black and White, explores the pressures placed on a young successful black woman; in the workplace, at home, from her family, and the struggles she has with her own identity, through the prism of an interracial relationship. Her husband also struggles with his own feelings of inadequacy and his finite capacity to empathise with the issues he’s never had to experience.

It is written and directed by Strictly Arts’ Artistic Director Corey Campbell, recently made a Creative Lead for the Coventry City of Culture 2021 project, and is produced by Strictly Arts Theatre Company in association with The Pleasance. We are very excited that Not black and white will premiere at Edinburgh Festival Fringe 2019 and will be followed by a UK tour in 2020.

What should your audience see at the festivals after they’ve seen your show?

The Fishermen was our favourite show last year and it’s back for 6 shows only so do go if you can. We’d also recommend The Charlie Hartill Special Theatre Reserve Fund recipients: Poor Michelle’s Bible John and Wonderbox’s A Womb of One’s Own.

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+3 Interview: Shit-Faced Shakespeare: Macbeth

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“Our Artistic Director got our resident drunken Technician pregnant which has meant neither of them are at the Fringe this year and we have had to hire an even bigger drinker to don our tech box for Edinburgh 2019.”

WHO: Beth Louise-Priestly, Producer

WHAT: “They have toured the world, won multiple awards, broken onto London’s West End, survived eight consecutive Festival Fringes and once received a zero-star review in The Times! They are Shit-Faced Shakespeare and they are back in Edinburgh with an all-new show for 2019. Featuring a cast of classically trained actors and a single drunken performer thrown into the mix every night. What could possibly go right? And to make sure that luck will be on their side, this year they are bringing Macbeth! Is this a lager I see before me? Yes, yes it is.”

WHERE: Underbelly, Bristo Square – McEwan Hall (Venue 302) 

WHEN: 23:00 (60 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No we have been mixing our cocktail of The Bard, Booze and Bonny Edinburgh together since the opening of the Olympics back in 2012. This year is our 8th Edinburgh Fringe Festival and we are delighted to be back in the beautiful (and really rather large) McEwan Hall.

What’s the biggest thing to have happened to you since Festivals ’18?

Oh, want the gossip do you? Well, our Artistic Director got our resident drunken Technician pregnant which has meant neither of them are at the Fringe this year and we have had to hire an even bigger drinker to don our tech box for Edinburgh 2019 – is that the kind of personal news you were after?

Tell us about your show.

Shit-faced Shakespeare was the brainchild between Rev. Lewis Ironside and Cpt. Chris Snelson; one drunken night they came up with the concept, then one – I forget who – accidentally blurted to a national newspaper that they would be putting it on at SGP that year. When the article got published the show had to go on and so the hilarious combination of an entirely serious adaptation of Macbeth with an entirely shit-faced cast member was born. This year marks our 10 year anniversary of performing SFS so the formula is still ‘going down nicely’. We basically take 6 classically trained actors and get one of them, classically, Shakespeareanly, shit-faced. What could possibly go right?

What should your audience see at the festivals after they’ve seen your show?

We are a huge fan of the guys at Massaoke – you can’t come to the fringe and not go and have a mass singalong with all the other festival goers… Also it’s the best gig in town to get your sequins on for.
If you really enjoyed our show though do go and check out our younger better-looking sister performing at the Cowbarn, Shit-faced Showtime: Alice through the cocktail glass – we may be biased but it really is bloody brilliant!

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+3 Interview: McNaughton

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“Steve Buscemi, Michael Gambon and Simon Pegg were in my category to name a few so I was chuffed to bits to be in with these A-Listers.”

WHO: Jason Harvey, Actor 

WHAT: “In his cell, woodturner Daniel McNaughton, wronged by his father, dismissed by the Glaswegian legal establishment, awaits sentence for his botched attempt to shoot Prime Minister Robert Peel. Lawyers are keen to use him as a test case for pleas of insanity in murder trials. Whatever the outcome, it will set a precedent for a hundred years… The McNaughton Rules. This prize-winning dramatic monologue by Steve Gooch is both powerful and engaging but is also laced with rueful humour.”

WHERE: theSpace on the Mile – Space 1 (Venue 39) 

WHEN: 19:00 (65 min)

MORE: Click Here!

Is this your first time to Edinburgh?

No I’ve performed at The Edinburgh Fringe before in 2008 in a Play called “The Pipers Trail”
Where I was part of a large cast and I played 6 different characters. McNaughton being a one man play will certainly be different to say the least.

What’s the biggest thing to have happened to you since Festivals ’18?

I was nominated for BEST SUPPORTING ACTOR for Playing “Wallace “ in Feature film “RETREAT’” at the NATIONAL FILM AWARDS in January and the Ceremony was in London late March. Steve Buscemi, Michael Gambon and Simon Pegg were in my category to name a few so I was chuffed to bits to be in with these A-Listers. An amazing experience.  RETREAT was also nominated for BEST FEATURE FILM

Tell us about your show.

McNaughton is a one man play that tells the story of Glaswegian Woodturner ‘Daniel McNaughton’ Who tried to assassinate Prime minister SIR ROBERT PEEL in 1843.

His court case was used as a test case in his plea for INSANITY, which changed LAW forever in Britain. McNAUGHTON was written by Award winning Playwright Steve Gooch and Directed by Christine Kimberley.

Skelf Productions are Producing the show and on its first run at the Edinburgh Fringe.
There are plans to tour the show after the Fringe.

What should your audience see at the festivals after they’ve seen your show?

I would definitely go see “ZOMBIE ZOO” at the Hill Street Theatre. Basically set in a Zombie prison with lots of song Dance and Humour. No doubt a few Brains getting eaten so no doubt a good laugh.

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